Progressive Techniques for Tuba PDF Download
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Author: Donald Knaub
Publisher:
ISBN:
Category : Tuba
Languages : en
Pages : 128
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Book Description
Author: Donald Knaub
Publisher:
ISBN:
Category : Tuba
Languages : en
Pages : 128
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Book Description
Author:
Publisher: Alfred Music
ISBN: 9780757913716
Category :
Languages : en
Pages : 0
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Book Description
This book, based on Blazhevich etudes for tuba, presents excellent study materials covering all aspects of performance. A daily application of the suggestions in the warm-up routine section, in addition to careful preparatino of the subsequent etudes, will prove beneficial to all students of the instruments. 128 Pages. (MCA MUSIC)
Author: R. Winston Morris
Publisher: Indiana University Press
ISBN: 0253112257
Category : Music
Languages : en
Pages : 688
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Book Description
Guide to the Tuba Repertoire is the most comprehensive investigation ever undertaken into the literature and discography of any single musical instrument. Under the direction of R. Winston Morris and Daniel Perantoni, this publication represents more than 40 years of research by dozens of leading professionals throughout the world. The guide defines the current status of the tuba and documents its growth since its inception in 1835. Contributors are Ron Davis, Jeffrey Funderburk, David Graves, Skip Gray, Charles A. McAdams, R. Winston Morris, Mark A. Nelson, Timothy J. Northcut, Daniel Perantoni, Philip Sinder, Joseph Skillen, Kenyon Wilson, and Jerry A. Young.
Author: Angelo Piazzini
Publisher:
ISBN: 9788831923620
Category : Music
Languages : en
Pages : 120
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Book Description
Author: David Vining
Publisher:
ISBN: 9781935510130
Category :
Languages : en
Pages :
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Book Description
Daily Routines for the Student Tuba Player is a systematic approach to help student tuba players develop and maintain fundamental tuba skills. Designed to challenge students but not overwhelm them, there are nine routines: Beginning, Air, Valve Technique, Intermediate, Ear Training, Fourth Valve, Duet and Intonation, Intervals, and Advanced Routine. Each routine incorporates the following skill categories: long tones and mouthpiece buzzing, crescendo/diminuendo, flexibility, subito dynamics, resonant low playing, articulation, high range, and low warm-down. By applying these skill categories as a template to each routine, students are sure to develop all of their skills equally.
Author: Harvey Phillips
Publisher: Alfred Music
ISBN: 1457404389
Category : Music
Languages : en
Pages : 108
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Book Description
This book serves the need for an authoritative guide to the euphonium and tuba for students, teachers, and professional performers. The content and presentation as applied to the wind instruments are clearly stated. Detailed discussion by Phillips and Winkle includes many considerations for all levels of performance. The appendix includes study materials recommended for beginning, intermediate and advanced levels. This book also presents a pictorial history of the evolution and development of the tuba/euphonium family with a selected list of outstanding artists who make up its heritage.
Author: Angelo Piazzini
Publisher: Glissato Edizioni Musicali
ISBN:
Category : Music
Languages : en
Pages : 43
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Book Description
This “Progressive Balancing in Staccato-Advanced Progressive Technical Exercises for Bass and Contrabass Tuba” is entirely dedicated to the study of the staccato. This essay is indeed composed by a first part in a major tonality and a second part in a minor tonality, which are in turn divided into a regular and reverse mode. This, first of all, gives the brass instrument players (may they be professionals or students), the possibility to increase their speed, their precision in the technique and in the staccato, developing, by a gradual balancing of the embouchure, the attacks, the staccato, the octaves, the register, the control, the embouchure, the accuracy and the speed in the technique. I suggest to start at a comfortable metronome speed (75-80), to then gradually increase till the maximum reachable speed, in order to accelerate these advanced technical exercises. I abstain on purpose from proposing instructions as regards the dynamics of performance, because in this case they do not play a significant role, in contrast to what usually occurs in music and scores. I suggest, however, to face the exercises of this essay with some dynamics that can go from “mf” (mezzoforte) up to “f” (forte), or from “mp” (mezzo piano) up to a considerable“mf” (mezzo forte). I leave the player completely free to choose the type of staccato. I suggest howeverto change it day by day, for example by employing a simple staccato the first day, a double staccato the day after, and a triple one the third day, going back to a simple staccato and so on. Besides, one may choose to play, every other day, major and minor tonalities, or one day only theregular mode and the next day the reverse one, all at the complete discretion of the player. Finally, as regards Books 2, 3, and 4, they will clearly have to be performed by employing the double and triple staccatos, which are the designated choices for them. Angelo Piazzini
Author: United States Department of the Army
Publisher:
ISBN:
Category :
Languages : en
Pages : 116
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Book Description
Author: Richard S. Williams
Publisher:
ISBN:
Category : Bands (Music)
Languages : en
Pages : 410
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Book Description
"Foundations for Superior Performance" is designed to help structure the daily rehearsal and advance the performance level of the ensemble. The primary goal is to offer a framework of exercises and routine drills that will facilitate the mastery of essential playing fundamentals. Different skill levels have been integrated into this book to meet the needs of the inexperienced player, and, at the same time, challenge the most advanced.
Author: Angelo Piazzini
Publisher: Glissato Edizioni Musicali
ISBN:
Category : Music
Languages : en
Pages : 43
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Book Description
This “Progressive Balancing in Staccato-Advanced Progressive Technical Exercises for Bass and Contrabass Tuba” is entirely dedicated to the study of the staccato. This essay is indeed composed by a first part in a major tonality and a second part in a minor tonality, which are in turn divided into a regular and reverse mode. This, first of all, gives the brass instrument players (may they be professionals or students), the possibility to increase their speed, their precision in the technique and in the staccato, developing, by a gradual balancing of the embouchure, the attacks, the staccato, the octaves, the register, the control, the embouchure, the accuracy and the speed in the technique. I suggest to start at a comfortable metronome speed (75-80), to then gradually increase till the maximum reachable speed, in order to accelerate these advanced technical exercises. I abstain on purpose from proposing instructions as regards the dynamics of performance, because in this case they do not play a significant role, in contrast to what usually occurs in music and scores. I suggest, however, to face the exercises of this essay with some dynamics that can go from “mf” (mezzoforte) up to “f” (forte), or from “mp” (mezzo piano) up to a considerable“mf” (mezzo forte). I leave the player completely free to choose the type of staccato. I suggest howeverto change it day by day, for example by employing a simple staccato the first day, a double staccato the day after, and a triple one the third day, going back to a simple staccato and so on. Besides, one may choose to play, every other day, major and minor tonalities, or one day only theregular mode and the next day the reverse one, all at the complete discretion of the player. Finally, as regards Books 2, 3, and 4, they will clearly have to be performed by employing the double and triple staccatos, which are the designated choices for them. Angelo Piazzini
