New Theatre Quarterly 43: Volume 11, Part 3 PDF Download
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Author: Clive Barker
Publisher: Cambridge University Press
ISBN: 9780521558426
Category : Drama
Languages : en
Pages : 98
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Book Description
One of a series discussing topics of interest in theatre studies from theoretical, methodological, philosophical and historical perspectives.
Author: Clive Barker
Publisher: Cambridge University Press
ISBN: 9780521558426
Category : Drama
Languages : en
Pages : 98
Get Book
Book Description
One of a series discussing topics of interest in theatre studies from theoretical, methodological, philosophical and historical perspectives.
Author: Clive Barker
Publisher: Cambridge University Press
ISBN: 9780521648516
Category : Drama
Languages : en
Pages : 108
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Book Description
New Theatre Quarterly provides an international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning.
Author: Clive Barker
Publisher: Cambridge University Press
ISBN: 9780521558419
Category : Drama
Languages : en
Pages : 108
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Book Description
New Theatre Quarterly provides an international forum where theatrical scholarship and practice can meet. Topics covered in number 44 include: 'Spectatorial Theory in the Age of the Media Culture', and 'The Company You Keep: Subversive Thoughts on the Impact of the Playwright and the Performer'.
Author: Clive Barker
Publisher: Cambridge University Press
ISBN: 9780521483223
Category : Drama
Languages : en
Pages : 100
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Book Description
New Theatre Quarterly provides a valuable international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning.
Author: Clive Barker
Publisher: Cambridge University Press
ISBN: 9780521524049
Category : Drama
Languages : en
Pages : 100
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Book Description
New Theatre Quarterly provides an international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. Articles in volume 71 include: Remembering Martin Esslin, 1918 2002; 'An Uncooked Army Boot': Spike Milligan, 1918 2002; Doing Things with Words: Directing Darion Fo in the UK; The Long Road Home: Athol Fugard and His Collaborators; Theatre Audience Surveys: towards a Semiotic Approach; Fragile Currency of the Last Anarchist: the Plays of Maxwell Anderson; The Mud and the Wind: an Inquiry into Dramaturgy.
Author: Simon Trussler
Publisher: Cambridge University Press
ISBN: 9780521603287
Category : Drama
Languages : en
Pages : 100
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Book Description
Provides an international forum where theatrical scholarship and practice can meet.
Author: Clive Barker
Publisher: Cambridge University Press
ISBN: 9780521589024
Category : Drama
Languages : en
Pages : 100
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Book Description
Provides an international forum where theatrical scholarship and practice can meet to question dramatic assumptions.
Author: Clive Barker
Publisher: Cambridge University Press
ISBN: 9780521448147
Category : Drama
Languages : en
Pages : 108
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Book Description
Provides an international forum for the discussion of topics of current interest in theatre studies. This issue includes articles on women and theatre in Spain; Sarah Bernhardt in Vaudeville; Giorgio Strehler's 'Faust' project; Deborah Levy in interview; and social space in ancient theatre.
Author: Clive Barker
Publisher:
ISBN: 9780521387903
Category :
Languages : en
Pages : 103
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Book Description
One of a series discussing topics of interest in theatre studies from theoretical, methodological, philosophical and historical perspectives. The books are aimed at drama and theatre teachers, advanced students in schools and colleges, arts authorities, actors, playwrights, critics and directors.
Author: Clive Barker
Publisher: Cambridge University Press
ISBN: 9780521483216
Category : Drama
Languages : en
Pages : 108
Get Book
Book Description
New Theatre Quarterly provides a valuable international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theatre history has a contemporary relevance.
