Plato and the Power of Images PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Plato and the Power of Images PDF full book. Access full book title Plato and the Power of Images by . Download full books in PDF and EPUB format.
Author:
Publisher: BRILL
ISBN: 9004345019
Category : Literary Criticism
Languages : en
Pages : 251
Get Book
Book Description
Plato and the Power of Images addresses ways Plato has used images and the ways to understand their status as images, particularly how an image resembles what it represents and how to avoid mistaking that image for what it represents.
Author:
Publisher: BRILL
ISBN: 9004345019
Category : Literary Criticism
Languages : en
Pages : 251
Get Book
Book Description
Plato and the Power of Images addresses ways Plato has used images and the ways to understand their status as images, particularly how an image resembles what it represents and how to avoid mistaking that image for what it represents.
Author: Marina Berzins McCoy
Publisher: State University of New York Press
ISBN: 143847914X
Category : Philosophy
Languages : en
Pages : 366
Get Book
Book Description
Although Plato has long been known as a critic of imagination and its limits, Marina Berzins McCoy explores the extent to which images also play an important, positive role in Plato's philosophical argumentation. She begins by examining the poetic educational context in which Plato is writing and then moves on to the main lines of argument and how they depend upon a variety of uses of the imagination, including paradigms, analogies, models, and myths. McCoy takes up the paradoxical nature of such key metaphysical images as the divided line and cave: on the one hand, the cave and divided line explicitly state problems with images and the visible realm. On the other hand, they are themselves images designed to draw the reader to greater intellectual understanding. The author gives a perspectival reading, arguing that the human being is always situated in between the transcendence of being and the limits of human perspective. Images can enhance our capacity to see intellectually as well as to reimagine ourselves vis-à-vis the timeless and eternal. Engaging with a wide range of continental, dramatic, and Anglo-American scholarship on images in Plato, McCoy examines the treatment of comedy, degenerate regimes, the nature of mimesis, the myth of Er, and the nature of Platonic dialogue itself.
Author: John R. Wallach
Publisher: Penn State Press
ISBN: 0271031026
Category : Philosophy
Languages : en
Pages : 482
Get Book
Book Description
In this first comprehensive treatment of Plato’s political thought in a long time, John Wallach offers a "critical historicist" interpretation of Plato. Wallach shows how Plato’s theory, while a radical critique of the conventional ethical and political practice of his own era, can be seen as having the potential for contributing to democratic discourse about ethics and politics today. The author argues that Plato articulates and "solves" his Socratic Problem in his various dialogues in different but potentially complementary ways. The book effectively extracts Plato from the straightjacket of Platonism and from the interpretive perspectives of the past fifty years—principally those of Karl Popper, Leo Strauss, Hannah Arendt, M. I. Finley, Jacques Derrida, and Gregory Vlastos. The author’s distinctive approach for understanding Plato—and, he argues, for the history of political theory in general—can inform contemporary theorizing about democracy, opening pathways for criticizing democracy on behalf of virtue, justice, and democracy itself.
Author: David N. McNeill
Publisher: Penn State University Press
ISBN:
Category : Philosophy
Languages : en
Pages : 366
Get Book
Book Description
Investigates what Nietzsche called the "problem of Socrates," as that problem manifests itself in Plato's work. In particular, the book demonstrates how Socrates' own confrontation with this problem is the key to understanding the distinctively mimetic, dialogic, and reflexive character of Socratic philosophy.
Author: Susan Sontag
Publisher:
ISBN: 9780795000508
Category :
Languages : en
Pages : 207
Get Book
Book Description
Winner of the National Book Critics' Circle Award for Criticism. One of the most highly regarded books of its kind, "On Photography" first appeared in 1977 and is described by its author as " a progress of essays about the meaning and career of photographs." It begins with the famous " In Plato' s Cave" essay, then offers five other prose meditations on this topic, and concludes with a fascinating and far-reaching " Brief Anthology of Quotations."
Author: David Freedberg
Publisher: University of Chicago Press
ISBN: 022625903X
Category : Art
Languages : en
Pages : 561
Get Book
Book Description
"This learned and heavy volume should be placed on the shelves of every art historical library."—E. H. Gombrich, New York Review of Books "This is an engaged and passionate work by a writer with powerful convictions about art, images, aesthetics, the art establishment, and especially the discipline of art history. It is animated by an extraordinary erudition."—Arthur C. Danto, The Art Bulletin "Freedberg's ethnographic and historical range is simply stunning. . . . The Power of Images is an extraordinary critical achievement, exhilarating in its polemic against aesthetic orthodoxy, endlessly fascinating in its details. . . . This is a powerful, disturbing book."—T. J. Jackson Lears, Wilson Quarterly "Freedberg helps us to see that one cannot do justice to the images of art unless one recognizes in them the entire range of human responses, from the lowly impulses prevailing in popular imagery to their refinement in the great visions of the ages."—Rudolf Arnheim, Times Literary Supplement
Author: Richard Patterson
Publisher:
ISBN:
Category : Metaphysics
Languages : en
Pages : 248
Get Book
Book Description
Author: Jill Gordon
Publisher: Penn State Press
ISBN: 9780271039770
Category : Philosophy
Languages : en
Pages : 196
Get Book
Book Description
Acknowledging the powerful impact that Plato's dialogues have had on readers, Jill Gordon shows how the literary techniques Plato used function philosophically to engage readers in doing philosophy and attracting them toward the philosophical life. The picture of philosophical activity emerging from the dialogues, as thus interpreted, is a complex process involving vision, insight, and emotion basic to the human condition rather than a resort to pure reason as an escape from it. Since the literary features of Plato's writing are what draw the reader into philosophy, the book becomes an argument for the union of philosophy and literature--and against their disciplinary bifurcation--in the dialogues. Gordon construes the relationship of Plato's text to its audience as an analogue of Socrates' relationship with his interlocutors in the dialogues, seeing both as fundamentally dialectic. On this insight she builds her detailed analysis of specific literary devices in chapters on dramatic form, character development, irony, and image-making (which includes myth, metaphor, and analogy). In this way Gordon views Plato as not at all the enemy of the poets and image-makers that previous interpreters have depicted. Rather, Gordon concludes that Plato understands the power of words and images quite well. Since they, and not logico-deductive argumentation, are the appropriate means for engaging human beings, he uses them to great effect and with a sensitive understanding of human psychology, wary of their possible corrupting influences but ultimately willing to harness their power for philosophical ends.
Author: Nicholas D. Smith
Publisher: Oxford University Press, USA
ISBN: 019884283X
Category : Philosophy
Languages : en
Pages : 222
Get Book
Book Description
Nicholas D. Smith presents an original interpretation of the Republic, considering it to be a book about knowledge and education. Over the course of Summoning Knowledge in Plato's Republic, he argues for four main theses. Firstly, the Republic is not just a work that has a lot to say about education; it is a book that depicts Socrates as attempting to engage his interlocutors in such a way as to help to educate them and also engages us, the readers, in a way that helps to educate us. Secondly, Plato does not suppose that education, properly understood, should have as its primary aim putting knowledge into souls that do not already have it. Instead, the education Plato discusses, represents occurring between Socrates and his interlocutors, and hopes to achieve in his readers is one that aims to arouse the power of knowledge in us and then to begin to train that power always to engage with what is more real, rather than what is less real. Thirdly, Plato's conception of knowledge is not the one typically presented in contemporary epistemology. It is, rather, the power of conceptualization by the use of exemplars. And finally, Plato engages this power of knowledge in the Republic in a way he represents as only a kind of second-best way to engage knowledge - and not as the best way, which would be dialectic. Instead, Plato uses images that summon the power of knowledge to begin the process by which the power may become fully realized.
Author: Jan Bäcklund
Publisher:
ISBN: 9788771248555
Category : Reality
Languages : en
Pages : 310
Get Book
Book Description
When images look like something they do so because they are different from what they resemble. This difference is not sufficiently captured by the traditional theories of representation and mimesis, and yet it is the condition for any such theory. Various contemporary image theorists have pointed out that Plato already understood that images are not what they look like. Images have their own existence which cannot be identified with a concept, but should be examined in terms of actions. This book comprises fifteen articles that investigate what images do, particularly in relation to the disciplines of architecture, design and visual arts. It claims that it is the differentiating power of images -- their actions -- which constitutes their capacity to look like something they are not, as well as create something that does not yet exist. What Images Do addresses the crucial role that images might play in producing and investigating what we have not yet seen or understood in and of reality.
