Author: Susan Manning
Publisher: University of Illinois Press
ISBN: 0252093860
Category : Performing Arts
Languages : en
Pages : 296
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Book Description
New German Dance Studies offers fresh histories and theoretical inquiries that resonate across fields of the humanities. Sixteen essays range from eighteenth-century theater dance to popular contemporary dances in global circulation. In an exquisite trans-Atlantic dialogue that demonstrates the complexity and multilayered history of German dance, American and European scholars and artists elaborate on definitive performers and choreography, focusing on three major thematic areas: Weimar culture and its afterlife, the German Democratic Republic, and recent conceptual trends in theater dance. Contributors are Maaike Bleeker, Franz Anton Cramer, Kate Elswit, Susanne Franco, Susan Funkenstein, Jens Richard Giersdorf, Yvonne Hardt, Sabine Huschka, Claudia Jeschke, Marion Kant, Gabriele Klein, Karen Mozingo, Tresa Randall, Gerald Siegmund, and Christina Thurner.
Author: Susan Manning
Publisher: University of Illinois Press
ISBN: 025203676X
Category : History
Languages : en
Pages : 297
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Book Description
Susan Manning is a professor of English, theater, and performance studies at Northwestern University and the author of Ecstasy and the Demon: The Dances of Mary Wigman. Book jacket.
Author: Isa Partsch-Bergsohn
Publisher: Routledge
ISBN: 1134358210
Category : Performing Arts
Languages : en
Pages : 212
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Book Description
First Published in 1995. In Modern Dance in Germany and the United States: Crosscurrents and Influences Isa PartschBergsohn discusses the phenomenon of the modem dance movement between 1902 and 1986 in an international context, focussing on its beginnings in Europe and its philosophy as formulated by the pioneers Dalcroze, Laban, Wigman and Jooss. The author traces the effects the Third Reich had on these artists, and shows the influence these key choreographers had on the developing American modem dance movement through the postwar years, concentrating in particular on Kurt Jooss and his Tanztheater. When America took the lead in modem dance innovation during the sixties, artists such as Martha Graham, Jose Limon, Paul Taylor, Alvin Ailey and Alwin Nikolais overwhelmed European audiences. Subsequently, the artists of the New German Tanztheater revitalized German theatre traditions by blending new content with some of the American contemporary dance techniques. Although the history of modem dance in these two countries is closely linked, the author describes how each country has kept its own unique and distinctive style.
Author: Jens Richard Giersdorf
Publisher: University of Wisconsin Pres
ISBN: 029928963X
Category : History
Languages : en
Pages : 249
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Book Description
The Body of the People is the first comprehensive study of dance and choreography in East Germany. More than twenty years after the fall of the Berlin Wall, Jens Richard Giersdorf investigates a national dance history in the German Democratic Republic, from its founding as a Communist state that supplanted the Soviet zone of occupation in 1949 through the aftermath of its collapse forty years later, examining complex themes of nationhood, ideology, resistance, and diaspora through an innovative mix of archival research, critical theory, personal narrative, and performance analysis. Giersdorf looks closely at uniquely East German dance forms—including mass exercise events, national folk dances, Marxist-Leninist visions staged by the dance ensemble of the armed forces, the vast amateur dance culture, East Germany’s version of Tanztheater, and socialist alternatives to rock ‘n’ roll—to demonstrate how dance was used both as a form of corporeal utopia and of embodied socialist propaganda and indoctrination. The Body of the People also explores the artists working in the shadow of official culture who used dance and movement to critique and resist state power, notably Charlotte von Mahlsdorf, Arila Siegert, and Fine Kwiatkowski. Giersdorf considers a myriad of embodied responses to the Communist state even after reunification, analyzing the embodiment of the fall of the Berlin Wall in the works of Jo Fabian and Sasha Waltz, and the diasporic traces of East German culture abroad, exemplified by the Chilean choreographer Patricio Bunster.
Author: Isa Partsch-Bergsohn
Publisher: Dance Horizons
ISBN:
Category : Performing Arts
Languages : en
Pages : 116
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Book Description
This is the story of three passionate choreographers and their colleagues who created European modern dance in the twentieth century despite the storms of war and oppression. It begins with Rudolf Laban, innovator and guiding force, and continues with the careers of his two most gifted and influential students, Mary Wigman and Kurt Jooss. Included are others who made significant contributions: Hanya Holm, Sigurd Leeder, Gret Palucca, Berthe Trumpy, Vera Skoronel, Yvonne Georgi and Harold Kreutzberg. The first book to weave together the connections among these extraordinary artists, The Makers of Modern Dance in Germany contains interviews, personal recollections and translations from German publications - all of which have never appeared before. Illustrated with archival photographs.
Author: Lilian Karina
Publisher: Berghahn Books
ISBN: 9781571816887
Category : History
Languages : en
Pages : 400
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Book Description
The Nazis burned books and banned much modern art. However, few people know the fascinating story of German modern dance, which was the great exception. Modern expressive dance found favor with the regime and especially with the infamous Dr. Joseph Goebbels, the Minister of Propaganda. How modern artists collaborated with Nazism reveals an important aspect of modernism, uncovers the bizarre bureaucracy which controlled culture and tells the histories of great figures who became enthusiastic Nazis and lied about it later. The book offers three perspectives: the dancer Lilian Karina writes her very vivid personal story of dancing in interwar Germany; the dance historian Marion Kant gives a systematic account of the interaction of modern dance and the totalitarian state, and a documentary appendix provides a glimpse into the twisted reality created by Nazi racism, pedantic bureaucrats and artistic ambition.
Author: Dianne Shelden Howe
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 336
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Book Description
While much has been written about the visual artists and playwrights of early twentieth-century Germany - Nolde, Kandinsky, Kokoschka and others - their equally innovative contemporaries in dance have not been studied so extensively. The development of the New Dance, also called Ausdruckstanz, paralleled that of expressionist art and drama. This study focuses on nine choreographers whose theories, work, aesthetic values and artistic intent convey the variations and commonalities of this dance form. They are Mary Wigman, Gret Palucca, Harald Kreutzberg, Yvonne Georgi, Vera Skoronel, Berthe Trümpy, Niddy Impekoven, Grete Wiesenthal, and Valeska Gert.
Author: Susan Manning
Publisher: University of Wisconsin Press
ISBN: 0299322408
Category : Performing Arts
Languages : en
Pages : 589
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Book Description
A collaboration between well-established and rising scholars, Futures of Dance Studies suggests multiple directions for new research in the field. Essays address dance in a wider range of contexts--onstage, on screen, in the studio, and on the street--and deploy methods from diverse disciplines. Engaging African American and African diasporic studies, Latinx and Latin American studies, gender and sexuality studies, and Asian American and Asian studies, this anthology demonstrates the relevance of dance analysis to adjacent fields"--
Author: Isa Partsch-Bergsohn
Publisher:
ISBN: 9783718654697
Category : Modern dance
Languages : en
Pages : 167
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Book Description
Author: Kate Elswit
Publisher: Oxford Studies in Dance Theory
ISBN: 0199844836
Category : Performing Arts
Languages : en
Pages : 289
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Book Description
This title historicizes and theorizes the spectatorship of dances in and from interwar Germany - at home, on tour, and later returning from exile - developing a culturally-situated model of watching that not only offers a revisionist historical narrative, but also demonstrates new methods for dance scholarship to shape cultural history.
