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Author: Harry F. Olson
Publisher: Courier Corporation
ISBN: 0486317021
Category : Music
Languages : en
Pages : 482
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Book Description
This extraordinarily comprehensive text, requiring no special background, discusses the nature of sound waves, musical instruments, musical notation, acoustic materials, elements of sound reproduction systems, and electronic music. Includes 376 figures.
Author: Harry F. Olson
Publisher: Courier Corporation
ISBN: 0486317021
Category : Music
Languages : en
Pages : 482
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Book Description
This extraordinarily comprehensive text, requiring no special background, discusses the nature of sound waves, musical instruments, musical notation, acoustic materials, elements of sound reproduction systems, and electronic music. Includes 376 figures.
Author: Harvey E. White
Publisher: Courier Corporation
ISBN: 0486794008
Category : Science
Languages : en
Pages : 448
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Book Description
Comprehensive and accessible, this foundational text surveys general principles of sound, musical scales, characteristics of instruments, mechanical and electronic recording devices, and many other topics. More than 300 illustrations plus questions, problems, and projects.
Author: Neville H. Fletcher
Publisher: Springer Science & Business Media
ISBN: 0387216030
Category : Science
Languages : en
Pages : 763
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Book Description
While the history of musical instruments is nearly as old as civilisation itself, the science of acoustics is quite recent. By understanding the physical basis of how instruments are used to make music, one hopes ultimately to be able to give physical criteria to distinguish a fine instrument from a mediocre one. At that point science may be able to come to the aid of art in improving the design and performance of musical instruments. As yet, many of the subtleties in musical sounds of which instrument makers and musicians are aware remain beyond the reach of modern acoustic measurements. This book describes the results of such acoustical investigations - fascinating intellectual and practical exercises. Addressed to readers with a reasonable grasp of physics who are not put off by a little mathematics, this book discusses most of the traditional instruments currently in use in Western music. A guide for all who have an interest in music and how it is produced, as well as serving as a comprehensive reference for those undertaking research in the field.
Author: Leon Gunther
Publisher: Springer Science & Business Media
ISBN: 9781461405573
Category : Science
Languages : en
Pages : 540
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Book Description
The Physics of Music and Color deals with two subjects, music and color - sound and light in the physically objective sense - in a single volume. The basic underlying physical principles of the two subjects overlap greatly: both music and color are manifestations of wave phenomena, and commonalities exist as to the production, transmission, and detection of sound and light. This book aids readers in studying both subjects, which involve nearly the entire gamut of the fundamental laws of classical as well as modern physics. Where traditional introductory physics and courses are styled so that the basic principles are introduced first and are then applied wherever possible, this book is based on a motivational approach: it introduces a subject by demonstrating a set of related phenomena, challenging readers by calling for a physical basis for what is observed. The Physics of Music and Color is written at level suitable for college students without any scientific background, requiring only simple algebra and a passing familiarity with trigonometry. It contains numerous problems at the end of each chapter that help the reader to fully grasp the subject.
Author: Robert H. Randall
Publisher: Courier Corporation
ISBN: 0486174719
Category : Science
Languages : en
Pages : 352
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Book Description
Undergraduate-level text examines waves in air and in three dimensions, interference patterns and diffraction, and acoustic impedance, as illustrated in the behavior of horns. 1951 edition.
Author: Tim Dittmar
Publisher: Taylor & Francis
ISBN: 1136111735
Category : Technology & Engineering
Languages : en
Pages : 258
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Book Description
Audio Engineering 101 is a real world guide for starting out in the recording industry. If you have the dream, the ideas, the music and the creativity but don't know where to start, then this book is for you! Filled with practical advice on how to navigate the recording world, from an author with first-hand, real-life experience, Audio Engineering 101 will help you succeed in the exciting, but tough and confusing, music industry. Covering all you need to know about the recording process, from the characteristics of sound to a guide to microphones to analog versus digital recording. Dittmar covers all the basics- equipment, studio acoustics, the principals of EQ/ compression, music examples to work from and when and how to use compression. FAQ's from professionals give you real insight into the reality of life on the industry.
Author: William M. Hartmann
Publisher: Springer Science & Business Media
ISBN: 1461467861
Category : Science
Languages : en
Pages : 348
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Book Description
Principles of Musical Acoustics focuses on the basic principles in the science and technology of music. Musical examples and specific musical instruments demonstrate the principles. The book begins with a study of vibrations and waves, in that order. These topics constitute the basic physical properties of sound, one of two pillars supporting the science of musical acoustics. The second pillar is the human element, the physiological and psychological aspects of acoustical science. The perceptual topics include loudness, pitch, tone color, and localization of sound. With these two pillars in place, it is possible to go in a variety of directions. The book treats in turn, the topics of room acoustics, audio both analog and digital, broadcasting, and speech. It ends with chapters on the traditional musical instruments, organized by family. The mathematical level of this book assumes that the reader is familiar with elementary algebra. Trigonometric functions, logarithms and powers also appear in the book, but computational techniques are included as these concepts are introduced, and there is further technical help in appendices.
Author: Albert T. Fromhold
Publisher: Courier Corporation
ISBN: 0486164691
Category : Science
Languages : en
Pages : 450
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Book Description
For upper-level undergraduates and graduate students: an introduction to the fundamentals of quantum mechanics, emphasizing aspects essential to an understanding of solid-state theory. Numerous problems (and selected answers), projects, exercises.
Author: Kinko Tsuji
Publisher: Springer Nature
ISBN: 3030686760
Category : Science
Languages : en
Pages : 432
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Book Description
This book explores the fascinating and intimate relationship between music and physics. Over millennia, the playing of, and listening to music have stimulated creativity and curiosity in people all around the globe. Beginning with the basics, the authors first address the tonal systems of European-type music, comparing them with those of other, distant cultures. They analyze the physical principles of common musical instruments with emphasis on sound creation and particularly charisma. Modern research on the psychology of musical perception – the field known as psychoacoustics – is also described. The sound of orchestras in concert halls is discussed, and its psychoacoustic effects are explained. Finally, the authors touch upon the role of music for our mind and society. Throughout the book, interesting stories and anecdotes give insights into the musical activities of physicists and their interaction with composers and musicians.
Author: Juan G. Roederer
Publisher: Springer Science & Business Media
ISBN: 1461599814
Category : Science
Languages : en
Pages : 214
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Book Description
Viii book we shall refer a great deal to the discipline of psycho physics, which in a broad sense tries to establish in a quan titative form the causal relationship between the "physical" input from our senses and the psychological sensations and physiological reactions evoked in our mind and body, re spectively. Actually, we shall try to weave a rather close mesh between physics and psychophysics-or, more pre cisely, psychoacoustics. After all, they appear naturally interwoven in music itself: not only pitch, loudness and timbre are a product of physical and psychoacoustical proc esses, but so are the sensations related to consonance and dissonance, tonic dominance, trills and ornamentation, vibrato, phrasing, beats, tone attack, duration and decay, rhythm, and so on. Many books on physics of music or musical acoustics are readily available. An up-to-date text is the treatise of John Backus (1969). No book on psychoacoustics is available at the elementary level, though. Several review articles on pertinent topics can be found in Tobias (1970) and in Plomp and Smoorenburg (1970). A comprehensive discussion is given in Flanagan's book on speech (1972). And, of course, there is the classical treatise of von Bekesy (1960). A com prehensive up-to-date analysis of general brain processes can be found in Sommerhoff (1974); musical psychology is discussed in classical terms in Lundin (1967).
