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Author: Huneker James
Publisher: Hardpress Publishing
ISBN: 9781318853281
Category :
Languages : en
Pages : 140
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Book Description
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Author: Huneker James
Publisher: Hardpress Publishing
ISBN: 9781318853281
Category :
Languages : en
Pages : 140
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Book Description
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Author: James Huneker
Publisher: Philadelphia : Theodore Presser Company
ISBN:
Category : Music
Languages : en
Pages : 204
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Book Description
Author: James Gibbons Huneker
Publisher:
ISBN:
Category :
Languages : en
Pages : 195
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Author: James Huneker
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author: James Huneker
Publisher: Legare Street Press
ISBN: 9781017288728
Category : Biography & Autobiography
Languages : en
Pages : 0
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: James Huneker
Publisher: Scholar's Choice
ISBN: 9781297100321
Category :
Languages : en
Pages : 198
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: James Huneker
Publisher:
ISBN: 9781693414350
Category :
Languages : en
Pages : 196
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Book Description
MY friend the publisher has asked me to tell you what I know about Old Fogy, whose letters aroused much curiosity and comment when they appeared from time to time in the columns of "The Etude." I confess I do this rather unwillingly. When I attempted to assemble my memories of the eccentric and irascible musician I found that, despite his enormous volubility and surface frankness, the old gentleman seldom allowed us more than a peep at his personality. His was the expansive temperament, or, to employ a modern phrase, the dynamic temperament. Antiquated as were his modes of thought, he would bewilder you with an excursion into latter-day literature, and like a rift of light in a fogbank you then caught a gleam of an entirely different mentality. One day I found him reading a book by the French writer Huysmans, dealing with new art. And he confessed to me that he admired Hauptmann's "Hannele," though he despised the same dramatist's Weavers. The truth is that no human being is made all of a piece; we are, mentally at least, more of a mosaic than we believe.Let me hasten to negative the report that I was ever a pupil of Old Fogy. To be sure, I did play for him once a paraphrase of "The Maiden's Prayer" (in double tenths by Dogowsky), but he laughed so heartily that I feared apoplexy, and soon stopped. The man really existed. There are a score of persons alive in Philadelphia today who still remember him and could call him by his name-formerly an impossible Hungarian one, with two or three syllables lopped off at the end, and for family reasons not divulged here. He assented that he was a fellow-pupil of Liszt's under the beneficent, iron rule of Carl Czerny. But he never looked his age. Seemingly seventy, a very vital threescore-and-ten, by the way, he was as light on his feet as were his fingers on the keyboard. A linguist, speaking without a trace of foreign accent three or four tongues, he was equally fluent in all. Once launched in an argument there was no stopping him. Nor was he an agreeable opponent. Torrents and cataracts of words poured from his mouth.He pretended to hate modern music, but, as you will note after reading his opinions, collected for the first time in this volume, he very often contradicts himself. He abused Bach, then used the "Well-tempered Clavichord as a weapon of offense wherewith to pound Liszt and the "Lisztianer." He attacked Wagner and Wagnerism with inappeasable fury, but I suspect that he was secretly much impressed by several of the music-dramas, particularly "Die Meistersinger." As for his severe criticism of metropolitan orchestras, that may be set down to provincial narrowness; certainly, he was unfair to the Philharmonic Society. Therefore, I don't set much store on his harsh judgments of Tchaikovsky, Richard Strauss, and other composers. He insisted on the superiority of Chopin's piano music above all others; nevertheless he devoted more time to Hummel, and I can personally vouch that he adored the slightly banal compositions of the worthy Dussek. It is quite true that he named his little villa on the Wissahickon Creek after Dussek....
Author: James Huneker
Publisher: CreateSpace
ISBN: 9781515032700
Category :
Languages : en
Pages : 98
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Book Description
Excerpt from Old Fogy: His Musical Opinions and Grotesques My friend the publisher has asked me to tell you what I know about Old Fogy, whose letters aroused much curiosity and comment when they appeared from time to time in the columns of The Etude. I confess I do this rather unwillingly. When I attempted to assemble my memories of the eccentric and irascible musician I found that, despite his enormous volubility and surface-frankness, the old gentleman seldom allowed us more than a peep at his personality. His was the expansive temperament, or, to employ a modem phrase, the dynamic temperament. Antiquated as were his modes of thought, he would bewilder you with an excursion into latter-day literature, and like a rift of light in a fogbank you then caught a gleam of an entirely different mentality. One day I found him reading a book by the French writer Huysmans, dealing with new art. And he confessed to me that he admired Hauptmann's Hannele, though he despised the same dramatist's Weavers. The truth is that no human being is made all of a piece; we are, mentally at least, more of a mosaic than we believe. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 236
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Book Description
Author: James Huneker
Publisher:
ISBN: 9781428079847
Category :
Languages : en
Pages : 112
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Book Description
