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Author: Naifei Ding
Publisher: Duke University Press
ISBN: 0822383446
Category : Literary Criticism
Languages : en
Pages : 367
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Book Description
In Obscene Things Naifei Ding intervenes in conventional readings of Jin Ping Mei, an early scandalous Chinese novel of sexuality and sexual culture. After first appearing around 1590, Jin Ping Mei was circulated among some of China’s best known writers of the time and subsequently was published in three major recensions. A 1695 version by Zhang Zhupo became the most widely read and it is this text in particular on which Ding focuses. Challenging the preconceptions of earlier scholarship, she highlights the fundamental misogyny inherent in Jin Ping Mei and demonstrates how traditional biases—particularly masculine biases—continue to inform the concerns of modern criticism and sexual politics. The story of a seductive bondmaid-concubine, sexual opportunism, domestic intrigue, adultery and death, Jin Ping Mei has often been critiqued based on the coherence of the text itself. Concentrating instead on the processes of reading and on the social meaning of this novel, Ding looks at the various ways the tale has been received since its first dissemination, particularly by critiquing the interpretations offered by seventeenth-century Ming literati and by twentieth-century scholars. Confronting the gender politics of this “pornographic” text, she troubles the boundaries between premodern and modern readings by engaging residual and emergent Chinese gender and hierarchic ideologies.
Author: Naifei Ding
Publisher: Duke University Press
ISBN: 0822383446
Category : Literary Criticism
Languages : en
Pages : 367
Get Book
Book Description
In Obscene Things Naifei Ding intervenes in conventional readings of Jin Ping Mei, an early scandalous Chinese novel of sexuality and sexual culture. After first appearing around 1590, Jin Ping Mei was circulated among some of China’s best known writers of the time and subsequently was published in three major recensions. A 1695 version by Zhang Zhupo became the most widely read and it is this text in particular on which Ding focuses. Challenging the preconceptions of earlier scholarship, she highlights the fundamental misogyny inherent in Jin Ping Mei and demonstrates how traditional biases—particularly masculine biases—continue to inform the concerns of modern criticism and sexual politics. The story of a seductive bondmaid-concubine, sexual opportunism, domestic intrigue, adultery and death, Jin Ping Mei has often been critiqued based on the coherence of the text itself. Concentrating instead on the processes of reading and on the social meaning of this novel, Ding looks at the various ways the tale has been received since its first dissemination, particularly by critiquing the interpretations offered by seventeenth-century Ming literati and by twentieth-century scholars. Confronting the gender politics of this “pornographic” text, she troubles the boundaries between premodern and modern readings by engaging residual and emergent Chinese gender and hierarchic ideologies.
Author: Naifei Ding
Publisher: Duke University Press
ISBN: 9780822329169
Category : Literary Criticism
Languages : en
Pages : 372
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Book Description
"In this absorbing study of the multiple lives of a literary classic that is also a popular pornographic text, Naifei Ding steals across the border between cultural studies and feminist/queer literary criticism. Bringing a gendered social history of modern print culture in China into a 'porous intimacy' with both a critique of interpretive power and a feminist 'counter-ethics' of reading, "Obscene Things" is a scholarly work of exceptional creativity. Ding herself is a wonderful storyteller, and her critical narration of the fortunes of "Jin Ping Mei" will inspire anyone concerned with the "how" of studying historical modalities of gender, sexuality, status, and cultural power."--Meaghan Morris, Lingnan University
Author: F. Gonzalez-Crussi
Publisher: Bloomsbury Academic
ISBN: 9780715635360
Category : Vision
Languages : en
Pages : 236
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Book Description
"What Oliver Sacks does for the mind, Gonzalez-Crussi (On Being Born and Other Difficulties) does for the eye in this captivating set of philosophical meditations on the relationship between the viewer and the viewed. The author, amused and amazed by our desire to see what is forbidden, draws on historical and cultural examples, from Actaeon spying on the goddess Diana to a pair of voyeurs in revolutionary France who unwittingly incite a massacre. Mixed in with such accounts are personal reflections drawn from medicine. He is astounded, for example, at how many people have pestered him for access to an autopsy, just to say they'd seen one. The ornate sentences are filled with stunning images, like his description of an infant just emerged from the womb, bloody, "weakly flailing his arms" and crying, appearing to the author not as a symbol of life but as resembling "a foot-soldier in a defeated army, a pitiful survivor in a catastrophic retreat," and his prose never loses its elegance, even when the stories he tells veer into the bawdy. Not every anecdote resonates perfectly, but here is a charming raconteur who will who will win over readers with his thoughts on our visual connection to the world around us." c2.
Author: John Faulkner Potts
Publisher:
ISBN:
Category :
Languages : en
Pages : 996
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Book Description
Author: Jeremy F. Hultin
Publisher: BRILL
ISBN: 904743367X
Category : Religion
Languages : en
Pages : 301
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Book Description
This book examines the earliest Christian comments about foul language, situating them in their historical context by means of a broad survey of ancient uses of and views about obscene speech.
Author: John Ford
Publisher:
ISBN:
Category : Obscenity (Law)
Languages : en
Pages : 158
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Book Description
Author: United States. Congress. House. Committee on Post Office and Civil Service. Subcommittee on Postal Facilities and Mail
Publisher:
ISBN:
Category : Obscenity (Law)
Languages : en
Pages : 126
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Book Description
Author: Blu Tirohl
Publisher: Routledge
ISBN: 131758516X
Category : Art
Languages : en
Pages : 216
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Book Description
Written especially for professional artists and those studying the visual arts, Law for Artists is an accessible guide to those aspects of law that impact on artists and their work. It encompasses a comprehensive range of creative practices including fine art, photography, the graphic and plastic arts, animation, illustration, applied and media arts, as well as fashion, textile and product design. As one of the few academics working in this field Blu Tirohl clearly explains the legal principles - such as intellectual property, censorship, freedom of expression and criminal law - that are relevant to artists working in a range of disciplines. In order to illustrate these key concepts the book includes an engaging collection of examples of artists who have come into conflict with the law, demonstrating precisely the challenges faced by creative practitioners. The author also explores how the establishment co-opts transgressive artists; bringing about a range of contradictions that create legal inconsistencies. While the focus is primarily on UK law, the reader is also given ample information to understand how European law affects them. An entire chapter is also dedicated to the comparative study of US Law through well-known cases, ensuring students have a well-rounded knowledge of the concepts that they need to consider in a professional context. The book also provides additional resources including a list of useful websites, a glossary of key terms, as well as a list of statutes and cases. Law for Artists is an invaluable resource to professional practitioners and art graduates, as well as the academics who instruct them. This insightful publication, the first of its kind, helps introduce artists to the professional practice skills needed to ensure they are well-equipped to deal with working life.
Author: Emanuel Swedenborg
Publisher:
ISBN:
Category :
Languages : en
Pages : 952
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Book Description
Author: Keith Johnstone
Publisher: Routledge
ISBN: 1136610464
Category : Performing Arts
Languages : en
Pages : 205
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Book Description
Keith Johnstone's involvement with the theatre began when George Devine and Tony Richardson, artistic directors of the Royal Court Theatre, commissioned a play from him. This was in 1956. A few years later he was himself Associate Artistic Director, working as a play-reader and director, in particular helping to run the Writers' Group. The improvisatory techniques and exercises evolved there to foster spontaneity and narrative skills were developed further in the actors' studio then in demonstrations to schools and colleges and ultimately in the founding of a company of performers, called The Theatre Machine. Divided into four sections, 'Status', 'Spontaneity', 'Narrative Skills', and 'Masks and Trance', arranged more or less in the order a group might approach them, the book sets out the specific techniques and exercises which Johnstone has himself found most useful and most stimulating. The result is both an ideas book and a fascinating exploration of the nature of spontaneous creativity.
