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Author: Patrick Chura
Publisher: State University of New York Press
ISBN: 1438480997
Category : Biography & Autobiography
Languages : en
Pages : 438
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Book Description
Winner of the 2022 Literary Encyclopedia Book Prize presented by the Literary Encyclopedia Winner of the 2022 Paul Cowan Non-Fiction Award presented by the Peace Corps Worldwide Jewish American Communist writer and cultural figure Michael Gold (1893–1967) was a key progressive author of his generation, yet today his work is too often forgotten. A novelist, essayist, playwright, poet, journalist, and editor, Gold was the leading advocate of leftist, proletarian literature in the United States between the two world wars. His acclaimed autobiographical novel Jews without Money (1930) is a vivid account of early twentieth-century immigrant life in the tenements of Manhattan's Lower East Side. In this authoritative biography, Patrick Chura traces Gold's story from his impoverished youth, through the period of his fame during the "red decade" of the 1930s, and into the McCarthy era, when he was blacklisted and forced to work menial jobs to support his family. In his time as a radical writer-activist, Gold courageously helped strikes, protested against war and fascism, worked for the Unemployed Councils, walked in hunger marches and May Day parades, got arrested in support of Sacco and Vanzetti, raised money for workers' cooperatives and leftist journalism, and demonstrated against nuclear weapons and in support of fair housing, the Rosenbergs, and civil rights. This biography welcomes Gold back into cultural conversations about art, literature, politics, social change, and Jewish American life in the twentieth century.
Author: Patrick Chura
Publisher: State University of New York Press
ISBN: 1438480997
Category : Biography & Autobiography
Languages : en
Pages : 438
Get Book
Book Description
Winner of the 2022 Literary Encyclopedia Book Prize presented by the Literary Encyclopedia Winner of the 2022 Paul Cowan Non-Fiction Award presented by the Peace Corps Worldwide Jewish American Communist writer and cultural figure Michael Gold (1893–1967) was a key progressive author of his generation, yet today his work is too often forgotten. A novelist, essayist, playwright, poet, journalist, and editor, Gold was the leading advocate of leftist, proletarian literature in the United States between the two world wars. His acclaimed autobiographical novel Jews without Money (1930) is a vivid account of early twentieth-century immigrant life in the tenements of Manhattan's Lower East Side. In this authoritative biography, Patrick Chura traces Gold's story from his impoverished youth, through the period of his fame during the "red decade" of the 1930s, and into the McCarthy era, when he was blacklisted and forced to work menial jobs to support his family. In his time as a radical writer-activist, Gold courageously helped strikes, protested against war and fascism, worked for the Unemployed Councils, walked in hunger marches and May Day parades, got arrested in support of Sacco and Vanzetti, raised money for workers' cooperatives and leftist journalism, and demonstrated against nuclear weapons and in support of fair housing, the Rosenbergs, and civil rights. This biography welcomes Gold back into cultural conversations about art, literature, politics, social change, and Jewish American life in the twentieth century.
Author: Thomas Childers
Publisher: Houghton Mifflin Harcourt
ISBN: 0618773681
Category : History
Languages : en
Pages : 363
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Book Description
One of our most enduring national myths surrounds the men and women who fought in the so-called "Good War." The Greatest Generation, we're told by Tom Brokaw and others, fought heroically, then returned to America happy, healthy and well-adjusted. They quickly and cheerfully went on with the business of rebuilding their lives. In this shocking and hauntingly beautiful book, historian Thomas Childers shatters that myth. He interweaves the intimate story of three families--including his own--with a decades' worth of research to paint an entirely new picture of the war's aftermath. Drawing on government documents, interviews, oral histories and diaries, he reveals that 10,000 veterans a month were being diagnosed with psycho-neurotic disorder (now known as PTSD). Alcoholism, homelessness, and unemployment were rampant, leading to a skyrocketing divorce rate. Many veterans bounced back, but their struggle has been lost in a wave of nostalgia that threatens to undermine a new generation of returning soldiers. Novelistic in its telling and impeccably researched, Childers's book is a stark reminder that the price of war is unimaginably high. The consequences are human, not just political, and the toll can stretch across generations.
Author: Simon Cooper
Publisher: Springer Nature
ISBN: 3030351955
Category : Literary Criticism
Languages : en
Pages : 338
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Book Description
This book tests critical reassessments of US radical writing of the 1930s against recent developments in theories of modernism and the avant-garde. Multidisciplinary in approach, it considers poetry, fiction, classical music, commercial art, jazz, and popular contests (such as dance marathons and bingo). Relating close readings to social and economic contexts over the period 1856–1952, it centers in on a key author or text in each chapter, providing an unfolding, chronological narrative, while at the same time offering nuanced updates on existing debates. Part One focuses on the roots of the 1930s proletarian movement in poetry and music of the nineteenth and early twentieth centuries. Part Two analyzes the output of proletarian novelists, considered alongside contemporaneous works by established modernist authors as well as more mainstream, popular titles.
Author: Morris Dickstein
Publisher: W. W. Norton & Company
ISBN: 0393338762
Category : History
Languages : en
Pages : 625
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Book Description
A cultural history of the 1930s explores the anxiety, despair, and optimism of the period, exploring how the period culture provided a dynamic lift to the country's morale.
Author:
Publisher: SIU Press
ISBN: 9780809388134
Category : Biography & Autobiography
Languages : en
Pages : 308
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Book Description
Messiah of the New Technique is a critical and political biography and a cultural and social history that focuses on Lawson's career in the theatre. Using a materialist methodology, Jonathan L. Chambers emphasizes the evolution and interplay of the playwright's artistic vision and political ideology, considering his art as both a documentation of this evolution and a product of the socio-political and cultural matrix in which he was immersed.
Author: Alan M. Wald
Publisher: UNC Press Books
ISBN: 1469608677
Category : Literary Criticism
Languages : en
Pages : 432
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Book Description
With this book, Alan Wald launches a bold and passionate account of the U.S. Literary Left from the 1920s through the 1960s. Exiles from a Future Time, the first volume of a trilogy, focuses on the forging of a Communist-led literary tradition in the 1930s. Exploring writers' intimate lives and heartfelt political commitments, Wald draws on original research in scores of archives and personal collections of papers; correspondence and interviews with hundreds of writers and their friends and families; and a treasure trove of unpublished memoirs, fiction, and poetry. In fashioning a "humanscape" of the Literary Left, Wald not only reassesses acclaimed authors but also returns to memory dozens of forgotten, talented writers. The authors range from the familiar Mike Gold, Langston Hughes, and Muriel Rukeyser to William Attaway, John Malcolm Brinnin, Stanley Burnshaw, Joy Davidman, Sol Funaroff, Joseph Freeman, Alfred Hayes, Eugene Clay Holmes, V. J. Jerome, Ruth Lechlitner, and Frances Winwar. Focusing on the formation of the tradition and the organization of the Cultural Left, Wald investigates the "elective affinity" of its avant-garde poets, the "Afro-cosmopolitanism" of its Black radical literary movement, and the uneasy negotiation between feminist concerns and class identity among its women writers.
Author:
Publisher: Transaction Publishers
ISBN: 9781412838801
Category : Political Science
Languages : en
Pages : 542
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Book Description
"In his special, prescient way, Theodore Draper himself had the final words on American Communism: "It is like a museum of radical politics. In its various stages, it has virtually been all things to all men ... There are many ways of trying to understand such a movement, but the first task is historical. In some respects, there is no other way to understand it, or at least to avoid seriously misunderstanding it. Every other approach tends to be static, one-sided or unbalanced."" "Draper correctly notes that the formative period of the American Communist movement has remained a largely untold and even unknown story. In part, the reasons for this are that the Communist movement, although a child of the West, grew to power in the Soviet East. But Draper rescues this chapter with deep appreciation for the fact that communism was not something that happened just in Russia, but also in the United States. This is a must read for scholars and laypersons alike."--BOOK JACKET.
Author: David J. Goldberg
Publisher: Springer Science & Business Media
ISBN: 3540695184
Category : Medical
Languages : en
Pages : 189
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Book Description
This reader-friendly and unique compendium on all aspects of non-invasive facial rejuvenation shows the current approach to the issue. It describes when and how to use laser and laser-like technology, the variety of superficial and deep peels which can be used by themselves or in conjunction with lasers. Last but not least, it also covers the variety of dermal fillers and skin volume enhancement agents and the increasing cosmetic uses of botulinum toxin. Novices as well as experts will benefit from the wealth of experience and expert practical information of the authors who are world-renowned experts in their field.
Author: Bryan K. Garman
Publisher: UNC Press Books
ISBN: 1469643774
Category : Music
Languages : en
Pages : 460
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Book Description
When Walt Whitman published Leaves of Grass in 1855, he dreamed of inspiring a "race of singers" who would celebrate the working class and realize the promise of American democracy. By examining how singers such as Woody Guthrie, Bob Dylan, and Bruce Springsteen both embraced and reconfigured Whitman's vision, Bryan Garman shows that Whitman succeeded. In doing so, Garman celebrates the triumphs yet also exposes the limitations of Whitman's legacy. While Whitman's verse propounded notions of sexual freedom and renounced the competitiveness of capitalism, it also safeguarded the interests of the white workingman, often at the expense of women and people of color. Garman describes how each of Whitman's successors adopted the mantle of the working-class hero while adapting the role to his own generation's concerns: Guthrie condemned racism in the 1930s, Dylan addressed race and war in the 1960s, and Springsteen explored sexism, racism, and homophobia in the 1980s and 1990s. But as Garman points out, even the Boss, like his forebears, tends to represent solidarity in terms of white male bonding and homosocial allegiance. We can hear America singing in the voices of these artists, Garman says, but it is still the song of a white, male America.
Author: Jeff Allred
Publisher: Oxford University Press
ISBN: 019932400X
Category : Literary Criticism
Languages : en
Pages : 283
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Book Description
Photos filled with the forlorn faces of hungry and impoverished Americans that came to characterize the desolation of the Great Depression are among the best known artworks of the twentieth century. Captured by the camera's eye, these stark depictions of suffering became iconic markers of a formative period in U.S. history. Although there has been an ample amount of critical inquiry on Depression-era photographs, the bulk of scholarship treats them as isolated art objects. And yet they were often joined together with evocative writing in a genre that flourished amid the period, the documentary book. American Modernism and Depression Documentary looks at the tradition of the hybrid, verbal-visual texts that flourished during a time when U.S. citizens were becoming increasingly conscious of the life of a larger nation. Jeff Allred draws on a range of seminal works to illustrate the convergence of modernism and documentary, two forms often regarded as unrelated. Whereas critics routinely look to James Agee and Walker Evans' Let Us Now Praise Famous Men as the sole instance of the modernist documentary book, Allred turns to such works as Richard Wright's scathing 12 Million Black Voices, and the oft-neglected You Have Seen Their Faces by Erskine Caldwell and Margaret Bourke-White to open up the critical playing field. And rather than focusing on the ethos of Progressivism and/or the politics and aesthetics of the New Deal, Allred emphasizes the centrality of Life magazine to the consolidation of a novel cultural form.
