Author: Bruno Nettl
Publisher: Cambridge : Harvard University Press
ISBN:
Category : Music
Languages : en
Pages : 228
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Book Description
When Eskimos get into an argument, their friends and relatives break it up. The combatants retire for several hours, and then each antagonist returns to plead his case by singing a song about it; the most impressive singer is adjudged victor by the rest of the tribe. In such ways as this does music function in primitive societies--as part of legal proceedings, religion, dances, funerals. Today, the vast body of primitive music, so valuable to composers from advanced cultures and intrinsically so interesting, is being studied extensively. This book is the first in English to bring together the widely scattered information on this important branch of ethnomusicology, or comparative musicology. The author considers methods of research, primitive musical instruments, and techniques of primitive performance of music, and he gives sixty short examples of music illustrating typical styles. He discusses such things as techniques of primitive composition and the criteria used by natives to determine "good" singers and songs, and he analyzes and classifies the traits of many different primitive styles, especially those of Africa and North America. Also included is a concise survey of the development of ethnomusicology from its origin in nineteenth-century Germany, as well as a summary of the amount of research done in all parts of the world. There is also an extensive list of books and articles available on the subject.
Author: Elliott William Guild
Publisher:
ISBN:
Category : Indians of North America
Languages : en
Pages : 280
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Book Description
Author: Bruno Nettl
Publisher:
ISBN:
Category : Ethnomusicology
Languages : en
Pages : 182
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Book Description
Author: Andrew Ford
Publisher: Black Inc.
ISBN: 1925203018
Category : Music
Languages : en
Pages : 229
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Book Description
Minimalism, savagery, the raw and the cooked, the primal and the pre-verbal, Elvis’s hips, The Rite of Spring . . . Earth Dances is an original investigation of how music and primitivism intersect – a dazzling journey through music and culture. With alternating chapters of criticism and interviews, including with Liza Lim and Brian Eno, composer and broadcaster Andrew Ford explores the relationship between primal forms of music and the most refined examples of the art – between passion and control. He looks at the voice, the drum, the drone and the dance, at ‘music that is in touch with something fundamental in our existence, music that seeks and rediscovers the earthy side of our nature, the primitive, the “simple, rude or rough”, and in doing so restores and resets our humanity’. ‘The perfect, knowledgeable, enthusiastic friend . . . I couldn’t put it down!’ —David Robertson ‘Much has been made of the search for the lost chord. But chords are sophisticated structures. Earth Dances documents Andrew Ford’s intrepid quest for the lost thud, and the lost scream . . . Music can’t survive without primitivism. It is the bushfire clearing overgrown and cluttered musical landscapes, paring them to essentials. This results in fresh structures, materials and practices that lead us to the place we belong.’ —Brian Ritchie, Violent Femmes, MONA FOMA ‘Earth Dances is a vivid and rarely less than astute history of the debt modern music simultaneously owes to the inheritances of tradition, and the texture of dissonance.’ —Kill Your Darlings ‘Filled with insightful musical analysis made accessible for a general audience.’ —Sydney Morning Herald
Author: Richard Wallaschek
Publisher:
ISBN: 9781698308654
Category :
Languages : en
Pages : 348
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Book Description
This 1893 study of the music, instruments and dance of the world's indigenous peoples reflects the Victorian view that human development moved from primitive to complex along a linear evolutionary path. Despite this standpoint, it was an important contribution to comparative musicology in the late nineteenth century, demonstrating the principle that studying the music of non-European cultures and societies could help Europeans understand their own musical tradition. On the basis of his comparative analysis, Wallaschek developed a theory that music originated from rhythm and dance rather than the melody of speech. His proposed model moved forward that of Wagner, and recognised that music is embedded as a fundamental element of social interaction. The book describes music and instruments around the world, the role of singing and dance, and tonality and harmony, before discussing the origin of music and the role of heredity and external circumstances on musicality.
Author: Richard Wallaschek
Publisher: Forgotten Books
ISBN: 9781330274279
Category : Music
Languages : en
Pages : 374
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Book Description
Excerpt from Primitive Music: An Inquiry Into the Origin and Development of Music, Songs, Instruments, Dances, and Pantomimes of Savage Races It was a suggestion of my friend Dr. Edward Westermarck that my original essays on primitive music should be revised and amplified so as to form a fairly serviceable treatise on the subject. While engaged in this work I have met with so much assistance and encouragement that I can only quite inadequately acknowledge my deep gratitude to Mrs. Plimmer, Prof, and Mrs. Sully for all the help and advice (scientific and other) they have given me from the beginning of my labours. I have also to express my thanks to Mr. R. H. Legge for his aid in preparing this English version of the work for the press, to Prof. Rhys Davids and Mr. James Sime for giving me the benefit of their knowledge and experience, and to Dr. H. R. Mill for his kind revision of the proof-sheets and for his most valuable suggestions in so many geographical and ethnological details. As to the importance of ethnology for the science of art I need hardly say many words, it being a generally accepted fact. In the present work it has been my aim to deal with the music of savage races only, while the music of ancient civilisation has merely been glanced at whenever it was necessary to indicate the connecting links between the most primitive and the comparatively advanced culture. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: F.W. Dobbs-Allsopp
Publisher: Oxford University Press
ISBN: 019024013X
Category : Religion
Languages : en
Pages : 448
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Book Description
On Biblical Poetry takes a fresh look at the nature of biblical Hebrew poetry beyond its currently best-known feature, parallelism. F.W. Dobbs-Allsopp argues that biblical poetry is in most respects just like any other verse tradition, and therefore biblical poems should be read and interpreted like other poems, using the same critical tools and with the same kinds of guiding assumptions in place. He offers a series of programmatic essays on major facets of biblical verse, each aspiring to alter currently regnant conceptualizations in the field and to show that attention to aspects of prosody--rhythm, lineation, and the like--allied with close reading can yield interesting, valuable, and even pleasurable interpretations. What distinguishes the verse of the Bible, says Dobbs-Allsopp, is its historicity and cultural specificity, those peculiar encrustations and encumbrances that typify all human artifacts. Both the literary and the historical, then, are in view throughout. The concluding essay elaborates a close reading of Psalm 133. This chapter enacts the final movement to the set of literary and historical arguments mounted throughout the volume--an example of the holistic staging which, Dobbs-Allsopp argues, is much needed in the field of Biblical Studies.
Author: Anonymous
Publisher: Legare Street Press
ISBN: 9781019634516
Category :
Languages : en
Pages : 0
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Book Description
Music lovers and history buffs will find this book of interest. Louis Charles Elson provides a fascinating glimpse into the music of ancient and primitive cultures from around the world, including information on musical instruments, scales, and styles of singing. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Joshua Guthman
Publisher: UNC Press Books
ISBN: 1469624877
Category : Religion
Languages : en
Pages : 232
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Book Description
Before the Bible Belt fastened itself across the South, competing factions of evangelicals fought over their faith's future, and a contrarian sect, self-named the Primitive Baptists, made its stand. Joshua Guthman here tells the story of how a band of antimissionary and antirevivalistic Baptists defended Calvinism, America's oldest Protestant creed, from what they feared were the unbridled forces of evangelical greed and power. In their harrowing confessions of faith and in the quavering uncertainty of their singing, Guthman finds the emotional catalyst of the Primitives' early nineteenth-century movement: a searing experience of doubt that motivated believers rather than paralyzed them. But Primitives' old orthodoxies proved startlingly flexible. After the Civil War, African American Primitives elevated a renewed Calvinism coursing with freedom's energies. Tracing the faith into the twentieth century, Guthman demonstrates how a Primitive Baptist spirit, unmoored from its original theological underpinnings, seeped into the music of renowned southern artists such as Roscoe Holcomb and Ralph Stanley, whose "high lonesome sound" appealed to popular audiences searching for meaning in the drift of postwar American life. In an account that weaves together religious, emotional, and musical histories, Strangers Below demonstrates the unlikely but enduring influence of Primitive Baptists on American religious and cultural life.
Author: David Holbrook
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838634738
Category : Business & Economics
Languages : en
Pages : 292
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Book Description
"In this book David Holbrook offers a fresh definition of creativity as a natural and fundamental dynamic in all human beings by which they seek to make sense of their lives. The symbolic expression of children is examined to support this view. Also examined are various manifestations of popular culture, manifestations that Holbrook suggests are manipulative - failing to satisfy primary needs, tending to encourage overdependence and regression." "Holbrook believes that commercial culture has intuitively found ways of exploiting the natural needs of children. Without being able to offer any genuine sustenance for the existential needs of the child, commercial culture uses unconscious material to arouse deep anxieties and to seize the child's fascinated interest while promoting regression. Holbrook considers children's comics and pop lyrics, among other cultural media, and through them shows that commercial culture tends to enlist a preoccupation with disturbances for which there are no solutions. The anxiety aroused undermines a child's achievements. Children often seek solace in "pop cults" and, in the words of the late Marxist critic Charles Parker, are made "agents of their own debauchery." The fascination of cult loyalty impedes their natural growth and maturation processes - and their infantile addiction can follow them into adulthood. Case in point is the nostalgia of the Beatles generation. Upon John Lennon's death in 1980, some individuals who had grown up listening to the Beatles declared that there was "nothing left to live for." Holbrook investigates such group hysteria, noting its effects on the family, and asks poignantly if the total perversion of adult-child relationships is necessary to sell electronic recordings." "Creativity and Popular Culture offers a new basis for discrimination in cultural criticism. That David Holbrook has hit his target is perhaps best proven by the fact that the publisher of one comic he discusses has refused to allow reproduction of the drawings."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved