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Author: Stuart Michael Persell
Publisher:
ISBN:
Category : History
Languages : en
Pages : 316
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Book Description
What CHOICE says: Persell focuses on the development of neo-Lamarckism in France after 1870, and why France--deeply wounded by its resounding defeat in the Franco-Prussian war--welcomed the move away from Darwinian evolution. The author separates the ideas of French neo-Lamarckians from the theories of Jean Baptiste Lamarck and American neo-Lamarckians, who accepted divine purpose as a part of their evolutionary scheme. The French school regarded Lamarck as the founder of evolution, retaining belief in the inheritance of acquired characteristics; however, they incorporated natural selection into their materialist and progressivist scheme, encouraged by Darwin's gradual acceptance of some environmentalist ideas in successive editions of the Origin. Persell strikes a balance between those modern biologists whose interpretation of post-Darwinian evolution has been called "whiggish" and those who claim the popularity of Darwinian evolution declined precipitously after Darwin's death and had little influence for the rest of the 19th century; e.g., he maintains that August Weismann's work played a critical role in shaping biology. The book promises to be useful for upper-division undergraduate and graduate students through research scholars in the biological sciences as well as those investigating the development of scientific ideas.
Author: Stuart Michael Persell
Publisher:
ISBN:
Category : History
Languages : en
Pages : 316
Get Book
Book Description
What CHOICE says: Persell focuses on the development of neo-Lamarckism in France after 1870, and why France--deeply wounded by its resounding defeat in the Franco-Prussian war--welcomed the move away from Darwinian evolution. The author separates the ideas of French neo-Lamarckians from the theories of Jean Baptiste Lamarck and American neo-Lamarckians, who accepted divine purpose as a part of their evolutionary scheme. The French school regarded Lamarck as the founder of evolution, retaining belief in the inheritance of acquired characteristics; however, they incorporated natural selection into their materialist and progressivist scheme, encouraged by Darwin's gradual acceptance of some environmentalist ideas in successive editions of the Origin. Persell strikes a balance between those modern biologists whose interpretation of post-Darwinian evolution has been called "whiggish" and those who claim the popularity of Darwinian evolution declined precipitously after Darwin's death and had little influence for the rest of the 19th century; e.g., he maintains that August Weismann's work played a critical role in shaping biology. The book promises to be useful for upper-division undergraduate and graduate students through research scholars in the biological sciences as well as those investigating the development of scientific ideas.
Author: Fae Brauer
Publisher: Cambridge Scholars Publishing
ISBN: 1443884375
Category : Art
Languages : en
Pages : 302
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Book Description
With the increasing loss of biological diversity in this Sixth Age of Mass Extinction, it is timely to show that devolutionary paranoia is not new, but rather stretches back to the time of Charles Darwin. It is also an opportune moment to show how human-driven extinction, as designated by the term, Anthropocene, has long been acknowledged. The halcyon days of European industrial progress, colonial expansion and scientific revolution trumpeted from the Great Exhibition of 1851 until the Dresden International Hygiene Exhibition of 1930 were constantly marred by fears of rampant degeneration, depopulation, national decline, environmental devastation and racial extinction. This is demonstrated by the discourses of catastrophism charted in this book that percolated across Europe in response to the theories of Darwin and Jean Baptiste Lamarck, as well as Marcellin Berthelot, Camille Flammarion, Ernst Haeckel, Louis Landouzy, Félix Le Dantec, Cesare Lombroso, Thomas Huxley, Bénédite-Augustin Morel, Louis Pasteur, Élisée Reclus, Rudolf Steiner and Wilhelm Wundt, among others. This book presents pioneering explorations of the interrelationship between these discourses and modern visual cultures and the ways in which the “picturing of evolution and extinction” by artists as diverse as Roger Broders, Albert Besnard, Fernand Cormon, Hélène Dufau, Émile Gallé, František Kupka, Pablo Picasso, Carles Mani y Roig, Sophie Taeuber and Vasilii Vatagin betrayed anxieties subliminally festering over degeneration alongside latent hopes of regeneration. Following Darwin’s concept of evolution as Janus-faced, the dialectical interplay of evolution and extinction and degeneration and regeneration is explored in modern visual cultures in Australia, America, Britain, France, Germany, Russia, Spain and Switzerland at significant spatio-temporal junctures between 1860 and 1930. By unravelling the “picturing” of the dread of alcoholism, cholera, dysentery, tuberculosis, typhoid and rabies, alongside phobias of animalism, criminality, hysteria, impotency and ecological disaster, each chapter makes an original contribution to this new field of scholarship. By locating these discourses and visual cultures within the “golden age of Neo-Lamarckism”, they also reveal how regeneration was pictured as the Janus-face of degeneration able to facilitate evolution through the inheritance of beneficial characteristics in propitious environments. In striking such an uplifting note amidst the dissonant cacophony of catastrophism, this book reveals why the art and science of Transformism proved so appealing in France as elsewhere, and why visual cultures of regeneration became as dominant in the twentieth century as the picturing of degeneration had been in the nineteenth century. It also illuminates the paradoxical inversion that occurred in the twentieth century when devolution became equivalent to evolution for many Modernists. Hence, whilst this book opens with the picturing of indigenous people in Australia and North America as “doomed races” by the first publication of Darwin’s On The Origin of Species, it closes with the quest by 1930 for a regenerative suntan as dark as the skin of those indigenous people.
Author: Shalon Parker
Publisher: Rowman & Littlefield
ISBN: 1611496713
Category : Art
Languages : en
Pages : 185
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Book Description
In late nineteenth-century France, when Charles Darwin’s theories of evolution had finally begun to permeate French culture and society, several academic artists turned to a relatively new sub-genre of history painting, the prehistoric-themed subject. This artistic interest in Darwin’s theories was manifested as paintings and sculptures of prehistoric humanity engaged in physical conflict with each other or other animals, struggling for food, or hunting—all nineteenth-century popular understandings of “survival of the fittest.” This book examines how this sub-genre captured the imagination of French Salon painters from the 1880s to early 1900s, in particular that of Fernand Cormon (1845–1924), one of the foremost academic painters during the final quarter of the nineteenth century. A central argument of this book concerns the unique interpretation of prehistoric humanity that Cormon visualized in his paintings. While the vast majority of prehistoric-themed images made by his salon colleagues focused on violence, combat, and sexual conquest, Cormon’s paintings depict a conflict-free humanity, in which collaboration and cooperation dominate, rather than physical struggle. This study probes the French intellectual understanding and appropriation of Darwin’s theories and considers how the French (mis)translation of The Origin of Species by Clémence-Auguste Royer, the first French translator of the text—along with Neo-Lamarckism and republican ideology in Third Republic France—may have collectively shaped Cormon’s representation of early humanity. The art press overwhelmingly favored Cormon’s visualization of the prehistoric world over that of his Salon peers. Through extended analysis of the art criticism concerning Cormon’s work, Shalon Parker argues that critics’ very clear preference for Cormon’s paintings was rooted in their awareness that he utilized the sub-genre of the prehistoric as a forum in which to reimagine and revive academic figurative painting at a time when the critical reception of Salon art had reached its nadir. Additionally, this study provides a broad overview of the visual models, in particular the anthropological and ethnographic texts and imagery, most readily available to Cormon as sources for shaping his vision of the prehistoric world.
Author: Snait B. Gissis
Publisher: Springer Nature
ISBN: 3031527569
Category :
Languages : en
Pages : 337
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Book Description
Author: Antonello La Vergata
Publisher: Springer Nature
ISBN: 3031310233
Category : Science
Languages : en
Pages : 614
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Book Description
The book discusses ideas concerning the order and balance of nature (or "economy of nature") from the late 17th century to the early 20th century. The perspective taken is broad, longue durée and interdisciplinary, and reveals the interplay of scientific, philosophical, moral and social ideas. The story begins with natural theology (dating roughly to the onset of the so-called Newtonian Revolution) and ends with the First World War. The cut-off date has been chosen for the following reasons: the war changed the state of things, affecting man’s way of looking at, and relating to, nature both directly and indirectly; indeed, it put an end to most applications of Darwinism to society and history, including interpretations of war as a form of the struggle for existence. The author presents an overview of the different images of nature that were involved in these debates, especially in the late 19th century, when a large part of the scientific community paid lip service to ‘Darwinism’, while practically each expert felt free to interpret it in his own distinct way. The book also touches on the so-called ‘social Darwinism’, which was neither a real theory, nor a common body of ideas, and its various views of society and nature’s economy. Part of this book deals with the persistence of moralizing images of nature in the work of many authors. One of the main features of the book is its wealth of (detailed) quotations. In this way the author gives the reader the opportunity to see the original statements on which the author bases his discussion. The author privileges the analysis of different positions over a historiography offering a merely linear narrative based on general implications of ideas and theories. To revisit the concept of the so-called "Darwinian Revolution", we need to examine the various perspectives of scientists and others, their language and, so to speak, the lenses they used when reading "facts" and theories. The book ends with some general reflections on Darwin and Darwinisms (the plural is important) as a case study on the relationship between intellectual history, the history of science and contextual history. Written by a historian, this book really gives new, multidisciplinary perspectives on the "Darwinian Revolution."
Author: Eva Jablonka
Publisher: MIT Press
ISBN: 0262322692
Category : Science
Languages : en
Pages : 577
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Book Description
A pioneering proposal for a pluralistic extension of evolutionary theory, now updated to reflect the most recent research This updated edition of the widely read Evolution in Four Dimensions has been revised to reflect the spate of new discoveries in biology since the book was first published in 2005, offering corrections, an updated bibliography, and a substantial new chapter. Eva Jablonka and Marion Lamb's pioneering argument proposes that there is more to heredity than genes. They describe 4 “dimensions” in heredity—4 inheritance systems that play a role in evolution which, they argue, can all provide variations on which natural selection can act: • genetic • epigenetic (or non-DNA cellular transmission of traits) • behavioral • symbolic (transmission through language and other forms of symbolic communication) Jablonka and Lamb present a richer, more complex view of evolution than that offered by the gene-based Modern Synthesis, arguing that induced and acquired changes also play a role. Their lucid and accessible text is accompanied by artist-physician Anna Zeligowski's lively drawings, which humorously and effectively illustrate the authors' points. Each chapter ends with a dialogue in which the authors refine their arguments against the vigorous skepticism of the fictional “I.M.” (for Ipcha Mistabra—Aramaic for “the opposite conjecture”). The extensive new chapter, presented engagingly as a dialogue with I.M., updates the information on each of the 4 dimensions—with special attention to the epigenetic, where there has been an explosion of new research.
Author: Jason Szabo
Publisher: Rutgers University Press
ISBN: 9780813547107
Category : Medical
Languages : en
Pages : 310
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Book Description
Terminal illness and the pain and anguish it brings are experiences that have touched millions of people in the past and continue to shape our experience of the present. Hospital machines that artificially support life and monitor vital signs beg the question: Is there not anything that medical science can offer as solace? Incurable and Intolerable looks at the history of incurable illness from a variety of perspectives, including those of doctors, patients, families, religious counsel, and policy makers. This compellingly documented and well-written history illuminates the physical, emotional, social, and existential consequences of chronic disease and terminal illness, and offers an original look at the world of palliative medicine, politics, religion, and charity. Revealing the ways in which history can shed new light on contemporary thinking, Jason Szabo encourages a more careful scrutiny of today's attitudes, policies, and practices surrounding "imminent death" and its effects on society.
Author: Margaret E. Derry
Publisher: University of Toronto Press
ISBN: 1487511140
Category : History
Languages : en
Pages : 304
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Book Description
Before crude oil and the combustion engine, the industrialized world relied on a different kind of power - the power of the horse. Horses in Society is the story of horse production in the United States, Britain, and Canada at the height of the species' usefulness, the late nineteenth and early twentieth-century. Margaret E. Derry shows how horse breeding practices used during this period to heighten the value of the animals in the marketplace incorporated a intriguing cross section of influences, including Mendelism, eugenics, and Darwinism. Derry elucidates the increasingly complex horse world by looking at the international trade in army horses, the regulations put in place by different countries to enforce better horse breeding, and general aspects of the dynamics of the horse market. Because it is a story of how certain groups attempted to control the market for horses, by protecting their breeding activities or 'patenting' their work, Horses in Society provides valuable background information to the rapidly developing present-day problem of biological ownership. Derry's fascinating study is also a story of the evolution of animal medicine and humanitarian movements, and of international relations, particularly between Canada and the United States.
Author: Gábor Bíró
Publisher: Routledge
ISBN: 1000476960
Category : Business & Economics
Languages : en
Pages : 305
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Book Description
Humanity and Nature in Economic Thought: Searching for the Organic Origins of the Economy argues that organic elements seen as incompatible with rational homo economicus have been left out of, or downplayed in, mainstream histories of economic thought. The chapters show that organic aspects (that is, aspects related to sensitive, cognitive or social human qualities) were present in the economic ideas of a wide range of important thinkers including Hume, Smith, Malthus, Mill, Marshall, Keynes, Hayek and the Polanyi brothers. Moreover, the contributors to this thought-provoking volume reveal in turn that these aspects were crucial to how these key figures thought about the economy. This stimulating collection of essays will be of interest to advanced students and scholars of the history of economic thought, economic philosophy, heterodox economics, moral philosophy and intellectual history.
Author: Kenton Kroker
Publisher: University of Toronto Press
ISBN: 1442658657
Category : Science
Languages : en
Pages : 544
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Book Description
We tend to think of sleep as a private concern, a night-time retreat from the physical world into the realm of the subconscious. Yet sleep also has a public side; it has been the focal point of religious ritual, philosophic speculation, political debate, psychological research, and more recently, neuroscientific investigation and medical practice. In this first ever history of sleep research, Kenton Kroker draws on a wide range of material to present the story of how an investigative field – at one time dominated by the study of dreams – slowly morphed into a laboratory-based discipline. The result of this transformation, Kroker argues, has changed the very meaning of sleep from its earlier conception to an issue for public health and biomedical intervention. Examining a vast historical period of 2500 years, Kroker separates the problems associated with the history of dreaming from those associated with sleep itself and charts sleep-related diseases such as narcolepsy, insomnia, and sleep apnea. He describes the discovery of rapid eye movement – REM – during the 1950s, and shows how this discovery initiated the creation of 'dream laboratories' that later emerged as centres for sleep research during the 1960s and 1970s. Kroker's work is unique in subject and scope and will be enormously useful for both sleep researchers, medical historians, and anybody who's ever lost a night's sleep.
