Author: Hendrik Roelof Rookmaaker
Publisher: Crossway
ISBN: 9780891077992
Category : Art
Languages : en
Pages : 260
Book Description
Uses popular and lesser-known paintings to show modern art's reflection of a dying culture and how Christian attitudes can create hope in today's society.
Modern Art and the Death of a Culture
Modern Art and the Life of a Culture
Author: Jonathan A. Anderson
Publisher: InterVarsity Press
ISBN: 0830899979
Category : Art
Languages : en
Pages : 388
Book Description
Christianity Today Book of the Year Award of Merit - Culture and the Arts For many Christians, engaging with modern art raises several questions: Is the Christian faith at odds with modern art? Does modernism contain religious themes? What is the place of Christian artists in the landscape of modern art? Nearly fifty years ago, Dutch art historian and theologian Hans Rookmaaker offered his answers to these questions when he published his groundbreaking work, Modern Art and the Death of a Culture, which was characterized by both misgivings and hopefulness. While appreciating Rookmaaker's invaluable contribution to the study of theology and the arts, this volume—coauthored by an artist and a theologian—responds to his work and offers its own answers to these questions by arguing that there were actually strong religious impulses that positively shaped modern visual art. Instead of affirming a pattern of decline and growing antipathy towards faith, the authors contend that theological engagement and inquiry can be perceived across a wide range of modern art—French, British, German, Dutch, Russian, and North American—and through particular works by artists such as Gauguin, Picasso, David Jones, Caspar David Friedrich, van Gogh, Kandinsky, Warhol, and many others. This Studies in Theology and the Arts volume brings together the disciplines of art history and theology and points to the signs of life in modern art in order to help Christians navigate these difficult waters. The Studies in Theology and the Arts series encourages Christians to thoughtfully engage with the relationship between their faith and artistic expression, with contributions from both theologians and artists on a range of artistic media including visual art, music, poetry, literature, film, and more.
Publisher: InterVarsity Press
ISBN: 0830899979
Category : Art
Languages : en
Pages : 388
Book Description
Christianity Today Book of the Year Award of Merit - Culture and the Arts For many Christians, engaging with modern art raises several questions: Is the Christian faith at odds with modern art? Does modernism contain religious themes? What is the place of Christian artists in the landscape of modern art? Nearly fifty years ago, Dutch art historian and theologian Hans Rookmaaker offered his answers to these questions when he published his groundbreaking work, Modern Art and the Death of a Culture, which was characterized by both misgivings and hopefulness. While appreciating Rookmaaker's invaluable contribution to the study of theology and the arts, this volume—coauthored by an artist and a theologian—responds to his work and offers its own answers to these questions by arguing that there were actually strong religious impulses that positively shaped modern visual art. Instead of affirming a pattern of decline and growing antipathy towards faith, the authors contend that theological engagement and inquiry can be perceived across a wide range of modern art—French, British, German, Dutch, Russian, and North American—and through particular works by artists such as Gauguin, Picasso, David Jones, Caspar David Friedrich, van Gogh, Kandinsky, Warhol, and many others. This Studies in Theology and the Arts volume brings together the disciplines of art history and theology and points to the signs of life in modern art in order to help Christians navigate these difficult waters. The Studies in Theology and the Arts series encourages Christians to thoughtfully engage with the relationship between their faith and artistic expression, with contributions from both theologians and artists on a range of artistic media including visual art, music, poetry, literature, film, and more.
Modern Art and the Death of a Culture
Author: Hendrik Roelof Rookmaaker
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 424
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 424
Book Description
The Forge of Vision
Author: David Morgan
Publisher: Univ of California Press
ISBN: 0520961994
Category : Religion
Languages : en
Pages : 324
Book Description
Religions teach their adherents how to see and feel at the same time; learning to see is not a disembodied process but one hammered from the forge of human need, social relations, and material practice. David Morgan argues that the history of religions may therefore be studied through the lens of their salient visual themes. The Forge of Vision tells the history of Christianity from the sixteenth century through the present by selecting the visual themes of faith that have profoundly influenced its development. After exploring how distinctive Catholic and Protestant visual cultures emerged in the early modern period, Morgan examines a variety of Christian visual practices, ranging from the imagination, visions of nationhood, the likeness of Jesus, the material life of words, and the role of modern art as a spiritual quest, to the importance of images for education, devotion, worship, and domestic life. An insightful, informed presentation of how Christianity has shaped and continues to shape the modern world, this work is a must-read for scholars and students across fields of religious studies, history, and art history.
Publisher: Univ of California Press
ISBN: 0520961994
Category : Religion
Languages : en
Pages : 324
Book Description
Religions teach their adherents how to see and feel at the same time; learning to see is not a disembodied process but one hammered from the forge of human need, social relations, and material practice. David Morgan argues that the history of religions may therefore be studied through the lens of their salient visual themes. The Forge of Vision tells the history of Christianity from the sixteenth century through the present by selecting the visual themes of faith that have profoundly influenced its development. After exploring how distinctive Catholic and Protestant visual cultures emerged in the early modern period, Morgan examines a variety of Christian visual practices, ranging from the imagination, visions of nationhood, the likeness of Jesus, the material life of words, and the role of modern art as a spiritual quest, to the importance of images for education, devotion, worship, and domestic life. An insightful, informed presentation of how Christianity has shaped and continues to shape the modern world, this work is a must-read for scholars and students across fields of religious studies, history, and art history.
Romantic Desire in (Post)modern Art and Philosophy
Author: Jos De Mul
Publisher: SUNY Press
ISBN: 9780791442173
Category : Philosophy
Languages : en
Pages : 340
Book Description
In this erudite and wide-ranging discussion of postmodernism and romanticism in twentieth-century art and philosophy, Jos de Mul sheds a fascinating light on the ambivalent character of our present culture, which oscillates between modern enthusiasm and postmodern irony. Along the way, he engages the work of such thinkers as Nietzsche, Freud, Heidegger, Habermas, Lacan, Barthes, and Derrida; visual artists Magritte and Stella; poets Georg and Coleridge; and composers Schonberg, Cage, and Reich, among others, providing a sort of intellectual history of Romantic, Modernist, and Postmodernist "tempers."
Publisher: SUNY Press
ISBN: 9780791442173
Category : Philosophy
Languages : en
Pages : 340
Book Description
In this erudite and wide-ranging discussion of postmodernism and romanticism in twentieth-century art and philosophy, Jos de Mul sheds a fascinating light on the ambivalent character of our present culture, which oscillates between modern enthusiasm and postmodern irony. Along the way, he engages the work of such thinkers as Nietzsche, Freud, Heidegger, Habermas, Lacan, Barthes, and Derrida; visual artists Magritte and Stella; poets Georg and Coleridge; and composers Schonberg, Cage, and Reich, among others, providing a sort of intellectual history of Romantic, Modernist, and Postmodernist "tempers."
The Death of the Artist
Author: William Deresiewicz
Publisher: Henry Holt and Company
ISBN: 1250125529
Category : Art
Languages : en
Pages : 336
Book Description
A deeply researched warning about how the digital economy threatens artists' lives and work—the music, writing, and visual art that sustain our souls and societies—from an award-winning essayist and critic There are two stories you hear about earning a living as an artist in the digital age. One comes from Silicon Valley. There's never been a better time to be an artist, it goes. If you've got a laptop, you've got a recording studio. If you've got an iPhone, you've got a movie camera. And if production is cheap, distribution is free: it's called the Internet. Everyone's an artist; just tap your creativity and put your stuff out there. The other comes from artists themselves. Sure, it goes, you can put your stuff out there, but who's going to pay you for it? Everyone is not an artist. Making art takes years of dedication, and that requires a means of support. If things don't change, a lot of art will cease to be sustainable. So which account is true? Since people are still making a living as artists today, how are they managing to do it? William Deresiewicz, a leading critic of the arts and of contemporary culture, set out to answer those questions. Based on interviews with artists of all kinds, The Death of the Artist argues that we are in the midst of an epochal transformation. If artists were artisans in the Renaissance, bohemians in the nineteenth century, and professionals in the twentieth, a new paradigm is emerging in the digital age, one that is changing our fundamental ideas about the nature of art and the role of the artist in society.
Publisher: Henry Holt and Company
ISBN: 1250125529
Category : Art
Languages : en
Pages : 336
Book Description
A deeply researched warning about how the digital economy threatens artists' lives and work—the music, writing, and visual art that sustain our souls and societies—from an award-winning essayist and critic There are two stories you hear about earning a living as an artist in the digital age. One comes from Silicon Valley. There's never been a better time to be an artist, it goes. If you've got a laptop, you've got a recording studio. If you've got an iPhone, you've got a movie camera. And if production is cheap, distribution is free: it's called the Internet. Everyone's an artist; just tap your creativity and put your stuff out there. The other comes from artists themselves. Sure, it goes, you can put your stuff out there, but who's going to pay you for it? Everyone is not an artist. Making art takes years of dedication, and that requires a means of support. If things don't change, a lot of art will cease to be sustainable. So which account is true? Since people are still making a living as artists today, how are they managing to do it? William Deresiewicz, a leading critic of the arts and of contemporary culture, set out to answer those questions. Based on interviews with artists of all kinds, The Death of the Artist argues that we are in the midst of an epochal transformation. If artists were artisans in the Renaissance, bohemians in the nineteenth century, and professionals in the twentieth, a new paradigm is emerging in the digital age, one that is changing our fundamental ideas about the nature of art and the role of the artist in society.
Modern Art and the Death of Culture
Author: H. R. Rookmaaker
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
The Modern Art of Dying
Author: Shai J. Lavi
Publisher: Princeton University Press
ISBN: 1400826772
Category : Social Science
Languages : en
Pages : 239
Book Description
How we die reveals much about how we live. In this provocative book, Shai Lavi traces the history of euthanasia in the United States to show how changing attitudes toward death reflect new and troubling ways of experiencing pain, hope, and freedom. Lavi begins with the historical meaning of euthanasia as signifying an "easeful death." Over time, he shows, the term came to mean a death blessed by the grace of God, and later, medical hastening of death. Lavi illustrates these changes with compelling accounts of changes at the deathbed. He takes us from early nineteenth-century deathbeds governed by religion through the medicalization of death with the physician presiding over the deathbed, to the legalization of physician-assisted suicide. Unlike previous books, which have focused on law and technique as explanations for the rise of euthanasia, this book asks why law and technique have come to play such a central role in the way we die. What is at stake in the modern way of dying is not human progress, but rather a fundamental change in the way we experience life in the face of death, Lavi argues. In attempting to gain control over death, he maintains, we may unintentionally have ceded control to policy makers and bio-scientific enterprises.
Publisher: Princeton University Press
ISBN: 1400826772
Category : Social Science
Languages : en
Pages : 239
Book Description
How we die reveals much about how we live. In this provocative book, Shai Lavi traces the history of euthanasia in the United States to show how changing attitudes toward death reflect new and troubling ways of experiencing pain, hope, and freedom. Lavi begins with the historical meaning of euthanasia as signifying an "easeful death." Over time, he shows, the term came to mean a death blessed by the grace of God, and later, medical hastening of death. Lavi illustrates these changes with compelling accounts of changes at the deathbed. He takes us from early nineteenth-century deathbeds governed by religion through the medicalization of death with the physician presiding over the deathbed, to the legalization of physician-assisted suicide. Unlike previous books, which have focused on law and technique as explanations for the rise of euthanasia, this book asks why law and technique have come to play such a central role in the way we die. What is at stake in the modern way of dying is not human progress, but rather a fundamental change in the way we experience life in the face of death, Lavi argues. In attempting to gain control over death, he maintains, we may unintentionally have ceded control to policy makers and bio-scientific enterprises.
The Celebration of Death in Contemporary Culture
Author: Dina Khapaeva
Publisher: University of Michigan Press
ISBN: 0472130269
Category : Literary Criticism
Languages : en
Pages : 265
Book Description
Popular culture has reimagined death as entertainment and monsters as heroes, reflecting a profound contempt for the human race
Publisher: University of Michigan Press
ISBN: 0472130269
Category : Literary Criticism
Languages : en
Pages : 265
Book Description
Popular culture has reimagined death as entertainment and monsters as heroes, reflecting a profound contempt for the human race
On the Strange Place of Religion in Contemporary Art
Author: James Elkins
Publisher: Routledge
ISBN: 1135879702
Category : Art
Languages : en
Pages : 148
Book Description
Can contemporary art say anything about spirituality? John Updike calls modern art "a religion assembled from the fragments of our daily life," but does that mean that contemporary art is spiritual? What might it mean to say that the art you make expresses your spiritual belief? On the Strange Place of Religion in Contemporary Art explores the curious disconnection between spirituality and current art. This book will enable you to walk into a museum and talk about the spirituality that is or is not visible in the art you see.
Publisher: Routledge
ISBN: 1135879702
Category : Art
Languages : en
Pages : 148
Book Description
Can contemporary art say anything about spirituality? John Updike calls modern art "a religion assembled from the fragments of our daily life," but does that mean that contemporary art is spiritual? What might it mean to say that the art you make expresses your spiritual belief? On the Strange Place of Religion in Contemporary Art explores the curious disconnection between spirituality and current art. This book will enable you to walk into a museum and talk about the spirituality that is or is not visible in the art you see.