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Author: Christopher Nolan
Publisher: Macmillan
ISBN: 0571210473
Category : Performing Arts
Languages : en
Pages : 243
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Book Description
"This volume includes both screenplays, plus an interview with Christopher Nolan and Jeremy Theobald ... about the the making of Following, and a piece by Christopher Nolan and his brother Jonathan Nolan, author of the story on which Memento was based, in which they recall the conception of the film"--P. [4] of cover.
Author: Christopher Nolan
Publisher: Macmillan
ISBN: 0571210473
Category : Performing Arts
Languages : en
Pages : 243
Get Book
Book Description
"This volume includes both screenplays, plus an interview with Christopher Nolan and Jeremy Theobald ... about the the making of Following, and a piece by Christopher Nolan and his brother Jonathan Nolan, author of the story on which Memento was based, in which they recall the conception of the film"--P. [4] of cover.
Author: Claire Molloy
Publisher: Edinburgh University Press
ISBN: 0748637737
Category : Performing Arts
Languages : en
Pages : 144
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Book Description
The book introduces Memento as an important independent film and uses it to explore relationships between "e;indie,"e; arthouse and commercial mainstream cinema, independent film marketing practices and online fan communities. The book also locates Memento within debates around key film studies concepts such as genre, narrative and reception.
Author: Andrew Kania
Publisher: Routledge
ISBN: 1135974977
Category : Performing Arts
Languages : en
Pages : 208
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Book Description
Within a short space of time, the film Memento has already been hailed as a modern classic. Memorably narrated in reverse, from the perspective of Leonard Shelby, the film’s central character, it follows Leonard’s chaotic and visceral quest to discover the identity of his wife’s killer and avenge her murder, despite his inability to form new long-term memories. This is the first book to explore and address the myriad philosophical questions raised by the film, concerning personal identity, free will, memory, knowledge, and action. It also explores problems in aesthetics raised by the film through its narrative structure, ontology, and genre. Beginning with a helpful introduction that places the film in context and maps out its complex structure, specially commissioned chapters examine the following topics: memory, emotion, and self-consciousness agency, free will, and responsibility personal identity narrative and popular cinema the film genre of neo-noir Memento and multimedia Including annotated further reading at the end of each chapter, Memento is essential reading for students interested in philosophy and film studies.
Author: James Mottram
Publisher: Faber & Faber
ISBN: 0571279511
Category : Performing Arts
Languages : en
Pages : 236
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Book Description
The brilliance of Christopher Nolan's ingenious thriller Memento has had moviegoers coming back for more. James Mottram now offers the fullest imaginable guide to the film's many complexities. Memento's protagonist Leonard Shelby (Guy Pearce) is on a mission to find the man who murdered his wife. But Leonard suffers from a rare form of amnesia, and in order to keep track of his life he must surround himself with written reminders, some etched on his own flesh . . . This invaluable guidebook steers the reader through the mysteries of the movie's making and its many possible meanings, with expert guidance from Nolan himself and his key creative collaborators.
Author: Amie Kaufman
Publisher: Knopf Books for Young Readers
ISBN: 0593379411
Category : Young Adult Fiction
Languages : en
Pages : 84
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Book Description
From New York Times bestselling authors Amie Kaufman and Jay Kristoff comes an Illuminae prequel digital novella that gives readers a hair-raising glimpse into the calamity that befell the invincible AI system known as AIDAN--and the daring young programmer who would risk her life to keep it from crashing. AIDAN is the AI you'll love to hate. The advanced AI system was supposed to protect a fleet of survivors who'd escaped the deadly attack on Kerenza IV. AIDAN was supposed to be infallible. But in the chaotic weeks and months that followed, it became clear that something was terribly, terribly wrong with AIDAN...
Author: Darren Mooney
Publisher: McFarland
ISBN: 1476634610
Category : Performing Arts
Languages : en
Pages : 219
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Book Description
Christopher Nolan is one of the defining directors of the 21st century. Few of his contemporaries can compete in terms of critical and commercial success, let alone cultural impact. His films have a rare ability to transcend audience expectations, appealing to both casual moviegoers and dyed-in-the-wool cineastes. Nolan's work ranges from gritty crime thrillers (Memento, Insomnia) to spectacular blockbusters (the Dark Knight trilogy, Inception). They have taken audiences from the depths of space (Interstellar) to the harsh realities of war (Dunkirk). And they have pushed the boundaries of the possible in modern movie making. This critical history covers his complete filmography, tracing his career from film student to indie darling to Oscar-nominated auteur.
Author: Andrew Kania
Publisher: Routledge
ISBN: 1135974985
Category : Performing Arts
Languages : en
Pages : 209
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Book Description
Within a short space of time, the film Memento has already been hailed as a modern classic. Memorably narrated in reverse, from the perspective of Leonard Shelby, the film’s central character, it follows Leonard’s chaotic and visceral quest to discover the identity of his wife’s killer and avenge her murder, despite his inability to form new long-term memories. This is the first book to explore and address the myriad philosophical questions raised by the film, concerning personal identity, free will, memory, knowledge, and action. It also explores problems in aesthetics raised by the film through its narrative structure, ontology, and genre. Beginning with a helpful introduction that places the film in context and maps out its complex structure, specially commissioned chapters examine the following topics: memory, emotion, and self-consciousness agency, free will, and responsibility personal identity narrative and popular cinema the film genre of neo-noir Memento and multimedia Including annotated further reading at the end of each chapter, Memento is essential reading for students interested in philosophy and film studies.
Author: Angie Smibert
Publisher: Skyscape
ISBN: 9781477810484
Category : Government, Resistance to
Languages : en
Pages : 0
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Book Description
Tells, in separate voices, of a near future in which Winter Nomura has had a psychotic break, and her friend Velvet and cousin Aiden, who is visiting from his Swiss boarding school, try to uncover and fix what is seriously wrong with their society, city, and even Aiden's family.
Author:
Publisher:
ISBN:
Category : Golf
Languages : en
Pages : 322
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Book Description
Author: Todd McGowan
Publisher: University of Texas Press
ISBN: 0292737823
Category : Performing Arts
Languages : en
Pages : 233
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Book Description
From Memento and Insomnia to the Batman films, The Prestige, and Inception, lies play a central role in every Christopher Nolan film. Characters in the films constantly find themselves deceived by others and are often caught up in a vast web of deceit that transcends any individual lies. The formal structure of a typical Nolan film deceives spectators about the events that occur and the motivations of the characters. While Nolan's films do not abandon the idea of truth altogether, they show us how truth must emerge out of the lie if it is not to lead us entirely astray. The Fictional Christopher Nolan discovers in Nolan's films an exploration of the role that fiction plays in leading to truth. Through close readings of all the films through Inception, Todd McGowan demonstrates that the fiction or the lie comes before the truth, and this priority forces us to reassess our ways of thinking about the nature of truth. Indeed, McGowan argues that Nolan's films reveal the ethical and political importance of creating fictions and even of lying. While other filmmakers have tried to discover truth through the cinema, Nolan is the first filmmaker to devote himself entirely to the fictionality of the medium, and McGowan discloses how Nolan uses its tendency to deceive as the basis for a new kind of philosophical filmmaking. He shows how Nolan's insistence on the priority of the fiction aligns his films with Hegel's philosophy and understands Nolan as a thoroughly Hegelian filmmaker.
