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Author: Marshall Berman
Publisher: Verso Books
ISBN: 1784785008
Category : Literary Criticism
Languages : en
Pages : 400
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Book Description
Essays tracing the intellectual life of a quintessential New York City writer and thinker Marshall Berman was one of the great urbanists and Marxist cultural critics of the twentieth and twenty-first centuries, and his brilliant, nearly sui generis book All That Is Solid Melts Into Air is a masterpiece of the literature on modernism. But like many New York intellectuals, the essay was his characteristic form, accommodating his multifarious interests and expressing his protean, searching exuberant mind. This collection includes early essays from and on the radical ’60s, on New York City, on literary figures from Kafka to Pamuk, and late essays on rock, hip hop, and gentrification. Concluding with his last essay, completed just before his death in 2013, this book is Berman’s intellectual autobiography, tracing his career as a thinker through the way he read the “signs in the street.””
Author: Marshall Berman
Publisher: Verso Books
ISBN: 1784785008
Category : Literary Criticism
Languages : en
Pages : 400
Get Book
Book Description
Essays tracing the intellectual life of a quintessential New York City writer and thinker Marshall Berman was one of the great urbanists and Marxist cultural critics of the twentieth and twenty-first centuries, and his brilliant, nearly sui generis book All That Is Solid Melts Into Air is a masterpiece of the literature on modernism. But like many New York intellectuals, the essay was his characteristic form, accommodating his multifarious interests and expressing his protean, searching exuberant mind. This collection includes early essays from and on the radical ’60s, on New York City, on literary figures from Kafka to Pamuk, and late essays on rock, hip hop, and gentrification. Concluding with his last essay, completed just before his death in 2013, this book is Berman’s intellectual autobiography, tracing his career as a thinker through the way he read the “signs in the street.””
Author: Marshall Berman
Publisher: Verso Books
ISBN: 1784784982
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
Essays tracing the intellectual life of a quintessential New York City writer and thinker Marshall Berman was one of the great urbanists and Marxist cultural critics of the twentieth and twenty-first centuries, and his brilliant, nearly sui generis book All That Is Solid Melts Into Air is a masterpiece of the literature on modernism. But like many New York intellectuals, the essay was his characteristic form, accommodating his multifarious interests and expressing his protean, searching exuberant mind. This collection includes early essays from and on the radical ’60s, on New York City, on literary figures from Kafka to Pamuk, and late essays on rock, hip hop, and gentrification. Concluding with his last essay, completed just before his death in 2013, this book is Berman’s intellectual autobiography, tracing his career as a thinker through the way he read the “signs in the street.””
Author: Marshall Berman
Publisher: Verso
ISBN: 9780860917854
Category : History
Languages : en
Pages : 388
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Book Description
The experience of modernization -- the dizzying social changes that swept millions of people into the capitalist world -- and modernism in art, literature and architecture are brilliantly integrated in this account.
Author: Brooks E. Hefner
Publisher: University of Virginia Press
ISBN: 0813940427
Category : Literary Criticism
Languages : en
Pages : 296
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Book Description
From the hard-boiled detective stories of Dashiell Hammett to the novels of Claude McKay, The Word on the Streets examines a group of writers whose experimentation with the vernacular argues for a rethinking of American modernism—one that cuts across traditional boundaries of class, race, and ethnicity. The dawn of the modernist era witnessed a transformation of popular writing that demonstrated an experimental practice rooted in the language of the streets. Emerging alongside more recognized strands of literary modernism, the vernacular modernism these writers exhibited lays bare the aesthetic experiments inherent in American working-class and ethnic language, forging an alternative pathway for American modernist practice. Brooks Hefner shows how writers across a variety of popular genres—from Gertrude Stein and William Faulkner to humorist Anita Loos and ethnic memoirist Anzia Yezierska—employed street slang to mount their own critique of genteel realism and its classist emphasis on dialect hierarchies, the result of which was a form of American experimental writing that resonated powerfully across the American cultural landscape of the 1910s and 1920s.
Author: Marshall Berman
Publisher: Verso Books
ISBN: 1784784990
Category : Literary Criticism
Languages : en
Pages : 452
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Book Description
Marshall Berman was one of the great urbanists and Marxist cultural critics of the twentieth and twenty-first centuries, and his brilliant, nearly sui generis book All That Is Solid Melts Into Air is a masterpiece of the literature on modernism. But like many New York intellectuals, the essay was his characteristic form, accommodating his multifarious interests and expressing his protean, searching exuberant mind. This collection includes early essays from and on the radical '60s, on New York City, on literary figures from Kafka to Pamuk, and late essays on rock, hip hop, and gentrification. Concluding with his last essay, completed just before his death in 2013, this book is Berman's intellectual autobiography, tracing his career as a thinker through the way he read the 'signs in the street'.
Author: Jennifer Corby
Publisher: UR (Urban Research)
ISBN: 9780996004169
Category :
Languages : en
Pages :
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Book Description
Marshall Berman was a political theorist, urbanist, and public intellectual that gave a generation a way to think about what it means to be modern. He offered a vision of Marx as a preeminent modernist and humanist, which served as a touchstone for his exploration into the complexity of our modern world and lives. Marshall was singularly capable of seamlessly weaving together the ideas of Dostoevsky and Kurtis Blow, the experiences of St. Petersburg and the South Bronx. In so doing, he helped make sense of the maelstrom of modern life into which we are born, and helped buttress a sense of optimism in the midst of a chaos in which all that is solid melts into air.Adventures in Modernism: Thinking with Marshall Berman is a testament to just how deeply and broadly his influence can be felt, as its contributors consist of theorists, architects, media critics, urbanists, and historians from across the globe. Some essays demonstrate the potential for applying Marshall?s methods of analysis into new locales such as Iran or Scotland. Others return to familiar places like the South Bronx or Times Square in order to stretchor update Marshall?s analyses. Some essays engage Marshall as a theorist, and analyze his ideas of public, urban life, and of modernism and modernity. Another explores the impact Marshall?s work has in the classroom, as well as his own role as a teacher. Collectively, the essays that comprise this volume reflect deeply on Marshall?s work, and speak to its continued relevance in helping to not only decipher, but to find meaning in our modern world.
Author: James Holston
Publisher: University of Chicago Press
ISBN: 0226349799
Category : Architecture
Languages : en
Pages : 383
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Book Description
The utopian design and organization of Brasília—the modernist new capital of Brazil—were meant to transform Brazilian society. In this sophisticated, pioneering study of Brasília from its inception in 1957 to the present, James Holston analyzes this attempt to change society by building a new kind of city and the ways in which the paradoxes of constructing an imagined future subvert its utopian premises. Integrating anthropology with methods of analysis from architecture, urban studies, social history, and critical theory, Holston presents a critique of modernism based on a powerfully innovative ethnography of the city.
Author: Gabriel Josipovici
Publisher: Yale University Press
ISBN: 030016582X
Category : Literary Criticism
Languages : en
Pages : 213
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Book Description
The quality of today's literary writing arouses the strongest opinions. For novelist and critic Gabriel Josipovici, the contemporary novel in English is profoundly disappointing--a poor relation of its groundbreaking Modernist forebears. This agile and passionate book asks why. Modernism, Josipovici suggests, is only superficially a reaction to industrialization of a revolution in diction and form; essentially, it is art arriving at a consciousness of its own limits and responsibilities. And its origins are to be sought not in 1850 or even 1800, but in the early 1500s, with the crisis of society and perception that also led to the rise of Protestantism. With sophistication and persuasiveness, Josipovici charts some of Modernism's key stages, from Dürer, Rabelais, and Cervantes to the present, bringing together a rich array of artists, musicians, and writers both familiar and unexpected--including Beckett, Borges, Friedrich, Cézanne, Stevens, Robbe-Grillet, Beethoven, and Wordsworth. He concludes with a stinging attack on the current literary scene in Britain and America, which raises questions not only about national taste, but about contemporary culture itself. Gabriel Josipovici has spent a lifetime writing and writing about other writers. This book is a strident call to arms and a tour de force of literary, artistic, and philosophical explication that will stimulate anyone interested in art in the twentieth century and today.
Author: Astradur Eysteinsson
Publisher: Cornell University Press
ISBN: 1501721305
Category : Literary Criticism
Languages : en
Pages : 278
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Book Description
The term "modernism" is central to any discussion of twentieth-century literature and critical theory. Astradur Eysteinsson here maintains that the concept of modernism does not emerge directly from the literature it subsumes, but is in fact a product of critical practices relating to nontraditional literature. Intervening in these practices, and correlating them with modernist works and with modern literary theory, Eysteinsson undertakes a comprehensive reexamination of the idea of modernism. Eysteinsson critically explores various manifestations of modernism in a rich array of American, British, and European literature, criticism, and theory. He first examines many modernist paradigms, detecting in them a conflict between modernism's culturally subversive potential and its relatively conservative status as a formalist project. He then considers these paradigms as interpretations-and fabrications-of literary history. Seen in this light, modernism both signals a historical change on the literary scene and implies the context of that change. Laden with the implications of tradition and modernity, modernism fills its major function: that of highlighting and defining the complex relations between history and postrealist literature. Eysteinsson focuses on the ways in which the concept of modernism directs our understanding of literature and literary history and influences our judgment of experimental and postrealist works in literature and art. He discusses in detail the relation of modernism to the key concepts postmodernism, the avant-garde, and realism. Enacting a crisis of subject and reference, modernism is not so much a form of discourse, he asserts, as its interruption-a possible "other" modernity that reveals critical aspects of our social and linguistic experience in Western culture. Comparatists, literary theorists, cultural historians, and others interested in twentieth-century literature and art will profit from this provocative book.
Author: Jeffrey Hart
Publisher: Northwestern University Press
ISBN: 0810166062
Category : Literary Criticism
Languages : en
Pages : 180
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Book Description
In the spirit of Lionel Trilling, Edmund Wilson, and Susan Sontag, the renowned literary critic Jeffrey Hart writes The Living Moment, a close reading of literature as it intersects with the political. Hart’s book is an even-handed guide for anyone toddling into the mists of the modernist moment, effortlessly moving between such modernist monuments as Eliot’s “The Waste Land,” Hemingway’s A Farewell to Arms, Mann’s Doctor Faustus, and Fitzgerald’s The Great Gatsby. Hart’s most stunning achievement is his brilliant inclusion of Marilynne Robinson’s Gilead as a modernist text, for the way the novel teaches us to see more, to hear more, to feel more. Hart’s dazzling study is an examination of important works of literature as they explore the experience of living in a broken world with thought and sometimes with examples of resolve that possess permanent validity. The Living Moment is for anyone who is wearied by so much of today’s trendy, narrow, and ideologically driven criticism. !--?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" /--
