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Author: Emma Redden
Publisher:
ISBN: 9780615902272
Category :
Languages : en
Pages :
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Book Description
Author: Emma Redden
Publisher:
ISBN: 9780615902272
Category :
Languages : en
Pages :
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Book Description
Author: Jamila Brijbhushan
Publisher: Abhinav Publications
ISBN: 9788170170334
Category :
Languages : en
Pages : 218
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Book Description
Shrimati Kamaladevi Chattopadhyaya has blazed the trail in a number of fields such as theatre, cooperation and handicrafts. Women’s liberation enthusiasts today would be hard put to find a cause which she had not championed years ago. Hard work and dedication to chosen causes have been her hallmark. She has fought for what she considered right, refusing to allow herself to be fitted into any mould or to compromise her beliefs to please anyone. Dubbed the “supremely romantic figure†of the freedom struggle, she defied the British Government both in India and abroad, winning many spectacular victories. The honours she refused-governorship, ambassadorship and vice-presidential nomination-would make any politicians, mouth water and her journalistic achievements have been of an order to satisfy the most demanding editor. A truly remarkable personality who, perhaps, more than any man in India deserves the label—“a Renaissance man†.
Author: Frank Möller
Publisher: Springer
ISBN: 3030032221
Category : Political Science
Languages : en
Pages : 290
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Book Description
This study thinks with photography about peace. It asks how photography can represent peace, and how such representation can contribute to peace. The book offers an original critique of the almost exclusive focus on violence in recent work on visual culture and presents a completely new research agenda within the overall framework of visual peace research. Critically engaging with both photojournalism and art photography in light of peace theories, it looks for visual representations or anticipations of peace – peace or peace as a potentiality – in the work of selected photographers including Robert Capa and Richard Mosse, thus reinterpreting photography from the Spanish Civil War to current anti-migration politics in Europe. The book argues that peace photography is episodic, culturally specific, process-oriented and considerate of both the past and the future.
Author: Richard P. Unsworth
Publisher: Syracuse University Press
ISBN: 0815651821
Category : Biography & Autobiography
Languages : en
Pages : 362
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Book Description
This biography tells the story of André and Magda Trocmé, two individuals who made nonviolence a way of life. During World War II, the southern French town of Le Chambon-sur-Lignon and its surrounding villages became a center where Jews and others in flight from Nazi roundups could be hidden or led abroad, and where children with parents in concentration camps could be nurtured and educated. The Trocmés’ courage during World War II has been well documented in books and film, yet the full arc of their lives—the impulse that led them to devote themselves to nonviolence and their extensive work in the decades following the war—has never been compiled into a full-length biography. Based on the Trocmés’ unpublished memoirs, interviews, and the author’s research, the book details the couple’s role in the history of pacifism before, during, and after the war. Unsworth traces their mission of building peace by nonviolence throughout Europe to Morocco, Algeria, Japan, Vietnam, and the United States. Analyzing the political and religious complexities of the pacifist movement, the author underscores the Trocmés’ deeply personal commitment. Regardless of which nation was condoning violence, shaping international relations, or pressing for peace, and regardless of whose theology dominated the pulpits, both André and Magda remained driven by conscience to make nonviolence the hallmark of their life’s work.
Author: Libby Saxton
Publisher: Edinburgh University Press
ISBN: 1474463177
Category : Electronic books
Languages : en
Pages : 192
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Book Description
The first detailed study of what filmic images can tell us about iconic photographs, No Power Without an Image reveals the multifaceted connections between seven celebrated photographs of political struggles, taken between 1936 and 1968, and cinema in all its forms. Moving from the 'paper cinema' of magazines via newsreels and film journals, to documentary, fiction and experimental films, this fascinating book draws on original archival research and multidisciplinary icon theory to explore new ways of thinking about the confluence of still and moving images.
Author: Chander Behl
Publisher: FriesenPress
ISBN: 1460258037
Category : Philosophy
Languages : en
Pages : 1032
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Book Description
The domain of spirituality, separated from its theological overburden, believes in the existence of a spiritual self, presumed to be distinctly separate from the psychological self. The spiritual eternal self, also known as the soul or spirit (sometimes supported by an overarching Spirit), is asserted to be operating behind the ephemeral self. This book takes a contrarian stance; it argues that the premise of the soul concept is obtained through the magic of language, maintained through the marvel of the brain’s biochemistry, and sustained through the mirage of the psychological juggernauts of the brain. The magic, the marvel and the mirage, together, bring about subtle shifts as the linguistic brain suppresses many psychological details, habitually applies mental templates such as inversions and dichotomies, and enhances its language by coining religious and spiritual metaphors. The consequence of these changes is that the usual flickering self begins to be impressed by itself, believing it is buttressed by something transcendental and eternal within: the soul or the spirit. The self, although indoctrinated during its formative years, also begins to assimilate and accept the opinion that the overwhelming weight of religious doctrines and dogmas, the overburden, signifies as the legitimate proof for the eternal soul.
Author: Marta Zarzycka
Publisher: Routledge
ISBN: 1317599241
Category : Social Science
Languages : en
Pages : 277
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Book Description
Photographic stills of women, appearing in both press coverage and relief campaigns, have long been central to the documentation of war and civil conflict. Images of non-Western women, in particular, regularly function as symbols of the misery and hopelessness of the oppressed. Featured on the front pages of newspapers and in NGO reports, they inform public understandings of war and peace, victims and perpetrators, but within a discourse that often obscures social and political subjectivities. Uniquely, this book deconstructs – in a systematic, gender-sensitive way – the repetitive circulation of certain images of war, conflict and state violence, in order to scrutinize the role of photographic tropes in the globalized visual sphere. Zarzycka builds on feminist theories of representations of war to explore how the concepts of femininity and war secure each other’s intelligibility in photographic practices. This book examines the complex connections between photographic tropes and the individuals and communities they represent, in order to rethink the medium of photography as a discursive and political practice. This book interrogates both the structure and transmission of contemporary encounters with war, violence, and conflict. It will appeal to advanced students and scholars of gender studies, visual studies, media studies, photography theory, cultural anthropology, cultural studies, and trauma and memory studies.
Author: David Rojinsky
Publisher: Springer Nature
ISBN: 3031175905
Category : Photography
Languages : en
Pages : 305
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Book Description
This book examines the archival aesthetic of mourning and memory developed by Latin American artists and photographers between 1997-2016. Particular attention is paid to how photographs of the assassinated or disappeared political dissident of the 1970s and 1980s, as found in family albums and in official archives, were not only re-imagined as conduits for private mourning, but also became allegories of social trauma and the struggle against socio-political amnesia. Memorials, art installations, photo-essays, street projections, and documentary films are all considered as media for the reframing of these archival images from the era of the Cold War dictatorships in Argentina, Chile, Guatemala, and Uruguay. While the turn of the millennium was supposedly marked by “the end of history” and, with the advent of digital technologies, by “the end of photography,” these works served to interrupt and hence, belie the dominant narrative on both counts. Indeed, the book's overarching contention is that the viewer’s affective identification with distant suffering when engaging these artworks is equally interrupted: instead, the viewer is invited to apprehend memorial images as emblems of national and international histories of ideological struggle.
Author: Mohammad Hatta
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110870649
Category : Language Arts & Disciplines
Languages : en
Pages : 604
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Book Description
No detailed description available for "Portrait of a Patriot".
Author: Marco Andreani
Publisher: Cambridge Scholars Publishing
ISBN: 1527524884
Category : Photography
Languages : en
Pages : 277
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Book Description
Enriched with an introduction by David Forgacs, this book explores the complex relationship between photography and power in its various manifestations in Italian history throughout the nineteenth, twentieth and twenty-first centuries. How did the Italian state employ the medium of photography as an instrument of dominance? In which ways has photography been used as a critical medium to resist hegemonic discourses? Taking into account published and unpublished images from professional photographers such as Letizia Battaglia, Tano D’Amico and Mario Cresci and non-professional photographers, artists, photo-reporters, and war soldiers, as well as social scientists and criminologists, such as Cesare Lombroso, this book unfolds the operations of power that lay behind the apparent objectivity of the photographic frame. Some essays in this volume discuss the use of photography in national and colonial discourses, as well as its employment in constructing images of power from war propaganda and fascism to public personas like Benito Mussolini and Silvio Berlusconi. Other contributions examine the ways in which the medium has been employed to create counter-hegemonic discourses, from the Resistance and the years of lead up to the contemporary times. Among the contributors to this volume are major international scholars on Italian photography such as Gabriele D’Autilia, Nicoletta Leonardi and Pasquale Verdicchio.
