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Author: Josquin (des Prez)
Publisher:
ISBN:
Category : Masses
Languages : la
Pages : 48
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Book Description
Author: Josquin (des Prez)
Publisher:
ISBN:
Category : Masses
Languages : la
Pages : 48
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Book Description
Author: Andrea Ammendola
Publisher: V&R unipress GmbH
ISBN: 3899718224
Category : Counterpoint
Languages : de
Pages : 351
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Book Description
English summary: From the mid-15th to the late 16th century, the polyphonic mass was considered both in practical and theoretical terms to be the central form of expression of Western art music, within which key compositional developments took place. Around 1500, moreover, there developed a sensitivity for the effective use and functionalisation of polyphonic music in both spiritual and secular ceremonies and rituals. This volume examines the polyphonic mass as an instrument for effective symbolic public communication within liturgical, artificial, denominational and political parameters, taking the style and history of the genre into account.
Author:
Publisher:
ISBN:
Category :
Languages : la
Pages :
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Author: Josquin (des Prez)
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Bonnie Blackburn
Publisher: Routledge
ISBN: 1317141725
Category : Music
Languages : en
Pages : 375
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Book Description
Eroticism in Early Modern Music contributes to a small but significant literature on music, sexuality, and sex in sixteenth- and seventeenth-century Europe. Its chapters have grown from a long dialogue between a group of scholars, who employ a variety of different approaches to the repertoire: musical and visual analysis; archival and cultural history; gender studies; philology; and performance. By confronting musical, literary, and visual sources with historically situated analyses, the book shows how erotic life and sensibilities were encoded in musical works. Eroticism in Early Modern Music will be of value to scholars and students of early modern European history and culture, and more widely to a readership interested in the history of eroticism and sexuality.
Author: Jane D. Hatter
Publisher: Cambridge University Press
ISBN: 1108474918
Category : Art
Languages : en
Pages : 301
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Book Description
An exploration of what self-referential compositions reveal about late medieval musical networks, linking choirboys to canons and performers to theorists.
Author: Jane A. Bernstein
Publisher: Oxford University Press
ISBN: 9780195102314
Category : History
Languages : en
Pages : 1200
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Book Description
Venetian music print culture of the mid-sixteenth century is presented here through a study of the Scotto press, one of the foremost dynastic music publishers of the Renaissance. For over a century, the house of Scotto played a pivotal role in the international book trade, publishing in a variety of fields including philosophy, medicine, religion, and music. This book examines the mercantile activities of the firm through both a historical study, which illuminates the wide world of the Venetian music printing industry, and a catalog, which details the music editions brought out by the firm during its most productive period. A valuable reference work, this book not only enhances our understanding of the socioeconomic and cultural history of Renaissance Venice, it also helps to preserve our knowledge of a vast musical repertory.
Author:
Publisher: BRILL
ISBN: 9004484663
Category : Social Science
Languages : en
Pages : 407
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Book Description
Author: Dennis Shrock
Publisher: Oxford University Press
ISBN: 0190469048
Category : Music
Languages : en
Pages : 384
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Book Description
Choral Monuments provides extensive material about eleven epoch-making choral masterworks that span the history of Western culture. Included are: Missa Pange lingua (Josquin Desprez); Missa Papae Marcelli (G. P. da Palestrina); B Minor Mass (J. S. Bach); Messiah (G. F. Handel); The Creation (Joseph Haydn); Symphony #9 (Ludwig van Beethoven); St. Paul (Felix Mendelssohn); Ein deutsches Requiem (Johannes Brahms); Messa da Requiem (Giuseppe Verdi); Mass (Igor Stravinsky); and War Requiem (Benjamin Britten). The works are presented in separate chapters, with each chapter divided into three basic sections-history, analysis, and performance practice. Discussions of history are focused on relevancies-the genesis of the designated work in reference to the composer's total choral output, the work's place within the musical environment and social climate of its time, and essential features of the work that make it noteworthy. In addition, the compositional history addresses three other factors: the work's public reception and critical response, both at the time of its composition and in ensuing years; the history of score publications, detailing the various differences between editions; and the texts of the composition. The material regarding textual treatment, which often includes the complete texts of the works being discussed, concentrates on primary concerns of the text's usage; also included in the discussion are noteworthy aspects of texts separate from the music as well as biographical details of librettists and poets, if appropriate. The analysis section of each chapter outlines and describes musical forms and other types of compositional organization, including parody technique, mirror structures, and motto repetitions, as well as salient compositional characteristics that directly relate and contribute to the work's artistic stature. Numerous charts and musical examples illustrate the discussions. The discussion of performance practices includes primary source quotations about a wide range of topics, from performing forces, tempo, and phrasing of each work to specific issues such as tactus, text underlay, musica ficta, metric accentuation, and ornamentation.
Author: Honey Meconi
Publisher: Routledge
ISBN: 1135577943
Category : Music
Languages : en
Pages : 200
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Book Description
This collection of essays examines the common compositional practice of borrowing or imitation in fifteenth-and sixteenth-century music.
