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Author: Nada M. Shabout
Publisher:
ISBN: 9780813061269
Category : Aesthetics, Arab
Languages : en
Pages : 0
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Book Description
"Modern Arab Art provides a historical and theoretical overview of the forces that have spawned artistic movements across the Middle East from the 1940s through today. Nada Shabout recognizes the important distinction between Arabic art and Islamic art, and views them as overlapping rather than synonymous subjects. Based on interviews with Arab artists, reviews of Arabic resources, and visits to sites and galleries in the Arab world, Shabout provides an introduction to a field that has been long neglected. With particular emphasis on production, reception, and the intersection between art and politics in Iraq and Palestine, she reveals the fallacy in Western fascination with Arab art as a timeless and exotic 'other'"--Jacket.
Author: Nada M. Shabout
Publisher:
ISBN: 9780813061269
Category : Aesthetics, Arab
Languages : en
Pages : 0
Get Book
Book Description
"Modern Arab Art provides a historical and theoretical overview of the forces that have spawned artistic movements across the Middle East from the 1940s through today. Nada Shabout recognizes the important distinction between Arabic art and Islamic art, and views them as overlapping rather than synonymous subjects. Based on interviews with Arab artists, reviews of Arabic resources, and visits to sites and galleries in the Arab world, Shabout provides an introduction to a field that has been long neglected. With particular emphasis on production, reception, and the intersection between art and politics in Iraq and Palestine, she reveals the fallacy in Western fascination with Arab art as a timeless and exotic 'other'"--Jacket.
Author: Saeb Eigner
Publisher:
ISBN: 9781858946283
Category : Art, Middle Eastern
Languages : en
Pages : 0
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Book Description
"Artistic expression in the Middle East is experiencing something of a renaissance. This book provides an overview of modern and contemporary art of the Middle East and Arab world from 1945 to the present, with an emphasis on artists active today"-OCLC
Author: Anneka Lenssen
Publisher: MoMA Primary Documents
ISBN: 9781633450387
Category : Arabische Staaten
Languages : en
Pages : 0
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Book Description
Modern Art in the Arab World: Primary Documents offers an unprecedented resource for the study of modernism: a compendium of critical art writings by twentieth-century Arab intellectuals and artists. The selection of texts--many of which appear here for the first time in English--includes manifestos, essays, transcripts of roundtable discussions, diary entries, exhibition guest-book comments, letters, and more. Traversing empires and nation-states, diasporas and speculative cultural and political federations, these documents bring light to the formation of a global modernism, through debates on originality, public space, spiritualism and art, postcolonial exhibition politics, and Arab nationalism, among many other topics. The collection is framed chronologically, and includes contextualizing commentaries to assist readers in navigating its broad geographic and historical scope. Interspersed throughout the volume are sixteen contemporary essays: writings by scholars on key terms and events as well as personal reflections by modern artists who were themselves active in the histories under consideration. A newly commissioned essay by historian and Arab-studies scholar Ussama Makdisi provides a historical overview of the region's intertwined political and cultural developments during the twentieth century. Modern Art in the Arab World is an essential addition to the investigation of modernism and its global manifestations. Publication of the Museum of Modern Art Distributed by Duke University Press
Author: Barjeel Art Foundation
Publisher: Prestel
ISBN: 9783791354859
Category : Art, Arab
Languages : en
Pages : 0
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Book Description
Celebrating the Barjeel Art Foundation's expansive collection, this book maps a genealogy of modern and contemporary Arab art and offers one of the most extensive presentations of modern Arab art. Based in Sharjah, United Arab Emirates, the Barjeel Art Foundation was established to contribute to the development of the evolving art scene in the Arab region by building a prominent, publicly accessible art collection in the UAE. Over time it has grown to become one of the most holistic collections of Arab art, fostering critical dialogue around art practices both in the region and internationally. Coinciding with a year long series of exhibitions at the Whitechapel Gallery, London, this unique overview features many rarely seen works by artists across the region from North Africa to the Gulf states as well as Western Asia. Spanning a period from the turn of the twentieth century to the present day, this publication tells a striking visual story of artists who challenged notions of tradition, territory, and geography. Featuring more than 60 artists and over 100 works of art, along with essays by leading scholars, curators and artists such as, Sultan Sooud Al-Qassemi, Kamal Boullata, Omar Kholeif, Rasha Salti, Nada Shabout, Gilane Tawadros and Ted McDonald-Toone.
Author: Nada M. Shabout
Publisher:
ISBN: 9780813061269
Category : Aesthetics, Arab
Languages : en
Pages : 0
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Book Description
"Modern Arab Art provides a historical and theoretical overview of the forces that have spawned artistic movements across the Middle East from the 1940s through today. Nada Shabout recognizes the important distinction between Arabic art and Islamic art, and views them as overlapping rather than synonymous subjects. Based on interviews with Arab artists, reviews of Arabic resources, and visits to sites and galleries in the Arab world, Shabout provides an introduction to a field that has been long neglected. With particular emphasis on production, reception, and the intersection between art and politics in Iraq and Palestine, she reveals the fallacy in Western fascination with Arab art as a timeless and exotic 'other'"--Jacket.
Author: Wijdan Ali
Publisher:
ISBN: 9780813015262
Category : Art
Languages : en
Pages : 225
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Book Description
"The first monograph to successfully address the dual questions of the development of painting in the Islamic lands in the 19th and 20th centuries and the significance of an indigenous 20th-century artistic tradition . . . presents a lucid and objective discussion of provocative questions related to the evolution of contemporary painting from Islamic lands, including the role of colonial institutions, indigenous patronage, art education, and the formation of a national artistic identity."--Layla S. Diba, associate curator for Islamic art, Brooklyn Museum In this beautifully illustrated book, Wijdan Ali offers a historical survey of the development of modern painting in the Islamic world from the 19th century to the present. She provides background on dominant artistic traditions before 1900 as well as an evaluation of the loss of traditional aesthetics under the impress of Western culture. Ali also explores the persistence and reemergence of calligraphic art as an expression of national artistic identity, and hers is the first book to consider in depth the modern calligraphic school. Ali's account begins with a descriptive survey of the development of contemporary art in the heartland of Islam, from Morocco to Iran. Her discussion incorporates the historical, political, social, and economic factors that brought about artistic and aesthetic changes in the region. Building on this survey, she analyzes the factors behind the evolution of various styles of calligraphic art, their substyles and adherents, and their respective places within the contemporary calligraphic school. In an appendix, she provides biographical data on the most influential modern Islamic artists. More than 150 color and black-and-white photographs allow the reader to see and appreciate the beauty and importance of these works. While a few recent collection catalogs have hinted at the growing interest in the art of the Islamic world, Ali's study is by far the most comprehensive yet undertaken of Islamic art in the contemporary period. It will substantially expand the study and concept of "modern art" beyond the narrow province of American and western European schools and establish a broad foundation for future investigation of modern artistic movements in the Middle East. Wijdan Ali is a painter, art historian, and lecturer at the Institute of Diplomacy, Amman, Jordan. Her most recent publications are What Is Islamic Art? (1996) and Modern Art in Jordan (1996).
Author: Sonja Mejcher-Atassi
Publisher: Routledge
ISBN: 131717884X
Category : Art
Languages : en
Pages : 248
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Book Description
Collecting has a long tradition in the Middle East but the museum as a public institution is relatively new. Today there are national museums for antiquities in most Arab countries. While in some cases the political and social climate has hindered the foundation of museums, with existing collections even destroyed at times, the recent museum boom in the Gulf States is again changing the outlook. This unique book is the first to explore collecting practices in archives and museums in the modern Arab world, featuring case studies of collecting practices in countries ranging from Egypt and Lebanon to Palestine, Jordan, Iraq and the Gulf, and providing a theoretical and methodological basis for future research. The authors are also concerned with investigating the relationship between past and present, since collecting practices tell us a great deal not only about the past but also about the ways we approach the past and present conceptions of our identities. Collections can be textual as well, as in the stories, memories or events selected, recalled, and retold in the pages of a text. As interest in memory studies as well as popular and visual culture grows in the Arab World, so collecting practices are at the heart of any critical approach to the past and the present in that region. The book will be of great interest not only to scholars and students of the modern Arab world but also to professionals in museums and collections in the region, as well as around the world.
Author: Dwight F. Reynolds
Publisher: Cambridge University Press
ISBN: 0521898072
Category : Drama
Languages : en
Pages : 353
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Book Description
An accessible and wide-ranging survey of modern Arab culture covering political, intellectual and social aspects.
Author: Rose Issa
Publisher:
ISBN: 9780863566882
Category : Art, Arab
Languages : en
Pages : 0
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Book Description
This beautifully produced volume includes over 150 artworks by 50 contemporary Arab artists whose groundbreaking works reflect the pulse of region.
Author: Bahia Shehab
Publisher: American University in Cairo Press
ISBN: 1649031955
Category : Design
Languages : en
Pages : 383
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Book Description
The first-ever book-length history of Arab graphic design PROSE AWARD WINNER, ART HISTORY & CRITICISM Arab graphic design emerged in the early twentieth century out of a need to influence, and give expression to, the far-reaching economic, social, and political changes that were taking place in the Arab world at the time. But graphic design as a formally recognized genre of visual art only came into its own in the region in the twenty-first century and, to date, there has been no published study on the subject to speak of. A History of Arab Graphic Design traces the people and events that were integral to the shaping of a field of graphic design in the Arab world. Examining the work of over eighty key designers from Morocco to Iraq, and covering the period from pre-1900 to the end of the twentieth century, Bahia Shehab and Haytham Nawar chart the development of design in the region, beginning with Islamic art and Arabic calligraphy, and their impact on Arab visual culture, through to the digital revolution and the arrival of the Internet. They look at how cinema, economic prosperity, and political and cultural events gave birth to and shaped the founders of Arab graphic design. Highlighting the work of key designers and stunningly illustrated with over 600 color images, A History of Arab Graphic Design is an invaluable resource tool for graphic designers, one which, it is hoped, will place Arab visual culture and design on the map of a thriving international design discourse.
