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Author: Inara Verzemnieks
Publisher:
ISBN: 9780870715785
Category : Crafts & Hobbies
Languages : en
Pages : 40
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Book Description
Over two days in 1982, Jim Lommasson photographed the strange and beautiful paintings that decorated the center column of the historic carousel at Oaks Amusement Park in Portland, Oregon. The original carousel images - painted by German and Italian immigrants around 1912 - were an exotic assortment of Edwardian pastoral scenes featuring western explorers, Native Americans, an Arab riding a camel, and idealized women. When these paintings began to show signs of wear in the 1940s, two itinerant artists brothers from Vashon Island, Washington - were hired to paint over the eighteen panels with depictions of such local landmarks as the Columbia River Highway, Mount Hood, Multnornah Falls, and scenes from the Oregon coast. Eventually, the surfaces of these new paintings also began to flake and fade, revealing parts of the original images in unusual and unexpected ways. The resulting double exposures or "pentimentos" included a ghostly sailboat gliding through a forest, an Indian chief looming over the Columbia River Gorge, and a parasoled woman with the road to Crown Point emerging from her loins. Each new image created a completely accidental, even surreal, story about the juxtaposition of two generations of paintings. Just three years after Jim Lommasson captured these images on film, the original paintings were restored and the mysterious double exposures disappeared under yet another layer of paint. Oaks Park Pentimento preserves these haunting photographs and also includes an appreciation by art historian Prudence Roberts and a look at Oaks Park, past and present, by journalist Inara Verzemnieks.
Author: Inara Verzemnieks
Publisher:
ISBN: 9780870715785
Category : Crafts & Hobbies
Languages : en
Pages : 40
Get Book
Book Description
Over two days in 1982, Jim Lommasson photographed the strange and beautiful paintings that decorated the center column of the historic carousel at Oaks Amusement Park in Portland, Oregon. The original carousel images - painted by German and Italian immigrants around 1912 - were an exotic assortment of Edwardian pastoral scenes featuring western explorers, Native Americans, an Arab riding a camel, and idealized women. When these paintings began to show signs of wear in the 1940s, two itinerant artists brothers from Vashon Island, Washington - were hired to paint over the eighteen panels with depictions of such local landmarks as the Columbia River Highway, Mount Hood, Multnornah Falls, and scenes from the Oregon coast. Eventually, the surfaces of these new paintings also began to flake and fade, revealing parts of the original images in unusual and unexpected ways. The resulting double exposures or "pentimentos" included a ghostly sailboat gliding through a forest, an Indian chief looming over the Columbia River Gorge, and a parasoled woman with the road to Crown Point emerging from her loins. Each new image created a completely accidental, even surreal, story about the juxtaposition of two generations of paintings. Just three years after Jim Lommasson captured these images on film, the original paintings were restored and the mysterious double exposures disappeared under yet another layer of paint. Oaks Park Pentimento preserves these haunting photographs and also includes an appreciation by art historian Prudence Roberts and a look at Oaks Park, past and present, by journalist Inara Verzemnieks.
Author: John Gattuso
Publisher:
ISBN: 9780965633826
Category : Boxers (Sports)
Languages : en
Pages : 0
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Book Description
Boxing gyms are uncovered in all of their glorious grunge in these photographs and essays that reveal both the stark reality of success and the possibility of promise in the sport of boxing. This intimate look at the fighters, trainers, and hangers-on who inhabit these gyms brings to life the tough—and surprisingly tender—world of American boxing. Evocative images reveal the pain, sacrifice, and discipline of the "sweet science" as well as the triumphs, tragedies, and big dreams of the men and women who practice it. A dozen essays by veteran boxing writers such as Katherine Dunn, Carlo Rotella, Kate Sekules, F. X. Toole, Lucius Shepard, Robert Anasi, Loic Wacquant, Joe Rein, and Ralph Wiley explore the community and culture of boxing gyms, an endangered American institution that serves not only as the training ground for the next generation of great fighters, but as a sanctuary in tough neighborhoods, a lifeline for troubled kids, and a repository of a centuries-old tradition of pugilistic knowledge.
Author: Rosemary Mahoney
Publisher: Anchor
ISBN: 038547931X
Category : Biography & Autobiography
Languages : en
Pages : 290
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Book Description
Now in paperback--from the author of the acclaimed Whoredom in Kimmage, a moving, controversial, and supremely intelligent memoir of a bright and vulnerable teenager's hellish summer job. In 1978, Rosemary Mahoney, an aspiring young writer of seventeen, wrote her personal idol Lillian Hellman inquiring whether the famed woman of American letters might need domestic help for the summer. When Hellman responded affirmatively, Mahoney imagined an idyll on Martha's Vineyard of mentoring and friendship. But in reality Mahoney's summer unfolded into an exquisite and grueling exercise in humiliation at the hands of the acerbic Hellman and her retinue of celebrated acquaintances. By turns heartbreaking and uproariously funny, A Likely Story portrays the coming-of-age of a brilliant and troubled young woman--a universal tale of illusions shattered and an object lesson in the often misdirected search for heroes.
Author: Brian S. Campf
Publisher:
ISBN: 9780870719714
Category : Sports & Recreation
Languages : en
Pages : 0
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Book Description
For more than twenty-five years, Brian Campf collected vintage photographs and ephemera related to Oregon sports. Sporting Oregon includes approximately 350 images from Campf's extensive collection that offer an overview of the first fifty years of organized sports in Oregon, primarily baseball, football, and basketball, but also such pastimes as horse racing, track, hockey, tennis, and cricket.0In his introduction, Campf traces the origins of team sports in Oregon, using period newspaper accounts to chronicle the increasing participation in and popularity of organized sports in the state. Detailed captions provide additional information on how and where the sports developed, on team histories, and on records of games and seasons. The book features a number of images from early Oregon Agricultural College (now OSU) and University of Oregon teams.0The book's images range from historically significant (the earliest original photo of Oregon sports) and diverse (women's basketball, African American baseball) to athletes representing towns, schools, and organizations across Oregon. It is a book about sports but the images also reflect the people, places, and society of their time.0Sporting Oregon is intended for readers interested in sports history, Oregon history, vintage photography, Americana, and local history. A foreword by historian Carl Abbott and an afterword by special collections librarian John Hawk provide additional context for the visual treasure trove. Packed with images from the past that provide a fascinating lens through which to view Oregon history, Sporting Oregon's pages will be savored and lingered over by people of all ages, by scholars and casual readers alike.
Author: Ginny Allen
Publisher:
ISBN: 9780870710537
Category :
Languages : en
Pages : 360
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Book Description
The book is an expanded, pictorial review of the history of painting in Oregon from 1859-1959. The first edition was published as an encyclopedia and index of Oregon painters with historical data about the evolution of painting styles, educational institutions, and exhibition venues in the Northwest; this book expands the focus on the history of painting in Oregon, adding essays on Impressionism and Modernism while using more and better visual examples to illustrate the strength of the state's early painters. In addition, the original indexed content has been edited and condensed. Oregon Painters fills an important niche, as little has been written about the early history of Northwest art and this volume serves as a valuable resource for discovering artists who remain largely unknown but whose works continue to gain in reputation and value.
Author: Inara Verzemnieks
Publisher: W. W. Norton & Company
ISBN: 0393245128
Category : Biography & Autobiography
Languages : en
Pages : 288
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Book Description
A New York Times Book Review Editors’ Choice A BookPage Best Book of the Year "This exquisitely written book shows how recovery can come generations later through rebuilding connections—to people, the natural world, the past." —Robin Shulman, Washington Post "It’s long been assumed of the region where my grandmother was born…that at some point each year the dead will come home," Inara Verzemnieks writes in this exquisite story of war, exile, and reconnection. Her grandmother’s stories recalled one true home: the family farm left behind in Latvia, where, during WWII, her grandmother Livija and her grandmother’s sister, Ausma, were separated. They would not see each other again for more than 50 years. Raised by her grandparents in Washington State, Inara grew up among expatriates, scattering smuggled Latvian sand over the coffins of the dead, singing folk songs about a land she had never visited. When Inara discovers the scarf Livija wore when she left home, in a box of her grandmother’s belongings, this tangible remnant of the past points the way back to the remote village where her family broke apart. There it is said the suspend their exile once a year for a pilgrimage through forests and fields to the homes they left behind. Coming to know Ausma and the trauma of her exile to Siberia under Stalin, Inara pieces together Livija’s survival through years as a refugee. Weaving these two parts of the family story together in spellbinding, lyrical prose, she gives us a profound and cathartic account of loss, survival, resilience, and love.
Author: Valerie Dorge
Publisher: Getty Publications
ISBN: 0892365013
Category : Art
Languages : en
Pages : 549
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Book Description
The function of the painted wooden object ranges from the practical to the profound. These objects may perform utilitarian tasks, convey artistic whimsy, connote noble aspirations, and embody the highest spiritual expressions. This volume, illustrated in color throughout, presents the proceedings of a conference organized by the Wooden Artifacts Group of the American Institute for Conservation of Historic and Artistic Works (AIC) and held in November 1994 at the Colonial Williamsburg Foundation in Williamsburg, Virginia. The book includes 40 articles that explore the history and conservation of a wide range of painted wooden objects, from polychrome sculpture and altarpieces to carousel horses, tobacconist figures, Native American totems, Victorian garden furniture, French cabinets, architectural elements, and horse-drawn carriages. Contributors include Ian C. Bristow, an architect and historic-building consultant in London; Myriam Serck-Dewaide, head of the Sculpture Workshop, Institut Royal du Patrimoine Artistique, Brussels; and Frances Gruber Safford, associate curator of American decorative arts at the Metropolitan Museum of Art in New York. A broad range of professionals—including art historians, curators, scientists, and conservators—will be interested in this volume and in the multidisciplinary nature of its articles.
Author: Oregon Historical Society
Publisher:
ISBN:
Category : Northwest, Pacific
Languages : en
Pages : 566
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Book Description
Author: Roger Hull
Publisher:
ISBN: 9781930957831
Category :
Languages : en
Pages : 96
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Book Description
Clifford Gleason: The Promise of Paint serves as both an introduction and a definitive study of an "artist's artist," who until now has not received the sustained attention that he and his work are due. It traces his career from the 1930s until the last months of his difficult life--difficult because of alcoholism, near poverty, and homosexuality in a repressive era. In paint, Gleason found the only realm in which he felt competent, confident, and successful; paint offered the promise of accomplishment. Published in conjunction with an exhibition at the Hallie Ford Museum of Art at Willamette University, this richly illustrated monograph examines Gleason's identity as a modern artist as he responded to the rapid changes in artistic modernism from the late 1930s, when he studied with Louis Bunce at the Salem Federal Art Center, to the 1970s, when he rethought the legacy of Abstract Expressionism in works that are unique to him, visually beautiful and poetically expressive.
Author: Michael Brophy
Publisher:
ISBN: 9780870712951
Category : Art
Languages : en
Pages : 0
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Book Description
Michael Brophy has painted the Pacific Northwest landscape for over two decades, from sumptuously rendered panoramas of clearcuts and slag heaps to comic-book-scaled noir tableaus of the characters who reshaped the region 150 years ago. This large-scale monograph brings 15 of his most historically expansive paintings to date together with writings on the artistic and cultural history of the Northwest landscape by essayist Jonathan Raban and historian William L. Lang. The influences on Brophy's painting stretch from Goya and Velasquez to Robert Colescott and Georg Baselitz. He has riffed on everything from obscure Wobbly songs to Chinook jargon dictionaries to the writings of Stewart Holbrook. But Here There Nowhere marks a bold new direction in Brophy's work. More sweeping in scope and minimalist in style, the paintings portray what he calls the "Big Empty," the dramatic, vacant spaces of the Northwest's eastern deserts and western coast but with an eye toward the coming endgame of Manifest Destiny. Raban's essay, Battleground of the Eye, traces two centuries of artistic conflict between the verdant, people-free Northwest most painters chose to portray vs. the fully populated and exploited landscape that actually existed. Lang's essay, An Insatiable Hunger: The Consuming Myth of the Northwest, probes the changing mythology of Pacific Northwest landscape as it has progressed from an apparently infinite resource for extractive industries to a playground for an expanding consumer class. Designer John Laursen has translated the sweeping power of Brophy's work to the scale of a 12-by-12-inch book with the 200-line reproductions imaged direct to plate and printed by Portland's award-winningMillcross Litho.
