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Author: James Clarke
Publisher: Oldcastle Books
ISBN: 1842434446
Category : Study Aids
Languages : en
Pages : 195
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Book Description
Movie Movements: Films That Changed the World of Cinema is a one-stop guide to the major movements that have shaped our sense of what cinema is and can be. It introduces the reader to definitions of the founding concepts in Film Studies such as authorship and genre, technological impacts and the rise of digital cinema, social influences and notions of the avant-garde, and cinema's emergence as a major art form that reflects and shapes the world. It explores, in concise and clear sections, how major works from the classic French realist La Regle de Jeu to the dazzling animation of Norman McLaren and the memorial documentary of Shoah, were conceived, developed and produced, and eventually received by the public, critics and film history. Offering a concise overview of a vast and compelling subject, it's a book for both the film enthusiast and the Film Studies student. Films discussed by James Clarke include: Kes Rome, Open City Metropolis The Passion of Joan of Arc The Tales of Hoffmann The Seventh Seal The Seventh Seal La Belle et la Bête Un Chien Andalou Koyaanisqatsi Night Mail Rome, Open City The Passion of Joan of Arc The Tales of Hoffmann The Seventh Seal Un Chien Andalou Koyaanisqatsi Night Mail Nanook of the North Into Great Silence We Are the Lambeth Boys Battleship Potemkin Jules et Jim Picnic at Hanging Rock Wings of Desire The Hired Hand Seven Samurai Pan's Labyrintk ' Movie Movements is part of the Kamera book series, which are helpful guides to random cinema-related phenomena' - Film Ireland
Author: James Clarke
Publisher: Oldcastle Books
ISBN: 1842434446
Category : Study Aids
Languages : en
Pages : 195
Get Book
Book Description
Movie Movements: Films That Changed the World of Cinema is a one-stop guide to the major movements that have shaped our sense of what cinema is and can be. It introduces the reader to definitions of the founding concepts in Film Studies such as authorship and genre, technological impacts and the rise of digital cinema, social influences and notions of the avant-garde, and cinema's emergence as a major art form that reflects and shapes the world. It explores, in concise and clear sections, how major works from the classic French realist La Regle de Jeu to the dazzling animation of Norman McLaren and the memorial documentary of Shoah, were conceived, developed and produced, and eventually received by the public, critics and film history. Offering a concise overview of a vast and compelling subject, it's a book for both the film enthusiast and the Film Studies student. Films discussed by James Clarke include: Kes Rome, Open City Metropolis The Passion of Joan of Arc The Tales of Hoffmann The Seventh Seal The Seventh Seal La Belle et la Bête Un Chien Andalou Koyaanisqatsi Night Mail Rome, Open City The Passion of Joan of Arc The Tales of Hoffmann The Seventh Seal Un Chien Andalou Koyaanisqatsi Night Mail Nanook of the North Into Great Silence We Are the Lambeth Boys Battleship Potemkin Jules et Jim Picnic at Hanging Rock Wings of Desire The Hired Hand Seven Samurai Pan's Labyrintk ' Movie Movements is part of the Kamera book series, which are helpful guides to random cinema-related phenomena' - Film Ireland
Author: Source Wikipedia
Publisher: University-Press.org
ISBN: 9781230556130
Category :
Languages : en
Pages : 108
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Book Description
Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 34. Chapters: Absolute film, Berlin School (films), Budapest school, Cinema du look, Cinema pur, Documentary Film Movement, Dogme 95, French Impressionist Cinema, French New Wave, German Expressionism, Grupo Cine Liberacion, Italian Futurism (cinema), Italian neorealism, Japanese New Wave, Kammerspielfilm, L.A. Rebellion, Mouth of Garbage film, Mumblecore, Neorealism (art), New French Extremity, New Hollywood, New Queer Cinema, No Wave Cinema, Parallel Cinema, Participatory cinema, Pluginmanifesto, Poetic realism, Polish Film School, Pure Film Movement, Remodernist film, Soviet Parallel Cinema, Surrealist cinema, Third Cinema, True Cinema movement, Yugoslav Black Wave.
Author: Vasco Hexel
Publisher: Taylor & Francis
ISBN: 1000866386
Category : Music
Languages : en
Pages : 305
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Book Description
50 Movie Music Moments comprises a wide-ranging collection of analyses of some of the most fascinating uses of music in modern Hollywood cinema. Considering narrative strategies, filmmaking techniques, functions of film music, audience engagement and conditioning, cultural implications, and intertextuality, the case studies gathered here introduce music as a crucial element of film. In 50 examples drawn from popular and critically acclaimed Hollywood films from the late 1950s to the present, the collection showcases the many dimensions of film music and its role in cinematic storytelling. Each example includes an analysis addressing the film’s context and providing a close reading of how music, narrative, and visual elements of the scene interact. Case studies exploring the role of music in film include Amadeus, Gladiator, Baby Driver, The Dark Knight, Philadelphia, Schindler’s List, and Black Panther. This invaluable collection offers an ideal resource to support undergraduate and graduate courses in film music history, film scoring, and filmmaking, as well as readers with a general interest in music in film.
Author: Olivia Landry
Publisher: Indiana University Press
ISBN: 0253038057
Category : Performing Arts
Languages : en
Pages : 235
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Book Description
“A rich and welcome addition to the surge of scholarly interest in the Berlin School.” —Studies in European Cinema Through a study of the contemporary German film movement the Berlin School, Olivia Landry examines how narrative film has responded to our highly digitalized and mediatized age, not with a focus on stasis and realism, but by turning back to movement, spectacle, and performance. She argues that a preoccupation with presence, liveness, and affect—all of which are viewed as critical components of live performance—can be found in many of the films of the Berlin School. Challenging the perception that the Berlin School is a sheer adherent of “slow cinema,” Landry closely analyzes the use of movement, dynamism, presence, and speed in a broad selection of films to show how filmmakers such as Christian Petzold, Angela Schanelec, Thomas Arslan, and Christoph Hochhäusler invoke the pulse of the kinesthetic and the tangibly affective. Her analysis draws on an array of film theories from early materialism to body theories, phenomenology, and contemporary affect theories. Arguing that these theories readily and energetically forge a path from film to performance, Landry traces a trajectory between the two through which live experience, presence, spectacle, intersubjectivity, and the body in motion emerge and powerfully intersect. Ultimately, Movement and Performance in Berlin School Cinema expands the methodological and disciplinary boundaries of film studies by offering new ways of articulating and understanding movement in cinema.
Author: Florian Kumb
Publisher: Springer
ISBN: 3658206853
Category : Performing Arts
Languages : en
Pages : 207
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Book Description
Florian Kumb provides a comprehensive review of the current state of the international literature on the motion picture industry and then applies a mix of appropriate quantitative and qualitative research methods in three empirical studies. He enters uncharted research territory examining the effects that major film characteristics cause in the post-theatrical exhibition, he identifies key factors that influence public film funding decisions, and then forecasts the future market development of a European film-financing network. The author shows that the characteristics of local movies, public film funding, and the local film financing network are major reasons for the low international competitiveness of Germany’s motion picture industry.
Author: James Clarke
Publisher: Kamera Books
ISBN: 9781842434451
Category : Performing Arts
Languages : en
Pages : 259
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Book Description
Introducingathe reader to definitions of the founding concepts in film studies, this guide coversasuch ideas as authorship and genre, technological impacts and the rise of digital cinema, social influences and notions of the avant-garde, and cinemaOCOs emergence as a major art form that reflects and shapes the world. In concise and clear sections, it explores how major works?from the classic French realist "La Regle de Jeu" to the dazzling animation of Norman McLaren and the memorial documentary of "Shoah"?were conceived, developed, and produced, and eventually received by the public, critics, and film history. Offering a concise overview of a vast and compelling subject, it is aaresource for both the film enthusiast and theafilm student."
Author:
Publisher:
ISBN:
Category : Motion picture industry
Languages : en
Pages : 1296
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Book Description
Author: George S. Semsel
Publisher: Bloomsbury Publishing USA
ISBN: 0313388695
Category : Performing Arts
Languages : en
Pages : 231
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Book Description
Since 1986, Chinese film circles have turned from their study of Chinese film in terms of aesthetics and have begun to explore film in terms of ideological, political and cultural concerns. In particular, this concern has centered on matters of the marketplace, with much debate between film scholars and filmmakers over the qualities of entertainment. Film In Contemporary China draws together the first English translations of recent articles written by the most respected critics, theorists and filmmakers in China who discuss this significant new direction. Parts One and Two discuss the ideological problems now facing Chinese film scholars and filmmakers, focusing on the Fifth Generation filmmakers whose works brought Chinese filmmaking to international prominence. Part Three is a critical study of the relationship of traditional culture to contemporary aesthetics. The fourth part follows the theoretical and critical debate over the entertainment film which forms the basis for the Third Movement of Chinese film during the New Era. The fifth part concerns the ongoing debate over the values of film theory in relationship to filmmaking, and the final section summarizes developments in film scholarship following the events in Tiananmen Square in 1989. Film In COntemporary China is designed primarily for film scholars, especially those concerned with China, with international film more generally, and with the relationship between film and society.
Author: Gilles Deleuze
Publisher: A&C Black
ISBN: 9780826459411
Category : Performing Arts
Languages : en
Pages : 268
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Book Description
Author: David Howarth
Publisher: Routledge
ISBN: 1134659199
Category : Foreign Language Study
Languages : en
Pages : 288
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Book Description
At least since the French Revolution, France has the peculair distinction of simultaneously fascinating, charming and exasperating its neighbours and foreign observers. Contemporary France provides an essential introduction for students of French politics and society, exploring contemporary developments while placing them in a deeper historical, intellectual, cultural and social context that makes for insightful analysis. Thus, chapters on France's economic policy and welfare state, its foreign and European policies and its political movements and recent institutional developments are informed by an analysis of the country's unique political and institutional traditions, distinct forms of nationalism and citizenship, dynamic intellectual life and recent social trends. Summaries of key political, economic and social movements and events are displayed as exhibits.
