Pier Paolo Pasolini PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Pier Paolo Pasolini PDF full book. Access full book title Pier Paolo Pasolini by Gian Maria Annovi. Download full books in PDF and EPUB format.
Author: Gian Maria Annovi
Publisher: Columbia University Press
ISBN: 0231542704
Category : Performing Arts
Languages : en
Pages : 297
Get Book
Book Description
Before his mysterious murder in 1975, Pier Paolo Pasolini had become famous—and infamous—not only for his groundbreaking films and literary works but also for his homosexuality and criticism of capitalism, colonialism, and Western materialism. In Pier Paolo Pasolini: Performing Authorship, Gian Maria Annovi revisits Pasolini's oeuvre to examine the author's performance as a way of assuming an antagonistic stance toward forms of artistic, social, and cultural oppression. Annovi connects Pasolini's notion of authorship to contemporary radical artistic practices and today's multimedia authorship. Annovi considers the entire range of Pasolini's work, including his poetry, narrative and documentary film, dramatic writings, and painting, as well as his often scandalous essays on politics, art, literature, and theory. He interprets Pasolini's multimedia authorial performance as a masochistic act to elicit rejection, generate hostility, and highlight the contradictions that structure a repressive society. Annovi shows how questions of authorial self-representation and self-projection relate to the artist's effort to undermine the assumptions of his audience and criticize the conformist practices that the culture industry and mass society impose on the author. Pasolini reveals the critical potential of his spectacular celebrity by using the author's corporeal or vocal presence to address issues of sexuality and identity, and through his strategic self-fashioning in films, paintings, and photographic portraits he destabilizes the audience's assumptions about the author.
Author: Gian Maria Annovi
Publisher: Columbia University Press
ISBN: 0231542704
Category : Performing Arts
Languages : en
Pages : 297
Get Book
Book Description
Before his mysterious murder in 1975, Pier Paolo Pasolini had become famous—and infamous—not only for his groundbreaking films and literary works but also for his homosexuality and criticism of capitalism, colonialism, and Western materialism. In Pier Paolo Pasolini: Performing Authorship, Gian Maria Annovi revisits Pasolini's oeuvre to examine the author's performance as a way of assuming an antagonistic stance toward forms of artistic, social, and cultural oppression. Annovi connects Pasolini's notion of authorship to contemporary radical artistic practices and today's multimedia authorship. Annovi considers the entire range of Pasolini's work, including his poetry, narrative and documentary film, dramatic writings, and painting, as well as his often scandalous essays on politics, art, literature, and theory. He interprets Pasolini's multimedia authorial performance as a masochistic act to elicit rejection, generate hostility, and highlight the contradictions that structure a repressive society. Annovi shows how questions of authorial self-representation and self-projection relate to the artist's effort to undermine the assumptions of his audience and criticize the conformist practices that the culture industry and mass society impose on the author. Pasolini reveals the critical potential of his spectacular celebrity by using the author's corporeal or vocal presence to address issues of sexuality and identity, and through his strategic self-fashioning in films, paintings, and photographic portraits he destabilizes the audience's assumptions about the author.
Author: Naomi Greene
Publisher: Princeton University Press
ISBN: 1400887062
Category : Performing Arts
Languages : en
Pages : 288
Get Book
Book Description
The major Italian filmmaker Pier Paolo Pasolini was also a poet, novelist, essayist, and iconoclastic political commentator. Naomi Greene reveals to English-speaking readers the diverse talents that made him one of the most controversial European intellectuals of the postwar era, at the center of political and cultural debates still vital to our time. Greene presents Pasolini's films to the English-speaking world in full detail and in a rich critical context, using them to trace the evolution of his ideas and the details of his troubled personal life from 1950, when he settled in Rome, to 1975, the year of his brutal murder, apparently at the hands of a young male prostitute. "In her concise and sympathetic book, Greene intelligently explicates the political and social context within which Pasolini became both a leading figure and a significant heretic. He was an atheist who directed one of the few genuinely profound biblical films in the cinema, a communist who severely criticized many of the radical movements of modern Italy. Though he publicly acknowledged his homosexuality, he privately referred to it as his "sickness." As the book well documents, Pasolini was not a rebel but rather an authentic heretic who worked in contradiction to both his medium and milieu."--Choice Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Pier Paolo Pasolini
Publisher: University of Chicago Press
ISBN: 022612116X
Category : Poetry
Languages : en
Pages : 456
Get Book
Book Description
Most people outside Italy know Pier Paolo Pasolini for his films, many of which began as literary works—Arabian Nights, The Gospel According to Matthew, The Decameron, and The Canterbury Tales among them. What most people are not aware of is that he was primarily a poet, publishing nineteen books of poems during his lifetime, as well as a visual artist, novelist, playwright, and journalist. Half a dozen of these books have been excerpted and published in English over the years, but even if one were to read all of those, the wide range of poetic styles and subjects that occupied Pasolini during his lifetime would still elude the English-language reader. For the first time, Anglophones will now be able to discover the many facets of this singular poet. Avoiding the tactics of the slim, idiosyncratic, and aesthetically or politically motivated volumes currently available in English, Stephen Sartarelli has chosen poems from every period of Pasolini’s poetic oeuvre. In doing so, he gives English-language readers a more complete picture of the poet, whose verse ranged from short lyrics to longer poems and extended sequences, and whose themes ran not only to the moral, spiritual, and social spheres but also to the aesthetic and sexual, for which he is most known in the United States today. This volume shows how central poetry was to Pasolini, no matter what else he was doing in his creative life, and how poetry informed all of his work from the visual arts to his political essays to his films. Pier Paolo Pasolini was “a poet of the cinema,” as James Ivory says in the book’s foreword, who “left a trove of words on paper that can live on as the fast-deteriorating images he created on celluloid cannot.” This generous selection of poems will be welcomed by poetry lovers and film buffs alike and will be an event in American letters.
Author: Ara H. Merjian
Publisher: University of Chicago Press
ISBN: 022665527X
Category : Avant-garde
Languages : en
Pages : 285
Get Book
Book Description
"This book casts the poet and filmmaker Pier Paolo Pasolini in a fresh light: his life and work in relation to the visual and performance arts of his time in both Europe and the US. Lavishly illustrated with both documentary and fine art images, it shows how essentially conservative Pasolini was politically and aesthetically despite his reputation as an avant-garde writer and filmmaker. But it also shows how truly advanced Pasolini was when it comes to interdisciplinary art, making him enormously relevant today"--
Author: Pier Paolo Pasolini
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 230
Get Book
Book Description
Pasolini and Death: Pier Paolo Pasolini 1922-1975~ISBN 3-7757-1633-5 U.S. $45.00 / Hardcover, 8.75 x 10.75 in. / 208 pgs / 30 color and 60 b&w. ~Item / February / Film The mark which has dominated all my work is this longing for life, this sense of exclusion, which doesn't lessen but augments this love of life. --Pasolini
Author: Michele Mancini
Publisher: Patrick Frey Edition
ISBN: 9783906803418
Category : Motion picture producers and directors
Languages : en
Pages : 640
Get Book
Book Description
Around 1980 in Rome, a small cooperative around film critics Michele Mancini and Giuseppe Perrella produced a mysterious, elaborate and yet seemingly effortless 600-page book of b&w photographs, Pier Paolo Pasolini: Corpi e Luoghi (1981). In the multifaceted cultural and political environment of the era, the publication was acclaimed an indispensable tool for future Pasolini (1922-1975) research. Although long since forgotten and out of print, Corpi e Luoghi, to this day, it remains what one reviewer called the most Pasolinian book to date. With its relentless and yet playful classification of some 2,000 film stills arranged under the categories of bodies and places, Mancini and Perrella stage an ever-shifting archival space. Some of the pictures recurring under various subcategories. With a hidden reference to Walter Benjamin and a correspondingly revolutionary attitude, quotation here is understood as a form of appropriation, as a practical application of specific material.
Author: Sam Rohdie
Publisher: Indiana University Press
ISBN: 9780253210104
Category : Art
Languages : it
Pages : 248
Get Book
Book Description
Pasolini was a controversial film-maker, poet and essayist, best known for his films narrating myths, such as Oedipus Rex, Medea, Theorem, The Canterbury Tales, The Decameron and A Thousand and One Arabian Knights. This book is a personal account of Pier Paolo Pasolini's cinema and literature, written by the author of Antonioni and Rocco and his Brothers.
Author: Pier Paolo Pasolini
Publisher: Other Press, LLC
ISBN: 1590519981
Category : Literary Collections
Languages : en
Pages : 273
Get Book
Book Description
Now in paperback, a collection of the legendary filmmaker's short fiction and nonfiction from 1950 to 1966, in which we see the machinations of the creative mind in post-World War II Rome. In a portrait of the city at once poignant and intimate, we find artistic witness to the customs, dialect, squalor, and beauty of the ancient imperial capital that has succumbed to modern warfare, marginalization, and mass culture. The sketches portray the impoverished masses that Pasolini calls "the sub-proletariat," those who live under Third World conditions and for whom simple pleasures, such as a blue sweater in a storefront window, are completely out of reach. Pasolini's art develops throughout the works collected here, from his early lyricism to tragicomic outlines for screenplays, and finally to the maturation of his Neo-realism in eight chronicles on the shantytowns of Rome. The pieces in this collection were all published in Italian journals and newspapers, and then later edited by Walter Siti in the original Italian edition.
Author: Pier Paolo Pasolini
Publisher: City Lights Publishers
ISBN: 9780872865075
Category :
Languages : en
Pages : 0
Get Book
Book Description
In Danger reveals the literary life of internationally renowned filmmaker Pier Paolo Pasolini
Author: Patrice Giasson
Publisher:
ISBN: 9781733214308
Category :
Languages : en
Pages :
Get Book
Book Description
This illustrated book accompanies the exhibition Pier Paolo Pasolini : Subversive Prophet (Neuberger Museum of Art, February 12 to May 31, 2020). Pier Paolo Pasolini (Italian, 1922-1975) is widely known in Europe for his prolific work as a poet, writer, and film director. A true humanist, his interests encompassed literature, art, history, classic tragedy, psychoanalysis, and politics. For Susan Sontag, Pasolini was "indisputably the most remarkable figure to have emerged in Italian arts and letters since the Second World War. Whatever he did once he did it, had the quality of seeming necessary." Outspoken and subversive, Pasolini made no concessions and at times deliberately provoked his contemporaries, either through challenging political articles or through his films. Violently murdered in 1975 under enigmatic circumstances that shocked Italy and intellectual circles worldwide, Pasolini left three decades of artistic production full of complex and rich themes that are as relevant today as they were then: the universal homogenization of society; the dangers of capitalism; excessive consumption; growing inequality between poor and rich; the relegation of the underprivileged to the outskirts of the city; hypocrisy and repression in the social and political spheres.The exhibition opens with artistic homages to Pasolini by two Latin American artists: the Chilean, New York-based artist Alfredo Jaar, and the late Uruguayan artist Antonio Frasconi (a former Purchase College professor). Both artists pay tribute to Pasolini's outstanding work and denounce his assassination in 1975. This first section also explores the reception of Pasolini in the Americas: in Brazil, Argentina, Mexico, and the United States-including his first visit to New York, in 1966. A second and larger gallery is devoted to the powerful creativity of Pasolini, featuring his poetry, novels, paintings, and drawings as well as an introduction to his most important films. The exhibition also showcases original film costumes designed in Rome by Farani, including the one used by Pasolini in The Canterbury Tales, in which he plays the role of Geoffrey Chaucer, the author of the original book by the same title.
