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Author: Diana Maury Robin
Publisher: SUNY Press
ISBN: 9780791439937
Category : Performing Arts
Languages : en
Pages : 404
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Book Description
Examines the work and aspirations of women filmmakers in Latin America, Africa, and Asia, as well as in marginalized communities within the United States, with particular attention to issues of gender, race, nation, and aesthetics.
Author: Diana Maury Robin
Publisher: SUNY Press
ISBN: 9780791439937
Category : Performing Arts
Languages : en
Pages : 404
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Book Description
Examines the work and aspirations of women filmmakers in Latin America, Africa, and Asia, as well as in marginalized communities within the United States, with particular attention to issues of gender, race, nation, and aesthetics.
Author: Larry Squire
Publisher: Academic Press
ISBN: 0123858704
Category : Medical
Languages : en
Pages : 1154
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Book Description
This comprehensive textbook seeks to define the full scope of neuroscience. Developed in accordance with results of extensive reviews, the text is divided into seven integrated sections.
Author: Brian Parkinson
Publisher: Cambridge University Press
ISBN: 1108484506
Category : Psychology
Languages : en
Pages : 433
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Book Description
Positions emotion in the social world by arguing that its central function is to align relations between people.
Author: Laurence Harris
Publisher: Springer Science & Business Media
ISBN: 0387955259
Category : Computers
Languages : en
Pages : 444
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Book Description
Perceptual processes can be approached experimentally and conceptually at many levels: A phenomenon that appears at one level may not be the same as a superficially similar phenomenon that appears at a different level. Levels of Perception reviews the importance of considering perception as a multilevel process. This book includes sections on brightness and light, eye movements and perception, and perception of orientation and self-motion. The accompanying CD-ROM contains exciting color imageries and video clips associated with various chapters. All neuroscientists, physiologists, and graduate students working in vision, as well as those involved in using visual processes in computer animations, display design, or the sensory systems of machines, will find Levels of Perception invaluable.
Author: Geetha Ramanathan
Publisher: Wallflower Press
ISBN: 9781904764694
Category : Performing Arts
Languages : en
Pages : 256
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Book Description
Feminist Auteurs examines a rich and diverse body of work that has received insufficient attention both in film studies and in feminist theory on film. Looking at individual films within the context of feminist film as a genre, Ramanathan examines film from diverse cultural traditions, while paying close attention to what might be regarded as feminist in different cultural contexts. The films chosen expand our ideas of feminism covering as they do film from Africa, Latin America, Europe, Asia and the US. Full-length interpretations of twenty-four films, both older and contemporary, including Vagabond, India Song, Bhaji on the Beach, Chocolat, and Daughters of the Dust lay out a complete and powerful framework for reading women's film.
Author: John M Findlay
Publisher: Oxford University Press
ISBN: 019852479X
Category : Medical
Languages : en
Pages : 235
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Book Description
This title focuses on vision as an active process, rather than a passive activity and provides an integrated account of seeing and looking. The authors give a thorough description of basic details of the visual and oculomotor systems necessary to understand active vision.
Author: Gil Z. Hochberg
Publisher: Duke University Press
ISBN: 0822375516
Category : Performing Arts
Languages : en
Pages : 232
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Book Description
In Visual Occupations Gil Z. Hochberg shows how the Israeli Occupation of Palestine is driven by the unequal access to visual rights, or the right to control what can be seen, how, and from which position. Israel maintains this unequal balance by erasing the history and denying the existence of Palestinians, and by carefully concealing its own militarization. Israeli surveillance of Palestinians, combined with the militarized gaze of Israeli soldiers at places like roadside checkpoints, also serve as tools of dominance. Hochberg analyzes various works by Palestinian and Israeli artists, among them Elia Suleiman, Rula Halawani, Sharif Waked, Ari Folman, and Larry Abramson, whose films, art, and photography challenge the inequity of visual rights by altering, queering, and manipulating dominant modes of representing the conflict. These artists' creation of new ways of seeing—such as the refusal of Palestinian filmmakers and photographers to show Palestinian suffering or the Israeli artists' exposure of state manipulated Israeli blindness —offers a crucial gateway, Hochberg suggests, for overcoming and undoing Israel's militarized dominance and political oppression of Palestinians.
Author: Ágnes Pethő
Publisher: Cambridge Scholars Publishing
ISBN: 1443873950
Category : Performing Arts
Languages : en
Pages : 395
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Book Description
Following a previous international conference at the Sapientia Hungarian University of Transylvania in Cluj-Napoca, Romania, and the subsequent publication of a volume of studies with the title Film in the Post-Media Age (Cambridge Scholars Publishing, 2012), which insisted, citing the words of Jacques Rancière, that the ecosystem of contemporary moving images should be understood not as a unified digital environment, but as a highly diversified, “multisensory milieu,” another conference was organised, focusing this time directly on the “multisensory” nature of moving images. Pairing the keywords “cinema” and “sensation”, an invitation was extended for presentations offering a closer examination of the sensual aspects of moving images in order to identify and map out at least some of the possible new directions perceived as taking shape as “sensuous” film studies. The questions contributors addressed included: What kind of paradigms, authors, and styles can be identified in the practice of a cinema exploring the palpable presence of bodies in film history? How can sensory, audiovisual perception and cognitive knowledge be connected when watching moving images? What does the experience of so-called haptic images entail in film and video art? How does an emphasis on sensations and the body relate to representations of social issues and cultural difference? How are representations of other arts in films, or the filmic image appearing as a painterly tableau perceived? How can new images incorporate a sensation of “old” images? What is the difference between haptic images and “hyper” cinema in the form of 3D movies? How can the new naturalistic trends in contemporary cinema be interpreted? What kind of sensual forms are devised for what is unrepresentable or impalpable? The conference took place between the 25th and 27th of May 2012, with the title The Cinema of Sensations, and attracted researchers from all over the world for what turned out to be three days of presentations on extremely varied subjects and lively discussions conducted in a memorably cheerful atmosphere. The present volume is the palpable outcome of these debates, and publishes a selection of articles that have been written for, or after, this conference.
Author: Michele White
Publisher: Routledge
ISBN: 0429619855
Category : Social Science
Languages : en
Pages : 232
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Book Description
Thoughtful, witty, and illuminating, in this book Michele White explores the ways normative masculinity is associated with computers and the Internet and is a commonly enacted online gender practice. Through close readings and a series of case studies that range from wedding forums to men’s makeup video tutorials, White considers the ways masculinities are structured through people’s collaborations and contestations over the establishment of empowered positions, including debates about such key terms and positions as “the nice guy,” “nerd,” “bro,” and “groom.” She asserts that cultural notions of masculinity are reliant on figurations of women and femininity, and explores cultural conceptions of masculinity and the association of normative white heterosexual masculinity with men and women. A counterpart to her earlier book, Producing Women, White has crafted an excellent primer for scholars of gender, media, and Internet studies.
Author: Amanda Gebhard
Publisher: Fernwood Publishing
ISBN: 1773635468
Category : Social Science
Languages : en
Pages : 295
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Book Description
When working with Indigenous people, the helping professions —education, social work, health care and justice — reinforce the colonial lie that Indigenous people need saving. In White Benevolence, leading anti-racism scholars reveal the ways in which white settlers working in these institutions shape, defend and uphold institutional racism, even while professing to support Indigenous people. White supremacy shows up in the everyday behaviours, language and assumptions of white professionals who reproduce myths of Indigenous inferiority and deficit, making it clear that institutional racism encompasses not only high-level policies and laws but also the collective enactment by people within these institutions. In this uncompromising and essential collection, the authors argue that white settler social workers, educators, health-care practitioners and criminal justice workers have a responsibility to understand the colonial history of their professions and their complicity in ongoing violence, be it over-policing, school push-out, child apprehension or denial of health care. The answer isn’t cultural awareness training. What’s needed is radical anti-racism, solidarity and a relinquishing of the power of white supremacy.
