Olivier Messiaen's Catalogue D'oiseaux PDF Download
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Author: Roderick Chadwick
Publisher: Cambridge University Press
ISBN: 1107000319
Category : Music
Languages : en
Pages : 247
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Book Description
This book charts Messiaen's transformation of birdsong into music and its development into a major work of the twentieth century.
Author: Roderick Chadwick
Publisher: Cambridge University Press
ISBN: 1107000319
Category : Music
Languages : en
Pages : 247
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Book Description
This book charts Messiaen's transformation of birdsong into music and its development into a major work of the twentieth century.
Author: Peter Hill
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754656302
Category : Music
Languages : en
Pages : 156
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Book Description
Olivier Messiaen's Oiseaux exotiques is arguably the first of Messiaen's major works to create a successful synthesis between his music and his passion for ornithology. Messiaen regarded birdsong as music--a belief that led for a time to an obsession with truth-to-nature. Here, Peter Hill and Nigel Simeone provide the background to Oiseaux exotiques, discussing Messiaen's relations with the 1950s avant garde and his involvement with the concerts of the Domaine musical, for which Oiseaux exotiques was composed. The authors analyse Messiaen's compositional methods in unprecedented detail and trace step-by-step the evolution of musical ideas from first notation to finished score.
Author: David Kraft
Publisher: Createspace Independent Pub
ISBN: 9781477517796
Category : Music
Languages : en
Pages : 426
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Book Description
In this book, Dr David Kraft surveys and evaluates Messiaen's use of birdsong and formulates a chronological and critical taxonomy of his music, covering the species involved and his evolving methods of manipulation, instrumentation and harmonic incorporation. He also explores issues relating to authenticity and modification with respect to the incorporation of birdsong in Messiaen's music. Further, he develops appropriate graphical and tabular methods in order to help the reader better to understand his music. This book is essential reading for those who love Messiaen's music. It is also a useful handbook for those studying at GCSE, A level, degree and postgraduate level. I hope that you enjoy reading this book, and trust that you will continue to enjoy the unique sound world of Olivier Messiaen.
Author: Aaron Tucker
Publisher: Book*hug Press
ISBN: 9781771666947
Category : Poetry
Languages : en
Pages : 0
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Book Description
"Catalogue d'oiseaux began as notes sent to poet Aaron Tucker's long-distance partner. Not initially intended for publication, the writings moved, over time, into a long, lyrical, confessional love poem. Following the couple on travels across the globe--from Berlin to the Yukon, Porto to Toronto--this poem is expansive, moving sensually through small, intimate spaces and the larger world alike. Traced through art, architecture and the cultural life of varied cities, Catalogue d'oiseaux lives between geographies and chronologies as a kaleidoscopic gathering of the many fractals that make up a couple's life. This is a stunning work; a celebration of the depth of adult love, and the elemental parts of life that make it so."--
Author: Nigel Simeone
Publisher: Routledge
ISBN: 135155591X
Category : Music
Languages : en
Pages : 378
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Book Description
When Olivier Messiaen died in 1992, the prevailing image was of a man apart; a deeply religious man whose only sources of inspiration were God and Nature and a composer whose music progressed along an entirely individual path, artistically impervious to contemporaneous events and the whims both of his contemporaries and the critics. Whilst such a view contains a large element of truth, the past ten years has seen an explosion of interest in the composer, and the work of a diverse range of scholars has painted a much richer, more complex picture of Messiaen. This volume presents some of the fruits of this research for the first time, concentrating on three broad, interrelated areas: Messiaen's relationship with fellow artists; key developments in the composer's musical language and technique; and his influences, both sacred and secular. The volume assesses Messiaen's position as a creative artist of the twentieth century in the light of the latest research. In the process, it identifies some of the key myths, confusions and exaggerations surrounding the composer which often mask equally remarkable truths. In attempting to reveal some of those truths, the essays elucidate a little of the mystery surrounding Messiaen as a man, an artist, a believer and a musician. Specifically, the volume covers Messiaen's attitudes and associations to Cocteau, Stravinsky's Les Noces, Dutilleux and Toesca, as well as exploring his teaching techniques, the Traite rythme, de couleur et d'ornithologie, Messiaen's harmony, performing and transcription techniques, composing for Ondes Martenot, his association with ballet, Saint Fran‘s d'Assise and the influence of his faith. Messiaen himself contributes directly in the form of a speech that he gave about the tapestry-maker Jean Lur and the collection also includes the first literary translation of L' en bourgeon; the garland of poems written by Messiaen's mother, Cle Sauvage, when she was expecting him. The composer de
Author: Christopher S. Salocks
Publisher:
ISBN:
Category :
Languages : en
Pages : 116
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Book Description
Author: Robert Sholl
Publisher: Cambridge University Press
ISBN: 9780521174534
Category : Music
Languages : en
Pages : 0
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Book Description
The French composer Olivier Messiaen is one of the major figures of twentieth-century music. This collection of scholarly essays offers new cultural, historical, biographical and analytical perspectives on Messiaen's musical oeuvre from 1941 to 1992. The volume includes: a fascinating snapshot of Messiaen's life in occupied France; a study of the Surrealist poetics of Messiaen's song cycle Harawi; a chapter on Messiaen's iconoclastic path to the avant-garde heritage that he bequeathed to his pupils; discussion on Messiaen's place in twentieth-century music; and detailed analysis of specific works, including his opera St François d'Assise. The chapters provide fresh insights on the origins, style and poetics of Messiaen's music, and therefore provide an inspiration and foundation for future scholarship. Reflecting and expanding upon the broad range of Messiaen's own interdisciplinary interests, the book will be of interest to students and scholars of music, art, literature and theology.
Author: Olivier Messiaen
Publisher: Cambridge Scholars Publishing
ISBN: 9781443824989
Category : Birdsongs
Languages : en
Pages : 0
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Book Description
In 2008 musicians and scholars world-wide celebrated the centenary of Olivier Messiaenâ (TM)s birth. One of the most influential composers in living memory, Messiaen is remembered as a great nature poetâ "a mystic whose music had a profound effect on the Twentieth-century avant-garde. This volume of essays, marking the occasion of Messiaenâ (TM)s centenary, was authored by musicologists, performers, composers, ornithologists and researchers from Australia, Germany, France, North America, Japan, New Zealand, Serbia and England. The writers, internationally acclaimed experts as well as emerging scholars, span three generationsâ "living testimony to the diverse and lasting sphere of Messiaenâ (TM)s legacy.
Author: Rebecca Rischin
Publisher: Cornell University Press
ISBN: 9780801472978
Category : History
Languages : en
Pages : 218
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Book Description
The clarinetist Rebecca Rischin has written a captivating book.... Her research dispels several long-cherished myths about the 1941 premiere.... Rischin lovingly brings to life the other musicians-- tienne Pasquier, cellist; Henri Akoka, clarinetist; and Jean Le Boulaire, violinist--who played with Messiaen, the pianist at the premiere."--Alex Ross, The New Yorker "This book offers a wealth of new information about the circumstances under which the Quartet was created. Based on original interviews with the performers, witnesses to the premiere, and documents from the prison camp, this first comprehensive history of the Quartet's composition and premiere held my interest from beginning to end.... For the End of Time touches on many things: faith, friendship, creativity, grace in a time of despair, and the uncommon human alliances that wartime engenders."--Arnold Steinhardt, Chamber Music"The clarification of the order of composition of the movements is just one of the minor but cumulatively significant ways in which Rischin modifies the widely accepted account of the events at Stalag VIII A.... For the End of Time is a thorough and readable piece of investigative journalism that clarifies some important points about the Quartet's genesis."--Michael Downes, Times Literary Supplement The premiere of Olivier Messiaen's Quartet for the End of Time on January 15, 1941, has been called one of the great stories of twentieth-century music. Composed while Messiaen (1908-1992) was imprisoned by the Nazis in Stalag VIII A, the work was performed under the most trying of circumstances: the temperature, inferior instruments, and the general conditions of life in a POW camp.Based on testimonies by the musicians and their families, witnesses to the premiere, former prisoners, and on documents from Stalag VIII A, For the End of Time examines the events that led to the Quartet's composition, the composer's interpretive preferences, and the musicians' problems in execution and how they affected the premiere and subsequent performances. Rebecca Rischin explores the musicians' life in the prison camp, their relationships with each other and with the German camp officials, and their intriguing fortunes before and after the momentous premiere. This paperback edition features supplementary texts and information previously unavailable to the author about the Quartet's premiere, Vichy and the composer, the Paris premiere, a recording featuring Messiaen as performer, and an updated bibliography and discography.
Author: Paul Griffiths
Publisher: Faber & Faber
ISBN: 0571287301
Category : Music
Languages : en
Pages : 269
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Book Description
Olivier Messiaen was one of the outstanding creative artists of his time. The strength of his appeal, to listeners as well as to composers, is a measure of the individuality of his music, which draws on a vast range of sources: rhythms of twentieth-century Europe and thirteenth-century India, ripe romantic harmony and brittle birdsong, the sounds of Indonesian percussion and modern electronic instruments. What binds all these together is, on one level, his unswerving devotion to praising God in his art, and on another, his independent view of how music is made. Messiaen's music offers a range of ways of experiencing time: time suspended in music of unparalleled changelessness, time racing in music of wild exuberance, time repeating itself in vast cycles of reiteration. In Olivier Messiaen and the Music of Time, leading writer and musicologist, Paul Griffiths, explores the problems of religious art, and includes searching analyses and discussions of all the major works, suggesting how they function as works of art and not only as theological symbols. This comprehensive and stimulating book covers the whole of Messiaen's output up to and including his opera, Saint Françoise d'Assise.
