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Author: Sharon G. Hoffman
Publisher: Arcadia Publishing
ISBN: 9780738556598
Category : History
Languages : en
Pages : 132
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Book Description
For more than 160 years, Moore College of Art & Design, the nation's first and only visual arts college for women, has led the way in educating women for careers in art and design. Moore began in 1848 as the Philadelphia School of Design for Women when philanthropist Sarah Peter founded the school to educate women in the design arts and provide opportunities for employment. The first students worked in the textile, wallpaper, and other factories of Philadelphia's industrial boom. The school's influence on early-American art and design was realized by members of the Red Rose Girls and the Philadelphia Ten. Other Moore graduates include the first women to design a United States postage stamp, to master the art of mezzotype, to serve as art director of an American advertising agency, and to design fabric for an automobile interior. This innovation and influence continues today through Moore's bachelor of fine arts degree for women, graduate and continuing education programs, and the Galleries at Moore.
Author: Sharon G. Hoffman
Publisher: Arcadia Publishing
ISBN: 9780738556598
Category : History
Languages : en
Pages : 132
Get Book
Book Description
For more than 160 years, Moore College of Art & Design, the nation's first and only visual arts college for women, has led the way in educating women for careers in art and design. Moore began in 1848 as the Philadelphia School of Design for Women when philanthropist Sarah Peter founded the school to educate women in the design arts and provide opportunities for employment. The first students worked in the textile, wallpaper, and other factories of Philadelphia's industrial boom. The school's influence on early-American art and design was realized by members of the Red Rose Girls and the Philadelphia Ten. Other Moore graduates include the first women to design a United States postage stamp, to master the art of mezzotype, to serve as art director of an American advertising agency, and to design fabric for an automobile interior. This innovation and influence continues today through Moore's bachelor of fine arts degree for women, graduate and continuing education programs, and the Galleries at Moore.
Author: Steven Heller
Publisher: Simon and Schuster
ISBN: 1621536157
Category : Design
Languages : en
Pages : 999
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Book Description
More Than Sixty Course Syllabi That Bring the New Complexity of Graphic Design to Light All graphic designers teach, yet not all graphic designers are teachers. Teaching is a special skill requiring talent, instinct, passion, and organization. But while talent, instinct, and passion are inherent, organization must be acquired and can usually be found in a syllabus. Teaching Graphic Design, Second Edition, contains syllabi that are for all practicing designers and design educators who want to enhance their teaching skills and learn how experienced instructors and professors teach varied tools and impart the knowledge needed to be a designer in the current environment. This second edition is newly revised to include more than thirty new syllabi by a wide range of professional teachers and teaching professionals who address the most current concerns of the graphic design industry, including product, strategic, entrepreneurial, and data design as well as the classic image, type, and layout disciplines. Some of the new syllabi included are: Expressive Typography Designer as Image Maker Emerging Media Production Branding Corporate Design Graphic Design and Visual Culture Impact! Design for Social Change And many more Beginning with first through fourth year of undergraduate courses and ending with a sampling of graduate school course options, Teaching Graphic Design, Second Edition, is the most comprehensive collection of courses for graphic designers of all levels.
Author: Jae Emerling
Publisher: Routledge
ISBN: 1136521151
Category : Art
Languages : en
Pages : 361
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Book Description
Photography: History and Theory introduces students to both the history of photography and critical theory. From its inception in the nineteenth century, photography has instigated a series of theoretical debates. In this new text, Jae Emerling therefore argues that the most insightful way to approach the histories of photography is to address simultaneously the key events of photographic history alongside the theoretical discourse that accompanied them. While the nineteenth century is discussed, the central focus of the text is on modern and contemporary photographic theory. Particular attention is paid to key thinkers, such as Baudelaire, Barthes and Sontag. In addition, the centrality of photography to contemporary art practice is addressed through the theoretical work of Allan Sekula, John Tagg, Rosalind Krauss, and Vilém Flusser. The text also includes readings of many canonical photographers and exhibitions including: Atget, Brassai, August Sander, Walker Evans, The Family of Man, Diane Arbus, Lee Friedlander, Cindy Sherman, Bernd and Hilla Becher, Sebastaio Salgado, Jeff Wall, and others. In addition, Emerling provides close readings of key passages from some major theoretical texts. These glosses come between the chapters and serve as a conceptual line that connects them. Glosses include: Roland Barthes, "The Rhetoric of the Image" (1964) Susan Sontag, Regarding the Pain of Others (2002) Michel Foucault on the archive (1969) Walter Benjamin, "Little History of Photography" (1931) Vilém Flusser, Towards a Philosophy of Photography (1983) A substantial glossary of critical terms and names, as well as an extensive bibliography, make this the ideal book for courses on the history and theory of photography.
Author: Nicole Steinberg
Publisher: SUNY Press
ISBN: 1438435835
Category : Travel
Languages : en
Pages : 219
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Book Description
Twenty-four contemporary writers reflect on life in New York City’s biggest underdog, the “forgotten borough” of Queens.
Author: Susan Jahoda
Publisher:
ISBN: 9781945711077
Category : Art
Languages : en
Pages : 0
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Book Description
"Making and Being draws on the lived experience of Susan Jahoda and Caroline Woolard, visual arts educators who have developed a framework for teaching art with the collective BFAMFAPhD that emphasizes contemplation, collaboration, and political economy. The authors share ideas and pedagogical strategies that they have adapted to spaces of learning which range widely, from self-organized workshops for professional artists to Foundations BFA and MFA thesis classes. This hands-on guide includes activities, worksheets, and assignments and is a critical resource for artists and art educators today"--Page 4 of cover.
Author: Michael Moore
Publisher: CRC Press
ISBN: 1040052819
Category : Computers
Languages : en
Pages : 341
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Book Description
Basics of Game Design is for anyone wanting to become a professional game designer. Focusing on creating the game mechanics for data-driven games, it covers role-playing, real-time strategy, first-person shooter, simulation, and other games. Written by a 25-year veteran of the game industry, the guide offers detailed explanations of how to design t
Author: Kaytie Johnson
Publisher:
ISBN: 9781584420583
Category : Art
Languages : en
Pages : 128
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Book Description
Strange Currencies: Art & Action in Mexico City, 1990-2000 explores the emergence of experimental, collective, and do-it-yourself artistic practices in Mexico City in the nineties, a decade defined by a catastrophic economic crisis, enormous social upheaval and poverty, widespread political corruption, a chronic rise in violence, and uncertainty due to the destabilizing effects of rapid globalization.
Author: A. N. Kang
Publisher: Little, Brown Books for Young Readers
ISBN: 1368039731
Category : Juvenile Fiction
Languages : en
Pages : 40
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Book Description
Papillon is a very fluffy kitty. So fluffy that he's lighter than air! His owner tries to weigh him down, but Papillon just wants to fly. One particularly sunny day, he floats right out the window! Exploring the wide world is exhilarating, but it's also a little scary. Will his new friend, a bird, be able to help him find his way home? Whimsical art and airy text come together seamlessly in this delightful debut by A. N. Kang.
Author: Klaus Kertess
Publisher: Goodman Publishers
ISBN: 9780934349178
Category :
Languages : en
Pages : 0
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Book Description
"Toxic Beauty: The Art of Frank Moore is the most comprehensive presentation to date of work by this remarkable artist whose life was cut short by AIDS. Curated by independent scholar Susan Harris with Grey Art Gallery director Lynn Gumpert, the exhibition features approximately 35 major paintings and over 50 gouaches, prints, and drawings, as well as numerous sketchbooks, films, maquettes, source materials, and ephemera. The exhibition is accompanied by an amply illustrated catalogue with essays by Susan Harris, renowned critic Klaus Kertess, and artist/activist Gregg Bordowitz. Harris evokes a compelling portrait of the multitalented artist as revealed through his personal papers and notebooks. Kertess examines Moore's recurrent themes and eclectic influences while situating the artist's work within a larger art historical context. Finally, Bordowitz sheds light on Moore's passionate AIDS activism and how his work conveys feelings of loss, fear, and hope as well as gay male identity during the early days of the pandemic. The catalogue will also include a selected bibliography, chronology, and excerpts from Moore's own writings. Both the exhibition and catalogue will highlight previously unpublished archival material--such as sketchbooks and documents--culled from the vast Frank Moore Papers, totaling 44 linear feet, housed at NYU's Fales Library. These archival materials provide fascinating insights into Moore's life and work: the sketchbooks reveal his penchant for journaling and his extraordinary draftsmanship. The drawings include detailed preparatory studies for his large-scale paintings and custom-crafted frames, as well as lighthearted vignettes of a more personal and even humorous nature."--Publisher's website.
Author: Nina D. Walls
Publisher: Praeger
ISBN:
Category : Art
Languages : en
Pages : 222
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Book Description
Separate education for American women in the arts began in the mid-19th century as an innovative vehicle for middle-class women to move into a new and genteel profession. The 20th century evolution of the Philadelphia School of Design for Women, lone survivor as an autonomous school of many similar institutions founded at the same time, presents an unusually well-documented case study of meeting the changing needs of women students. The first American institutions devoted to women's professional art education, design schools appeared in industrial northeastern cities in the 1850s, modeled on Philadelphia's pioneering School of Design for Women, which opened in 1848. Sponsored by business leaders and philanthropists, design schools gave women unprecedented access to craft skills, and eventually helped professionalize the work of women as art teachers and practicing artists. Separate education in the arts constituted an innovative vehicle for expanding Victorian-era middle-class gender prescriptions into new professional opportunities. Through the 20th century, the Philadelphia School of Design and its successor, Moore College of Art, survived as the nation's only autonomous women's art college, offering new educational options for women.
