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Author: Marek Haltof
Publisher: Berghahn Books
ISBN: 0857453572
Category : Performing Arts
Languages : en
Pages : 288
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Book Description
During World War II Poland lost more than six million people, including about three million Polish Jews who perished in the ghettos and extermination camps built by Nazi Germany in occupied Polish territories. This book is the first to address the representation of the Holocaust in Polish film and does so through a detailed treatment of several films, which the author frames in relation to the political, ideological, and cultural contexts of the times in which they were created. Following the chronological development of Polish Holocaust films, the book begins with two early classics: Wanda Jakubowska's The Last Stage (1948) and Aleksander Ford's Border Street (1949), and next explores the Polish School period, represented by Andrzej Wajda's A Generation (1955) and Andrzej Munk's The Passenger (1963). Between 1965 and 1980 there was an "organized silence" regarding sensitive Polish-Jewish relations resulting in only a few relevant films until the return of democracy in 1989 when an increasing number were made, among them Krzysztof Kieślowski's Decalogue 8 (1988), Andrzej Wajda's Korczak (1990), Jan Jakub Kolski's Keep Away from the Window (2000), and Roman Polański's The Pianist (2002). An important contribution to film studies, this book has wider relevance in addressing the issue of Poland's national memory.
Author: Marek Haltof
Publisher: Berghahn Books
ISBN: 0857453572
Category : Performing Arts
Languages : en
Pages : 288
Get Book
Book Description
During World War II Poland lost more than six million people, including about three million Polish Jews who perished in the ghettos and extermination camps built by Nazi Germany in occupied Polish territories. This book is the first to address the representation of the Holocaust in Polish film and does so through a detailed treatment of several films, which the author frames in relation to the political, ideological, and cultural contexts of the times in which they were created. Following the chronological development of Polish Holocaust films, the book begins with two early classics: Wanda Jakubowska's The Last Stage (1948) and Aleksander Ford's Border Street (1949), and next explores the Polish School period, represented by Andrzej Wajda's A Generation (1955) and Andrzej Munk's The Passenger (1963). Between 1965 and 1980 there was an "organized silence" regarding sensitive Polish-Jewish relations resulting in only a few relevant films until the return of democracy in 1989 when an increasing number were made, among them Krzysztof Kieślowski's Decalogue 8 (1988), Andrzej Wajda's Korczak (1990), Jan Jakub Kolski's Keep Away from the Window (2000), and Roman Polański's The Pianist (2002). An important contribution to film studies, this book has wider relevance in addressing the issue of Poland's national memory.
Author: Glenn Kurtz
Publisher: Macmillan
ISBN: 0374276773
Category : History
Languages : en
Pages : 433
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Book Description
Traces the author's research and work to find the survivors of Nasielsk, Poland after finding a film made by his grandfather just before the town was destroyed by the Nazis.
Author: Marek Haltof
Publisher: Berghahn Books
ISBN: 0857453564
Category : History
Languages : en
Pages : 289
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Book Description
During World War II Poland lost more than six million people, including about three million Polish Jews who perished in the ghettos and extermination camps built by Nazi Germany in occupied Polish territories. This book is the first to address the representation of the Holocaust in Polish film and does so through a detailed treatment of several films, which the author frames in relation to the political, ideological, and cultural contexts of the times in which they were created. Following the chronological development of Polish Holocaust films, the book begins with two early classics: Wanda Jakubowska's The Last Stage (1948) and Aleksander Ford's Border Street (1949), and next explores the Polish School period, represented by Andrzej Wajda's A Generation (1955) and Andrzej Munk's The Passenger (1963). Between 1965 and 1980 there was an "organized silence" regarding sensitive Polish-Jewish relations resulting in only a few relevant films until the return of democracy in 1989 when an increasing number were made, among them Krzysztof Kieślowski's Decalogue 8 (1988), Andrzej Wajda's Korczak (1990), Jan Jakub Kolski's Keep Away from the Window (2000), and Roman Polański's The Pianist (2002). An important contribution to film studies, this book has wider relevance in addressing the issue of Poland's national memory.
Author: Matilda Mroz
Publisher: Springer Nature
ISBN: 1137461667
Category : Performing Arts
Languages : en
Pages : 305
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Book Description
This book offers a unique perspective on contemporary Polish cinema’s engagement with histories of Polish violence against their Jewish neighbours during the Holocaust. Moving beyond conventional studies of historical representation on screen, the book considers how cinema reframes the unwanted knowledge of violence in its aftermaths. The book draws on Derridean hauntology, Didi-Huberman’s confrontations with art images, Levinasian ethics and anamorphosis to examine cinematic reconfigurations of histories and memories that are vulnerable to evasion and formlessness. Innovative analyses of Birthplace (Łoziński, 1992), It Looks Pretty From a Distance (Sasnal, 2011), Aftermath (Pasikowski, 2012), and Ida (Pawlikowski, 2013) explore how their rural filmic landscapes are predicated on the radical exclusion of Jewish neighbours, prompting archaeological processes of exhumation. Arguing that the distressing materiality of decomposition disturbs cinematic composition, the book examines how Poland’s aftermath cinema attempts to recompose itself through form and narrative as it faces Polish complicity in Jewish death.
Author: Maurizio Cinquegrani
Publisher: Edinburgh University Press
ISBN: 147440359X
Category : Performing Arts
Languages : en
Pages : 352
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Book Description
Explores the representation of revenge from Classical to early modern literature
Author: Antony Polonsky
Publisher: Routledge
ISBN: 1134952112
Category : History
Languages : en
Pages : 253
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Book Description
What responsibility do the Poles share for the mass murder of the Jews, which took place largely on Polish soil? In a major contribution to the history of the Holocaust Polonsky gathers together the most important arguments in this debate.
Author: Marek Haltof
Publisher: Rowman & Littlefield
ISBN: 1442244720
Category : Performing Arts
Languages : en
Pages : 384
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Book Description
Through a chronology; an introductory essay; appendixes, a bibliography; and over 300 cross-referenced dictionary entries on films, directors, actors, producers, and film institutions, a balanced picture of the richness of Polish cinema is presented.
Author: Elizabeth Ward
Publisher: Berghahn Books
ISBN: 1789207487
Category : History
Languages : en
Pages : 259
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Book Description
East Germany’s ruling party never officially acknowledged responsibility for the crimes committed in Germany’s name during the Third Reich. Instead, it cast communists as both victims of and victors over National Socialist oppression while marginalizing discussions of Jewish suffering. Yet for the 1977 Academy Awards, the Ministry of Culture submitted Jakob der Lügner – a film focused exclusively on Jewish victimhood that would become the only East German film to ever be officially nominated. By combining close analyses of key films with extensive archival research, this book explores how GDR filmmakers depicted Jews and the Holocaust in a country where memories of Nazi persecution were highly prescribed, tightly controlled and invariably political.
Author: Marek Haltof
Publisher: Berghahn Books
ISBN: 9781571812759
Category : History
Languages : en
Pages : 328
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Book Description
In the years since World War 2, Poland has developed one of Europe's most distinguished film cultures. This is a comprehensive study of Polish cinema from the end of the 19th century to the present.
Author: Wladyslaw Szpilman
Publisher: Picador
ISBN: 1466837624
Category : Biography & Autobiography
Languages : en
Pages : 228
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Book Description
The memoir that inspired Roman Polanski's Oscar-winning film, which won the Cannes Film Festival's most prestigious prize—the Palme d'Or. Named one of the Best Books of 1999 by the Los Angeles Times On September 23, 1939, Wladyslaw Szpilman played Chopin's Nocturne in C-sharp minor live on the radio as shells exploded outside—so loudly that he couldn't hear his piano. It was the last live music broadcast from Warsaw: That day, a German bomb hit the station, and Polish Radio went off the air. Though he lost his entire family, Szpilman survived in hiding. In the end, his life was saved by a German officer who heard him play the same Chopin Nocturne on a piano found among the rubble. Written immediately after the war and suppressed for decades, The Pianist is a stunning testament to human endurance and the redemptive power of fellow feeling.
