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Author: J. Douglas Canfield
Publisher: University Press of Kentucky
ISBN: 0813187575
Category : Literary Criticism
Languages : en
Pages : 315
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Book Description
Twentieth-century authors and filmmakers have created a pantheon of mavericks—some macho, others angst-ridden—who often cross a metaphorical boundary among the literal ones of Anglo, Native American, and Hispanic cultures. Douglas Canfield examines the concept of borders, defining them as the space between states and cultures and ideologies, and focuses on these border crossings as a key feature of novels and films about the region. Canfield begins in the Old Southwest of Faulkner's Mississippi, addressing the problem of slavery; travels west to North Texas and the infamous Gainesville Hanging of Unionists during the Civil War; and then follows scalpers into the Southwest Borderlands. He then turns to the area of the Gadsden Purchase, known for its outlaws and Indian wars, before heading south of the border for the Yaqui persecution and the Mexican Revolution. Alongside such well-known works as Go Down Moses, The Wild Bunch, Broken Arrow, Gringo Viejo, and Blood Meridian, Canfield discusses novels and films that tell equally compelling stories of the region. Protagonists face various identity crises as they attempt border crossings into other cultures or mindsets—some complete successful crossings, some go native, and some fail. He analyzes figures such as Geronimo, Doc Holliday, and Billy the Kid alongside less familiar mavericks as they struggle for identity, purpose, and justice.
Author: J. Douglas Canfield
Publisher: University Press of Kentucky
ISBN: 0813187575
Category : Literary Criticism
Languages : en
Pages : 315
Get Book
Book Description
Twentieth-century authors and filmmakers have created a pantheon of mavericks—some macho, others angst-ridden—who often cross a metaphorical boundary among the literal ones of Anglo, Native American, and Hispanic cultures. Douglas Canfield examines the concept of borders, defining them as the space between states and cultures and ideologies, and focuses on these border crossings as a key feature of novels and films about the region. Canfield begins in the Old Southwest of Faulkner's Mississippi, addressing the problem of slavery; travels west to North Texas and the infamous Gainesville Hanging of Unionists during the Civil War; and then follows scalpers into the Southwest Borderlands. He then turns to the area of the Gadsden Purchase, known for its outlaws and Indian wars, before heading south of the border for the Yaqui persecution and the Mexican Revolution. Alongside such well-known works as Go Down Moses, The Wild Bunch, Broken Arrow, Gringo Viejo, and Blood Meridian, Canfield discusses novels and films that tell equally compelling stories of the region. Protagonists face various identity crises as they attempt border crossings into other cultures or mindsets—some complete successful crossings, some go native, and some fail. He analyzes figures such as Geronimo, Doc Holliday, and Billy the Kid alongside less familiar mavericks as they struggle for identity, purpose, and justice.
Author: Karen Blue
Publisher: Universal-Publishers
ISBN: 1581127197
Category : Social Science
Languages : en
Pages : 189
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Book Description
Stories of "unmarried American and Canadian women building better lives for themselves in Mexico's beautiful colonial villages."--Cover
Author: Dominique Brégent-Heald
Publisher: U of Nebraska Press
ISBN: 0803278845
Category : History
Languages : en
Pages : 456
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Book Description
The concept of North American borderlands in the cultural imagination fluctuated greatly during the Progressive Era as it was affected by similarly changing concepts of identity and geopolitical issues influenced by the Mexican Revolution and the First World War. Such shifts became especially evident in films set along the Mexican and Canadian borders as filmmakers explored how these changes simultaneously represented and influenced views of society at large. Borderland Films examines the intersection of North American borderlands and culture as portrayed through early twentieth-century cinema. Drawing on hundreds of films, Dominique Br�gent-Heald investigates the significance of national borders; the ever-changing concepts of race, gender, and enforced boundaries; the racialized ideas of criminality that painted the borderlands as unsafe and in need of control; and the wars that showed how international conflict significantly influenced the United States' relations with its immediate neighbors. Borderland Films provides a fresh perspective on American cinematic, cultural, and political history and on how cinema contributed to the establishment of societal narratives in the early twentieth century.
Author: Hanna Boguta-Marchel
Publisher: Cambridge Scholars Publishing
ISBN: 1443839191
Category : Literary Criticism
Languages : en
Pages : 215
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Book Description
The most intriguing aspect of Cormac McCarthy’s writing is the irresistible premonition that his sentences carry an exceptional potential, that after each subsequent reading they surprise us with increasingly deeper layers of meaning, which are often in complete contradiction to the readers’ initial intuitions. His novels belong to the kind that we dream about at night, that follow us and do not let themselves be forgotten. Cormac McCarthy’s prose has been read in the light of a variety of theories, ranging from Marxist criticism, the pastoral tradition, Gnostic theology, the revisionist approach to the American Western, to feminist and eco-critical methodology. The perspective offered in The Evil, the Fated, the Biblical is an existentialist theological approach, which proposes a reading of McCarthy that focuses on the issue of evil and violence as it is dealt with in his novels. “Evil,” unquestionably being a metaphysical category and, as a result, quite commonly pronounced passé, is a challenging and overwhelming topic, which nevertheless deeply concerns all of us. Boguta-Marchel’s book is therefore an attempt to confront a theme that is an unpopular object of scholarly examination and, at the same time, a commonly shared experience in the everyday life of all human beings. The book follows the pattern of an increasingly in-depth analysis of the drama of evil that is omnipresent in McCarthy’s books: from the level of the visual (grotesque images, hyperbolic depictions of violence, cinematic precision of matter-of-fact descriptions), through the level of events (circularity and repetitiveness of action, characters conceptualizing and enacting the struggle between predetermined fate and good will), to the level of the metaphysical (existential crises, grappling with the idea and the person of God, biblical allusions reappearing in the text). This way, The Evil, the Fated, the Biblical provides a complete picture of McCarthy’s contest with one of the most troublesome issues that humanity has ever faced.
Author: Petra Mundik
Publisher: University of New Mexico Press
ISBN: 0826356702
Category : Apocalypse in literature
Languages : en
Pages : 432
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Book Description
13: " In All That Dark and All That Cold": Good and Evil in No Country for Old Men -- 14: "All Things of Grace and Beauty": The Presence of the Sacred in The Road -- Notes -- Works Cited -- Index -- Back Cover
Author: John Emory Dean
Publisher: University of Arizona Press
ISBN: 0816532427
Category : Literary Criticism
Languages : en
Pages : 246
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Book Description
"The book explores how border subjects have been created and disputed in cultural narratives of the Texas-Mexico border, comparing and analyzing Mexican, Mexican American, and Anglo literary representations of the border"--Provided by publisher.
Author: A. J. Prats
Publisher: Cornell University Press
ISBN: 9780801487545
Category : Indians in motion pictures
Languages : en
Pages : 348
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Book Description
This incisive, provocative, and wide-ranging book casts a critical eye on the representation of Native Americans in the Western film since the genre's beginnings. Armando José Prats shows the ways in which film reflects cultural transformations in the course of America's historical encounter with "the Indian." He also explores the relation between the myth of conquest and American history. Among the films he discusses at length are Northwest Passage, Stagecoach, The Searchers, Hombre, Hondo, Ulzana's Raid, The Last of the Mohicans, and Dances With Wolves.Throughout, Prats emphasizes the irony that the Western seems to be able to represent Native Americans only by rendering them absent. In addition, he points out that Native Americans who appear in Westerns are almost always male; Native women rarely figure into the plot, and are often portrayed by white women rendered "Indian" by narrative necessity. Invisible Natives offers an intriguing view of the possibilities and consequences--as well as the historical sources and cultural origins--of the Western's strategies for evading the actual portrayal of Native Americans.
Author: Alethea Ballard
Publisher: C&T Publishing Inc
ISBN: 1607052458
Category : Crafts & Hobbies
Languages : en
Pages : 84
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Book Description
Turn bold and unusual fabrics into stunningly beautiful quilts with this guide to creative yet surprisingly simple patterns. Fabrics that feature unique, colorful, or graphic designs can be as irresistible as they are challenging. How do you cut and arrange such beautiful fabric to use in a quilt? Art quilter Aletha Ballard provides the answer in Maverick Quilts. Alethea combines straightforward instruction on the basics of quilting with ten versatile and creative projects that are perfect for showing off bold designs and large-scale prints. Easy to follow and beautifully illustrated, Maverick Quilts show you just how easy it is to sew wild, joyful, colorful quilts with the fabrics you love.
Author: Daniel L. Smith-Christopher
Publisher: Wipf and Stock Publishers
ISBN: 1666706841
Category : History
Languages : en
Pages : 173
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Book Description
Choosing ten films that were considered "suspicious," "un-American," or even "dangerous" by the conservative media, and especially the infamous "House Un-American Affairs Committee" (HUAC) between 1947-1953, each chapter briefly outlines how progressive Christians should have supported the message of the film rather than condemned it. Each chapter explains why the film was considered controversial, and then proposes a number of arguments drawing heavily on Scripture, arguing that Christians should have, and still should, consider these films about social justice issues to be deeply biblical, and not "un-American." Intended for an adult education series, this book can serve as a kind of "handbook" for a church or parish "Film Series" that raises serious questions of social justice and Christian response.
Author: Kenneth E. Hall
Publisher: McFarland
ISBN: 0786497297
Category : Performing Arts
Languages : en
Pages : 232
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Book Description
In American Westerns, the main characters are most often gunfighters, lawmen, ranchers and dancehall girls. Civil professionals such as doctors, engineers and journalists have been given far less representation, usually appearing as background characters in most films and fiction. In Westerns about the 1910 Mexican Revolution, however, civil professionals also feature prominently in the narrative, often as members of the intelligentsia--an important force in Mexican politics. This book compares the roles of civil professionals in most American Westerns to those in films on the 1910 Mexican Revolution. Included are studies on the Santiago Toole novels by Richard Wheeler, Strange Lady in Town with Greer Garson and La sombra del Caudillo by Martin Luis Guzman.
