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Author: James Z. Wang
Publisher: Springer
ISBN: 9783031502682
Category : Computers
Languages : en
Pages : 0
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Book Description
Modeling Visual Aesthetics, Emotion, and Artistic Style offers a comprehensive exploration of the increasingly significant topic of the complex interplay between human perception and digital technology. It embodies the cumulative knowledge and efforts of a wide array of active researchers and practitioners from diverse fields including computer vision, affective computing, robotics, psychology, data mining, machine learning, art history, and movement analysis. This volume seeks to address the profound and challenging research questions related to the computational modeling and analysis of visual aesthetics, emotions, and artistic style, vital components of the human experience that are increasingly relevant in our digitally connected world. The book's vast scope encompasses a broad range of topics. The initial chapters lay a strong foundation with background knowledge on emotion models and machine learning, which then transitions into exploring social visual perception in humans and its technological applications. Readers will uncover the psychological and neurological foundations of social and emotional perception from faces and bodies. Subsequent sections broaden this understanding to include technology's role in detecting discrete and subtle emotional expressions, examining facial neutrality, and including research contexts that involve children as well as adults. Furthermore, the book illuminates the dynamic intersection of art and technology, the language of photography, the relationship between breath-driven robotic performances and human dance, and the application of machine learning in analyzing artistic styles. This book sets itself apart with its unique multidisciplinary approach, encouraging collaboration across related domains. Packed with comprehensive tutorials, theoretical reviews, novel methodologies, empirical investigations, and comparative analyses, the book offers a rich combination of knowledge and methodologies. The book's focus on cutting-edge research not only presents the latest developments in the field but also illuminates potential paths that can lead to significant advancements in computer and robotic applications.
Author: James Z. Wang
Publisher: Springer
ISBN: 9783031502682
Category : Computers
Languages : en
Pages : 0
Get Book
Book Description
Modeling Visual Aesthetics, Emotion, and Artistic Style offers a comprehensive exploration of the increasingly significant topic of the complex interplay between human perception and digital technology. It embodies the cumulative knowledge and efforts of a wide array of active researchers and practitioners from diverse fields including computer vision, affective computing, robotics, psychology, data mining, machine learning, art history, and movement analysis. This volume seeks to address the profound and challenging research questions related to the computational modeling and analysis of visual aesthetics, emotions, and artistic style, vital components of the human experience that are increasingly relevant in our digitally connected world. The book's vast scope encompasses a broad range of topics. The initial chapters lay a strong foundation with background knowledge on emotion models and machine learning, which then transitions into exploring social visual perception in humans and its technological applications. Readers will uncover the psychological and neurological foundations of social and emotional perception from faces and bodies. Subsequent sections broaden this understanding to include technology's role in detecting discrete and subtle emotional expressions, examining facial neutrality, and including research contexts that involve children as well as adults. Furthermore, the book illuminates the dynamic intersection of art and technology, the language of photography, the relationship between breath-driven robotic performances and human dance, and the application of machine learning in analyzing artistic styles. This book sets itself apart with its unique multidisciplinary approach, encouraging collaboration across related domains. Packed with comprehensive tutorials, theoretical reviews, novel methodologies, empirical investigations, and comparative analyses, the book offers a rich combination of knowledge and methodologies. The book's focus on cutting-edge research not only presents the latest developments in the field but also illuminates potential paths that can lead to significant advancements in computer and robotic applications.
Author: James Z. Wang
Publisher: Springer Nature
ISBN: 3031502698
Category :
Languages : en
Pages : 408
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Book Description
Author: David G. Stork
Publisher: John Wiley & Sons
ISBN: 1394186657
Category : Technology & Engineering
Languages : en
Pages : 789
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Book Description
PIXELS & PAINTINGS “The discussion is firmly grounded in established art historical practices, such as close visual analysis and an understanding of artists’ working methods, and real-world examples demonstrate how computer-assisted techniques can complement traditional approaches.” —Dr. Emilie Gordenker, Director of the Van Gogh Museum The pioneering presentation of computer-based image analysis of fine art, forging a dialog between art scholars and the computer vision community In recent years, sophisticated computer vision, graphics, and artificial intelligence algorithms have proven to be increasingly powerful tools in the study of fine art. These methods—some adapted from forensic digital photography and others developed specifically for art—empower a growing number of computer-savvy art scholars, conservators, and historians to answer longstanding questions as well as provide new approaches to the interpretation of art. Pixels & Paintings provides the first and authoritative overview of the broad range of these methods, which extend from image processing of palette, marks, brush strokes, and shapes up through analysis of objects, poses, style, composition, to the computation of simple interpretations of artworks. This book stresses that computer methods for art analysis must always incorporate the cultural contexts appropriate to the art studies at hand—a blend of humanistic and scientific expertise. Describes powerful computer image analysis methods and their application to problems in the history and interpretation of fine art Discusses some of the art historical lessons and revelations provided by the use of these methods Clarifies the assumptions and applicability of methods and the role of cultural contexts in their use Shows how computation can be used to analyze tens of thousands of artworks to reveal trends and anomalies that could not be found by traditional non-computer methods Pixels & Paintings is essential reading for computer image analysts and graphics specialists, conservators, historians, students, psychologists and the general public interested in the study and appreciation of art.
Author: Peer F. Bundgaard
Publisher: Springer
ISBN: 3319140906
Category : Philosophy
Languages : en
Pages : 264
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Book Description
This book investigates the nature of aesthetic experience and aesthetic objects. Written by leading philosophers, psychologists, literary scholars and semioticians, the book addresses two intertwined issues. The first is related to the phenomenology of aesthetic experience: The understanding of how human beings respond to artworks, how we process linguistic or visual information, and what properties in artworks trigger aesthetic experiences. The examination of the properties of aesthetic experience reveals essential aspects of our perceptual, cognitive, and semiotic capacities. The second issue studied in this volume is related to the ontology of the work of art: Written or visual artworks are a specific type of objects, containing particular kinds of representation which elicit a particular kind of experience. The research question explored is: What properties in artful objects trigger this type of experience, and what characterizes representation in written and visual artworks? The volume sets the scene for state-of-the-art inquiries in the intersection between the psychology and ontology of art. The investigations of the relation between the properties of artworks and the characteristics of aesthetic experience increase our insight into what art is. In addition, they shed light on essential properties of human meaning-making in general.
Author: Catherine Weir
Publisher: Routledge
ISBN: 135129542X
Category : Psychology
Languages : en
Pages : 230
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Book Description
Interpreting Visual Art explores the psychological and cognitive mechanisms that underlie one's interpretation of art. After the brain encodes visual information, this encoding is then processed by perceptual mechanisms to identify objects and depth in pictures. The brain incorporates many factors in order for people to "see" the art. Cognitive processes have a major role in how people interpret artworks because attention, memory, and language are also linked to the aesthetic experience. Catherine Weir and Evans Mandes first examine major attributes of aesthetic judgement - balance, symmetry, color, line, and shape - from an empirical point of view as opposed to more philosophical and speculative approaches. Then, they explore the perceptual process, paying special attention to art history in the Western world and emphasizing techniques from cave paintings to modern art. The role beauty and emotions play in our interpretations of pictures have been investigated from many approaches: evolutionary psychology, neuroscience, and appraisal theory. Through the application of empirical research in cognitive science to master works from Botticelli to Pollock, readers are introduced to a research-oriented understanding of how art has been perceived, interpreted, and appreciated in the twenty-first century. This book will appeal to those interested in art as well as those teaching art history, psychology, and neuroscience.
Author: Joseph P. Huston
Publisher: OUP Oxford
ISBN: 0191648884
Category : Psychology
Languages : en
Pages : 544
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Book Description
Humans have engaged in artistic and aesthetic activities since the appearance of our species. Our ancestors have decorated their bodies, tools, and utensils for over 100,000 years. The expression of meaning using color, line, sound, rhythm, or movement, among other means, constitutes a fundamental aspect of our species' biological and cultural heritage. Art and aesthetics, therefore, contribute to our species identity and distinguish it from its living and extinct relatives. Science is faced with the challenge of explaining the natural foundations of such a unique trait, and the way cultural processes nurture it into magnificent expressions, historically and ethnically unique. How does the human brain bring about these sorts of behaviors? What neural processes underlie the appreciation of painting, music, and dance? How does training modulate these processes? How are they impaired by brain lesions and neurodegenerative diseases? How did such neural underpinnings evolve? Are humans the only species capable of aesthetic appreciation, or are other species endowed with the rudiments of this capacity? This volume brings together the work on such questions by leading experts in genetics, psychology, neuroimaging, neuropsychology, art history, and philosophy. It sets the stage for a cognitive neuroscience of art and aesthetics, understood in the broadest possible terms. With sections on visual art, dance, music, neuropsychology, and evolution, the breadth of this volume's scope reflects the richness and variety of topics and methods currently used today by scientists to understand the way our brain endows us with the faculty to produce and appreciate art and aesthetics.
Author: Paul Locher
Publisher: Routledge
ISBN: 1351842838
Category : Psychology
Languages : en
Pages : 288
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Book Description
The contributing authors to this book, all pre-eminent scholars in their fields, present their current thinking about the processes that underlie creativity and aesthetic experience. They discuss established theory and research and provide creative speculation on future problems for inquiry and new approaches to conceptualising and investigating these phenomena. The book contains many new findings and ideas never before published or new by virtue of the novel context in which they are incorporated. Thus, the chapters present both new approaches to old problem and new ideas and approaches not yet explored by leading scholars in these fields. The first part of the book is devoted to understanding the nature of the perceptual/cognitive and aesthetic processes that occur during encounters with visual art stimuli in everyday settings, in museums and while watching films. Also discussed in Part I is how cultural and anthropological approaches to the study of aesthetic responses to art contribute to our understanding about the development of a culture's artistic canon and to cross-cultural aesthetic universals. Part II presents new dimensions in the study of creativity. Two approaches to the development of a comprehensive theory of creativity are presented: Sternberg's Investment Theory of Creativity and a systems perspective of creativity based on a metaindividual world model. Also covered are the factors that contribute to cinematic creativity and a film's cinematic success, and the complex nature of the creative processes and research approaches involved in the innovative product design necessitated by the introduction of electronics in consumer products. Part III deals with the application of concepts and models from cognitive psychology to the study of music, literary meaning and the visual arts. The contributors outline a model of the cognitive processes involved in real-time listening to music, investigate what readers are doing when they read a literary text, describe what research shows about the transfer of learning from the arts to non-arts cognition and discuss the kinds of thinking skills that emerge from the study of the visual arts by high school students. In Part IV, the authors focus on the interactive contribution of observers' personalities and affect states to the creation and perception of art. The chapters include a discussion of the internal mechanisms by which personality expresses itself during the making of and the response to art; the relationship between emotion and cognition in aesthetics, in terms of the interaction of top-down and bottom-up processes across the time course of an aesthetic episode; the affective processes that take place during pretend play and their impact on the development of creativity in children and the causes and consequences of listener's intense experiences while listening to music.
Author: Hedva Spitzer
Publisher: Frontiers Media SA
ISBN: 2889635104
Category :
Languages : en
Pages : 233
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Book Description
Author: Todd Berliner
Publisher: Oxford University Press
ISBN: 0190658770
Category : Performing Arts
Languages : en
Pages : 352
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Book Description
Hollywood makes the most widely successful pleasure-giving artworks the world has ever known. The industry operates under the assumption that pleasurable aesthetic experiences, among huge populations, translate into box office success. With that goal in mind, Hollywood has systematized the delivery of aesthetic pleasure, packaging and selling it on a massive scale. In Hollywood Aesthetic, Todd Berliner accounts for the chief attraction of Hollywood cinema worldwide: its entertainment value. The book examines films such as City Lights and Goodfellas that have earned aesthetic appreciation from both fans and critics. But it also studies some curious outliers, cult films, and celebrated Hollywood experiments, such as The Killing and Starship Troopers. And it demonstrates that even ordinary popular films, from Tarzan and His Mate to Rocky III, as well as action blockbusters, like Die Hard and The Dark Knight, offer aesthetic pleasure to mass audiences. Hollywood Aesthetic explains how Hollywood engages viewers by satisfying their aesthetic desires. Visit the companion website at www.oup.com/us/hollywoodaesthetic
Author: Ghaoui, Claude
Publisher: IGI Global
ISBN: 1591407982
Category : Computers
Languages : en
Pages : 780
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Book Description
Esta enciclopedia presenta numerosas experiencias y discernimientos de profesionales de todo el mundo sobre discusiones y perspectivas de la la interacción hombre-computadoras
