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Author: Justin E. A. Kroesen
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 440
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Book Description
Starting with a brief outline of the different types of church buildings in Europe from early Romanesque to late Gothic, this volume describes 15 types of furniture used inside the church. The book is divided into sections by parts of the church, such as the altar, tabernacle, pulpit, screens, fonts, statues, and the organ. Kroesen and Steensma (both Institute for Liturgical Research, U. of Groningen) employ text and a generous number of color photographs to illuminate life and faith during the Middle Ages. Text is in Dutch and English. Distributed by the David Brown Book Company. Annotation : 2004 Book News, Inc., Portland, OR (booknews.com).
Author: Justin E. A. Kroesen
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 440
Get Book
Book Description
Starting with a brief outline of the different types of church buildings in Europe from early Romanesque to late Gothic, this volume describes 15 types of furniture used inside the church. The book is divided into sections by parts of the church, such as the altar, tabernacle, pulpit, screens, fonts, statues, and the organ. Kroesen and Steensma (both Institute for Liturgical Research, U. of Groningen) employ text and a generous number of color photographs to illuminate life and faith during the Middle Ages. Text is in Dutch and English. Distributed by the David Brown Book Company. Annotation : 2004 Book News, Inc., Portland, OR (booknews.com).
Author: NatashaT. Seaman
Publisher: Routledge
ISBN: 1351541110
Category : Art
Languages : en
Pages : 283
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Book Description
The first in-depth study of the Utrecht artist to address questions beyond connoisseurship and attribution, this book makes a significant contribution to Ter Brugghen and Northern Caravaggist studies. Focusing on the Dutch master's simultaneous use of Northern archaisms with Caravaggio's motifs and style, Natasha Seaman nuances our understanding of Ter Brugghen's appropriations from the Italian painter. Her analysis centers on four paintings, all depicting New Testament subjects. They include Ter Brugghen's largest and first known signed work (Crowning with Thorns), his most archaizing (the Crucifixion), and the two paintings most directly related to the works of Caravaggio (the Doubting Thomas and the Calling of Matthew). By examining the ways in which Ter Brugghen's paintings deliberately diverge from Caravaggio's, Seaman sheds new light on the Utrecht artist and his work. For example, she demonstrates that where Caravaggio's paintings are boldly illusionistic and mimetic, thus de-emphasizing their materiality, Ter Brugghen's works examined here create the opposite effect, connecting their content to their made form. This study not only illuminates the complex meanings of the paintings addressed here, but also offers insights into the image debates and the status of devotional art in Italy and Utrecht in the seventeenth century by examining one artist's response to them.
Author: MiaM. Mochizuki
Publisher: Routledge
ISBN: 1351541986
Category : Art
Languages : en
Pages : 649
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Book Description
Debunking the myth of the stark white Protestant church interior, this study explores the very objects and architectural additions that were in fact added to Netherlandish church interiors in the first century after iconoclasm. In charting these additions, Mia Mochizuki helps explain the impact of iconoclasm on the cultural topography of the Dutch Golden Age, and by extension, permits careful scrutiny of a decisive moment in the history of the image. Focusing on the Great or St. Bavo Church in Haarlem, this interdisciplinary book draws on art history, history and theology to look at the impact of iconoclasm and reformation on the process of image-making in the early modern Netherlands. The new objects that began to appear in the early Dutch Reformed Church signaled a dramatic change in the form, function and patronage of church art and testified to new roles for church, government, guild and resident. Each chapter in the book introduces a major theme of the nascent Protestant church interior - the Word made material, the Word made memorial and the Word made manifest - which is then explored through the painting, sculpture and architecture of the early Dutch Reformed Church. The text is heavily illustrated with images of the objects under discussion, many of them never before published. A large number of these images are from the camera of prize-winning photographer Tjeerd Frederikse, with additional photography courtesy of E.A. van Voorden. This book unveils, defines and reproduces a host of images previously unaddressed by scholarship and links them to more familiar and long studied Dutch paintings. It provides a religious art companion to general studies of Dutch Golden Age art and lends greater depth to our understanding of iconoclasm, as well as the way in which cultural artifacts and religious material culture reflect and help to shape the values of a community. Taking up the challenge of an unusual category of objects for visual analysis, this
Author: Frans van Liere
Publisher: Cambridge University Press
ISBN: 1107728983
Category : Religion
Languages : en
Pages : 256
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Book Description
The Middle Ages spanned the period between two watersheds in the history of the biblical text: Jerome's Latin translation c.405 and Gutenberg's first printed version in 1455. The Bible was arguably the most influential book during this time, affecting spiritual and intellectual life, popular devotion, theology, political structures, art, and architecture. In an account that is sensitive to the religiously diverse world of the Middle Ages, Frans van Liere offers here an accessible introduction to the study of the Bible in this period. Discussion of the material evidence - the Bible as book - complements an in-depth examination of concepts such as lay literacy and book culture. This introduction includes a thorough treatment of the principles of medieval hermeneutics, and a discussion of the formation of the Latin bible text and its canon. It will be a useful starting point for all those engaged in medieval and biblical studies.
Author: Nigel Yates
Publisher: Routledge
ISBN: 1317104102
Category : Religion
Languages : en
Pages : 212
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Book Description
This is the first comprehensive and up-to-date account of the internal arrangement of church buildings in Western Europe between 1500 and 2000, showing how these arrangements have met the liturgical needs of their respective denominations, Catholic and Protestant, over this period. In addition to a chapter looking at the general impact of the Reformation on church buildings, there are separate chapters on the churches of the Lutheran, Reformed, Anglican and Roman Catholic traditions between the mid-sixteenth and mid-nineteenth centuries, and on the ecclesiological movement of the nineteenth century and the liturgical movement of the twentieth century, both of which have impacted on all the churches of Western Europe over the past 150 years. The book is extensively illustrated with figures in the text and a series of plates and also contains comprehensive guides to both further reading and buildings to visit throughout Western Europe.
Author: Svein H. Gullbekk
Publisher: Routledge
ISBN: 1000410684
Category : History
Languages : en
Pages : 607
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Book Description
This book focuses on the formative period of Church reform in the Middle Ages in Northern Europe, when the Church paved the way for the development of money economy on its own doorstep. Church archaeology provides evidence for patterns of monetary use related to liturgy, church architecture and devotional culture through the centuries. This volume encompasses Alpine European evidence, with emphasis on Gotland, Denmark, Norway, Sweden, Finland and Switzerland, which opens up a new field of research on religion and money for an international audience. Based on 100,000 single finds of coins from the 11th to 18th centuries from 650 Scandinavian churches, the volume offers an in-depth discussion of the concepts of ritual, liturgy and devotional uses of money, monetary space and spiritual economy within the framework of Christendom, the medieval church and church architecture. Written by international scholars, Coins in Churches will be a valuable resource for readers interested in the history of religion, money, the economy, and church architecture in Northern Europe in the Middle Ages.
Author: Franciscus Anastasius Liere
Publisher: Cambridge University Press
ISBN: 0521865786
Category : Bibles
Languages : en
Pages : 337
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Book Description
An accessible account of the Bible in the Middle Ages that traces the formation of the medieval canon.
Author:
Publisher: BRILL
ISBN: 9004680578
Category : History
Languages : en
Pages : 549
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Book Description
The early 16th-century baptismal font canopy of the church of St. Peter Mancroft, Norwich, is one of only three such structures to survive anywhere in the British Isles. This study, inspired by the recent rediscovery of four attributable panels at the Philadelphia Museum of Art, offers a trans-temporal account of the canopy’s initial creation and subsequent use, mutilation, and modification. Written by a team of scholars in art/architectural history, art conservation, heritage documentation, literary studies, and museum curation, it explores the installation’s multiple artistic, ritual, and cultural contexts, from late medieval and early modern Europe to modern-day North America. Contributors are Benjamin Baaske, Sarah Blick, Kate Duffy, Brent R. Fortenberry, Amy Gillette, Jack Hinton, Lesley Milner, Peggy Olley, Ellen K. Rentz, Behrooz Salimnejad, Zachary Stewart, Achim Timmermann, Charles Tracy, Kim Woods, and Lucy Wrapson.
Author: Freek L. Bakker
Publisher: BRILL
ISBN: 9004168613
Category : Religion
Languages : en
Pages : 291
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Book Description
In 1897 only two years after the invention of film the first feature film about Jesus appeared. This and other films about Jesus became examples for and an inspiration for films on other important religious figures like Rama, Buddha and Muhammad. Although religious leaders did not always approve of these films, they did find a ready audience among believers. This book explores these films and looks at how these films dealt with the fundamental question of portraying an individual thought to have either divine status or a very special and unique status among human beings. This book will thus benefit not only students of religious film but also those studying the portrayal of central religious figures in the contemporary world.
Author: Mia M. Mochizuki
Publisher: Routledge
ISBN:
Category : Art, Dutch
Languages : en
Pages : 432
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Book Description
Debunking the myth of the stark white Protestant church interior, this innovative book draws on art history, reformation history and theology to explain the impact of iconoclasm on the cultural topography of the Dutch Golden Age. Lavishly illustrated with color photographs of many objects never before published, this study identifies a previously overlooked aspect of iconoclasm: while acknowledging its destructive force, Mochizuki also discloses its generative power and the remarkable creativity it unleashed.
