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Author: Lora Ann Sigler
Publisher: McFarland
ISBN: 1476673527
Category : Performing Arts
Languages : en
Pages : 236
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Book Description
The heyday of silent film soon became quaint with the arrival of "talkies." As early as 1929, critics and historians were writing of the period as though it were the distant past. Much of the literature on the silent era focuses on its filmic art--ambiance and psychological depth, the splendor of the sets and costumes--yet overlooks the inspiration behind these. This book explores the Middle Ages as the prevailing influence on costume and set design in silent film and a force in fashion and architecture of the era. In the wake of World War I, designers overthrew the artifice of prewar style and manners and drew upon what seemed a nobler, purer age to create an ambiance that reflected higher ideals.
Author: Lora Ann Sigler
Publisher: McFarland
ISBN: 1476673527
Category : Performing Arts
Languages : en
Pages : 236
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Book Description
The heyday of silent film soon became quaint with the arrival of "talkies." As early as 1929, critics and historians were writing of the period as though it were the distant past. Much of the literature on the silent era focuses on its filmic art--ambiance and psychological depth, the splendor of the sets and costumes--yet overlooks the inspiration behind these. This book explores the Middle Ages as the prevailing influence on costume and set design in silent film and a force in fashion and architecture of the era. In the wake of World War I, designers overthrew the artifice of prewar style and manners and drew upon what seemed a nobler, purer age to create an ambiance that reflected higher ideals.
Author: Bettina Bildhauer
Publisher: Reaktion Books
ISBN: 1861899270
Category : Art
Languages : en
Pages : 266
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Book Description
In this groundbreaking account of film history, Bettina Bildhauer shows how from the earliest silent films to recent blockbusters, medieval topics and plots have played an important but overlooked role in the development of cinema. Filming the Middle Ages is the first book to define medieval films as a group and trace their history from silent film in Weimar Germany to Hollywood and then to recent European co-productions. Bildhauer provides incisive new interpretations of classics like Murnau’s Faust and Eisenstein’s Alexander Nevsky, and she rediscovers some forgotten works like Douglas Sirk’s Sign of the Pagan and Asta Nielsen’s Hamlet. As Bildhauer explains, both art house films like The Seventh Seal and The Passion of Joan of Arc and popular films like Beowulf or The Da Vinci Code cleverly use the Middle Ages to challenge modern ideas of historical progress, to find alternatives to a print-dominated culture, and even to question what makes us human. Filming the Middle Ages pays special attention to medieval animated and detective films and provactively demonstrates that the invention of cinema itself is considered a return to the Middle Ages by many film theorists and film makers. Filming the Middle Ages is ideal reading for medievalists with a stake in the contemporary and film scholars with an interest in the distant past.
Author: Conrad Rudolph
Publisher: John Wiley & Sons
ISBN: 1444357220
Category : Art
Languages : en
Pages : 624
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Book Description
A Companion to Medieval Art brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe. Brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe. Contains over 30 original theoretical, historical, and historiographic essays by renowned and emergent scholars. Covers the vibrancy of medieval art from both thematic and sub-disciplinary perspectives. Features an international and ambitious range - from reception, Gregory the Great, collecting, and pilgrimage art, to gender, patronage, the marginal, spolia, and manuscript illumination.
Author: Anke Bernau
Publisher: Manchester University Press
ISBN: 1526162733
Category : Performing Arts
Languages : en
Pages : 335
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Book Description
Medieval film explores theoretical questions about the ideological, artistic, emotional and financial investments inhering in cinematic renditions of the medieval period. What does it mean to create and watch a 'medieval film'? What is a medieval film and why are they successful? This is the first work that attempts to answer these questions, drawing, for instance, on film theory, postcolonial theory, cultural studies and the growing body of work on medievalism. Contributors investigate British, German, Italian, Australian, French, Swedish and American film, exploring topics such translation, temporality, film noir, framing and period film - and find the medieval lurking in inexpected corners. In addition it provides in-depth studies of individual films from different countries including The Birth of a Nation to Nosferatu, and Robin Hood: Prince of Thieves. Medieval Film will be of interest to medievalists working in disciplines including literature, history, to scholars working on film and in cultural studies. It will also be of interest to undergraduates, postgraduates and to an informed enthusiast in film or/and medieval culture.
Author: Donna Kornhaber
Publisher: Oxford University Press
ISBN: 0190852542
Category : Performing Arts
Languages : en
Pages : 160
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Book Description
Encompassing the thirty-five year span between the initial development of film technology in the mid-1890s and the adoption of synchronized sound in the late 1920s, the cinema's silent era is both one of the most important epochs of film history and one of the most misunderstood within the popular imagination. In this brief and readable account, these formative decades come vividly to life. Covering the full scope of the silent era-from the invention of motion pictures to the rise of the Hollywood studios-and touching on films and filmmakers from every corner of the globe, Silent Film: A Very Short Introduction offers a window into film's first years as a worldwide entertainment phenomenon. From groundbreaking early shorts to the masterpieces of the cinema's classical era, from street-corner nickelodeons to grand movie palaces, from slapstick to the avant-garde, the silent era's artistic abundance and global variety are here put on full display. In the story of silent film, we see not just the origins of a new culture industry but also a legacy of imagination and innovation that continues to profoundly influence the cinema even to this day. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Author: Anke Bernau
Publisher: Manchester University Press
ISBN: 1526141671
Category : Performing Arts
Languages : en
Pages : 252
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Book Description
Medieval film explores theoretical questions about the ideological, artistic, emotional and financial investments inhering in cinematic renditions of the medieval period. What does it mean to create and watch a ‘medieval film’? What is a medieval film and why are they successful? This is the first work that attempts to answer these questions, drawing, for instance, on film theory, postcolonial theory, cultural studies and the growing body of work on medievalism. Contributors investigate British, German, Italian, Australian, French, Swedish and American film, exploring topics such translation, temporality, film noir, framing and period film – and find the medieval lurking in unexpected corners. In addition it provides in-depth studies of individual films from different countries including The Birth of a Nation to Nosferatu, and Robin Hood: Prince of Thieves. Medieval film will be of interest to medievalists working in disciplines including literature, history, art history, to scholars working on film and in cultural studies. It will also be of interest to undergraduates, postgraduates and to an informed enthusiast in film or/and medieval culture.
Author: Kevin J. Harty
Publisher: McFarland
ISBN: 1476639000
Category : Performing Arts
Languages : en
Pages : 217
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Book Description
In this first ever book-length treatment, 11 scholars with a variety of backgrounds in medieval studies, film studies, and medievalism discuss how historical and fictional medieval women have been portrayed on film and their connections to the feminist movements of the 20th and 21st centuries. From detailed studies of the portrayal of female desire and sexuality, to explorations of how and when these women gain agency, these essays look at the different ways these women reinforce, defy, and complicate traditional gender roles. Individual essays discuss the complex and sometimes conflicting cinematic treatments of Guinevere, Morgan Le Fay, Isolde, Maid Marian, Lady Godiva, Heloise, Eleanor of Aquitaine, and Joan of Arc. Additional essays discuss the women in Fritz Lang's The Nibelungen, Liv Ullmann's Kristin Lavransdatter, and Bertrand Tavernier's La Passion Beatrice.
Author: Sandra Gorgievski
Publisher: McFarland
ISBN: 0786457562
Category : Art
Languages : en
Pages : 232
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Book Description
Arch-mediator between the divine and the mundane, the angel is an enduring figure in the Western world. It has been interpreted as an externalization of repressed fantasies, a projection of the self as other, and a metaphor for modern estrangement. This book is the first comparative study of sacred medieval images of angels and their cinematic treatment, including reference to both the medieval and modern imaginations. The text traces the traditional functions of angels and their reworking in film, then takes particular note of new icons like the female angel and others who become models for our connection with transcendence.
Author: Kevin J. Harty
Publisher: McFarland
ISBN: 147660844X
Category : Biography & Autobiography
Languages : en
Pages : 317
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Book Description
The legends of King Arthur have not only endured for centuries, but also flourished in constant retellings and new stories built around the central themes. With the coming of motion pictures, Arthur was destined to hit the screen. This edition of Cinema Arthuriana, revised in 2002, presents 20 essays on the topic of the recurring presence of the legend in film and television from 1904 to 2001. They cover such films as Excalibur (1981) and Monty Python and the Holy Grail (1975), television productions such as The Mists of Avalon (2001), and French and German films about the quest for the Holy Grail and the other adventures of King Arthur and the Knights of the Round Table.
Author: Kathryn Kalinak
Publisher: Oxford University Press
ISBN: 0197628036
Category : Motion picture music
Languages : en
Pages : 177
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Book Description
"Film Music: A Very Short Introduction focuses on the most central issues in the practice of film music. What is film music? How is it composed? How does film music work? Why does film music work? The rich and deeply moving sounds of film music are as old as cinema. The very first projected moving images were accompanied by music around the globe as a variety of performers-from single piano players to small orchestras-brought images to life. Film music has since become its own industry, an aesthetic platform for expressing creative visions, and a commercial vehicle for generating increased revenue. The second edition updates coverage to 2022 and includes attention to recent developments in global film music, women in film music, and African -American and minority composers"--
