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Author: Stephen C. Meyer
Publisher: Routledge
ISBN: 1317425863
Category : Music
Languages : en
Pages : 354
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Book Description
As both a distinct genre and a particular mode of filmmaking, the idea of the epic has been central to the history of cinema. Including contributions from both established and emerging film music scholars, the ten essays in Music in Epic Film: Listening to Spectacle provide a cross-section of contemporary scholarship on the subject. They explore diverse topics, including the function of music in epic narratives, the socio-political implications of cinematic music, and the use of pre-existing music in epic films. Intended for students and scholars in film music, film appreciation, and media studies, the wide range of topics and the diversity of the films that the authors discuss make Music in Epic Film: Listening to Spectacle an ideal introduction to the field of music in epic film.
Author: Stephen C. Meyer
Publisher: Routledge
ISBN: 1317425863
Category : Music
Languages : en
Pages : 354
Get Book
Book Description
As both a distinct genre and a particular mode of filmmaking, the idea of the epic has been central to the history of cinema. Including contributions from both established and emerging film music scholars, the ten essays in Music in Epic Film: Listening to Spectacle provide a cross-section of contemporary scholarship on the subject. They explore diverse topics, including the function of music in epic narratives, the socio-political implications of cinematic music, and the use of pre-existing music in epic films. Intended for students and scholars in film music, film appreciation, and media studies, the wide range of topics and the diversity of the films that the authors discuss make Music in Epic Film: Listening to Spectacle an ideal introduction to the field of music in epic film.
Author: Stephen C. Meyer
Publisher: Taylor & Francis
ISBN: 1317425871
Category : Music
Languages : en
Pages : 244
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Book Description
As both a distinct genre and a particular mode of filmmaking, the idea of the epic has been central to the history of cinema. Including contributions from both established and emerging film music scholars, the ten essays in Music in Epic Film: Listening to Spectacle provide a cross-section of contemporary scholarship on the subject. They explore diverse topics, including the function of music in epic narratives, the socio-political implications of cinematic music, and the use of pre-existing music in epic films. Intended for students and scholars in film music, film appreciation, and media studies, the wide range of topics and the diversity of the films that the authors discuss make Music in Epic Film: Listening to Spectacle an ideal introduction to the field of music in epic film.
Author: Doug Adams
Publisher: Alfred Publishing Company
ISBN: 9780739071571
Category : Music
Languages : en
Pages : 401
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Book Description
Presents the complete account of the making of the Lord of the Rings trilogy music score, and includes extensive music examples, original manuscript scores, and glimpses into the creative process from the composer.
Author: Steven C. Smith
Publisher: Cultural Biographies
ISBN: 0190623276
Category : Biography & Autobiography
Languages : en
Pages : 497
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Book Description
In this biography the author interweaves the dramatic incidents of Steiner's personal life with an accessible exploration of his composing methods and experiences
Author: Ennio Morricone
Publisher: Scarecrow Press
ISBN: 0810892421
Category : Performing Arts
Languages : en
Pages : 312
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Book Description
With nearly 400 scores to his credit, Ennio Morricone is one of the most prolific and influential film composers working today. In Composing for the Cinema, Morricone and musicologist Sergio Miceli present a series of lectures on the composition and analysis of film music. Adapted from several lectures and seminars, these lessons show how sound design can be analyzed and offer a variety of musical solutions to many different kinds of film. Drawing upon scores by himself and others, the composer also provides insight into his relationships with many of the directors with whom he has collaborated, including Sergio Leone, Giuseppe Tornatore, Franco Zeffirelli, Warren Beatty, Ridley Scott, Roland Joffé, the Taviani Brothers, and others. Delivered in a conversational mode that is both comprehensible and interesting, this groundbreaking work intertwines analysis with practical details of film music composition.
Author: Stephen C. Meyer
Publisher: Indiana University Press
ISBN: 025301459X
Category : Performing Arts
Languages : en
Pages : 288
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Book Description
“A well-researched and thorough book examining what the author finds to be a unique facet of film music of the late 1940s and early 1950s.” —Soundtrax Lavish musical soundtracks contributed a special grandeur to the new widescreen, stereophonic sound movie experience of postwar biblical epics such as Samson and Delilah, Ben-Hur, and Quo Vadis. In Epic Sound, Stephen C. Meyer shows how music was utilized for various effects, sometimes serving as a vehicle for narrative plot and at times complicating biblical and cinematic interpretation. In this way, the soundscapes of these films reflected the ideological and aesthetic tensions within the genre, and more generally, within postwar American society. By examining key biblical films, Meyer adeptly engages musicology with film studies to explore cinematic interpretations of the Bible during the 1940s through the 1960s. “A major contribution to the field of film music studies and ought to be widely read by musicologists with an interest in film. Really, it ought to be read by film scholars as well: although the depth of Meyer’s engagement with the music is felt on almost every page, this is also a powerfully sustained exploration of the biblical epic as a film genre.” —American Music “Meyer’s clear and articulate study promises to be a welcome addition to the reading list of anyone interested not just in film but in mid-century music history.” —Journal of the Society for American Music “An ambitious and fascinating book.” —James Buhler, The University of Texas at Austin
Author: John Haines
Publisher: Oxford University Press, USA
ISBN: 9780190883348
Category : Motion picture music
Languages : en
Pages :
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Book Description
"This is an introductory textbook for students taking courses in film music"--
Author: James Buhler
Publisher: Routledge
ISBN: 1351204254
Category : Music
Languages : en
Pages : 329
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Book Description
Music in Action Film is the first volume to address the central role of music and sound in action film—arguably the most dominant form of commercial cinema today. Bringing together 15 essays by established and emerging scholars, the book encompasses both Hollywood blockbusters and international films, from classic works such as The Seven Samurai to contemporary superhero franchises. The contributors consider action both as genre and as a mode of cinematic expression, in chapters on evolving musical conventions; politics, representation, and identity; musical affect and agency; the functional role of music and sound design in action film; and production technologies. Breaking new critical ground yet highly accessible, this book will be of interest to students and scholars of music and film studies.
Author: Bernard MacMahon
Publisher: Simon and Schuster
ISBN: 1501135600
Category : History
Languages : en
Pages : 288
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Book Description
The companion book to the ground breaking Arena documentary series airing on the BBC that celebrates the pioneers and artists who gave us modern American music
Author: Gayle Sherwood Magee
Publisher: Oxford Music / Media
ISBN: 0199915962
Category : Literary Criticism
Languages : en
Pages : 313
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Book Description
Robert Altman's Soundtracks' offers a compelling new look at this celebrated director's films through his innovative uses of music and sound. As author Gayle Sherwood-Magee illustrates, Altman's considerable and varied output speaks to the changing film industry over decades from 'Nashville' to 'A Prairie Home Companion.
