Principles of Orchestration PDF Download
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Author: Nikolay Rimsky-Korsakov
Publisher:
ISBN:
Category : Instrumentation and orchestration
Languages : en
Pages : 524
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Book Description
Author: Nikolay Rimsky-Korsakov
Publisher:
ISBN:
Category : Instrumentation and orchestration
Languages : en
Pages : 524
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Book Description
Author: Nikolay Rimsky-Korsakov
Publisher:
ISBN:
Category : Instrumentation and orchestration
Languages : en
Pages : 502
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Book Description
Author: Alfred Blatter
Publisher: Cengage Learning
ISBN: 9780534251871
Category : Arrangement (Music)
Languages : en
Pages : 0
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Book Description
The second edition features a new discussion of the bugle, information on percussion instruments of American and African origin, an extensively rewritten section on the organ, and the addition of Spanish terms to the existing English, French, German, and Italian. Appendixes on MIDI, guitar fingering, and guitar chords are new to the second edition, and the material on electronic instruments and electronic sound modification has been revised and expanded. The revision also includes nearly 100 new musical examples.
Author: Nikolay Rimsky-Korsakov
Publisher: Courier Corporation
ISBN: 0486212661
Category : Music
Languages : en
Pages : 511
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Book Description
In this affordable paperback reprint of an influential work of music theory, Rimsky-Korsakov, the great classical orchestrator, provides fundamentals of tonal resonance, progression of parts, voice and orchestra, tutti effects, and much more. This major document includes 330 pages of musical excerpts and extracts from Rimsky-Korsakov's 1891 draft and final versions of his Preface.
Author: Nikolay Rimsky Korsakov
Publisher: CreateSpace
ISBN: 9781517392284
Category :
Languages : en
Pages : 266
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Book Description
Rimsky-Korsakov had long been engrossed in his treatise on orchestration. We have in our possession a thick note book of some 200 pages in fine hand writing, dating from the years 1873-1874, containing a monograph on the question of acoustics, a classification of wind instruments and a detailed description of the construction and fingering of the different kinds of flute, the oboe, clarinet and horn.
Author: Nikolay Rimsky-Korsakov
Publisher: Franklin Classics Trade Press
ISBN: 9780353331440
Category : History
Languages : en
Pages : 512
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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Nikolay Rimsky-Korsakov
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Nikolay Rimsky-Korsakov
Publisher:
ISBN:
Category : Instrumentation and orchestration
Languages : en
Pages : 485
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Book Description
Author: Nikolay Rimsky-Korsakov
Publisher: Createspace Independent Publishing Platform
ISBN: 9781537633541
Category :
Languages : en
Pages : 164
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Book Description
Principles of Orchestration By Nikolay Rimsky-Korsakov Edited by Maximilian Steinberg English Translation by Edward Agate A Treatise on Orchestration Volume I Orchestration is the study or practice of writing music for an orchestra or of adapting music composed for another medium for an orchestra. For example, a work for solo piano could be adapted and orchestrated so that an orchestra could perform the piece. As regards orchestration it has been my good fortune to belong to a first-rate school, and I have acquired the most varied experience. In the first place I have had the opportunity of hearing all my works performed by the excellent orchestra of the St. Petersburgh Opera. Secondly, having experienced leanings towards different directions, I have scored for orchestras of different sizes, beginning with simple combinations (my opera The May Night is written for natural horns and trumpets), and ending with the most advanced. In the third place, I conducted the choir of the Military Marine for several years and was therefore able to study wind-instruments. Finally I formed an orchestra of very young pupils, and succeeded in teaching them to play, quite competently, the works of Beethoven, Mendelssohn, Glinka, etc. All this has enabled me to present this work to the public as the result of long experience.
Author: Nikolaj Andreevič Rimskij-Korsakov
Publisher:
ISBN:
Category : Instrumentation and orchestration
Languages : en
Pages : 152
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Book Description
