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Author: Graham H. Roberts
Publisher: Routledge
ISBN: 100018174X
Category : Social Science
Languages : en
Pages : 240
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Book Description
Material Culture in Russia and the USSR comprises some of the most cutting-edge scholarship across anthropology, history and material and cultural studies relating to Russia and the Soviet Union, from Peter the Great to Putin.Material culture in Russia and the USSR holds a particularly important role, as the distinction between private and public spheres has at times developed in radically different ways than in many places in the more commonly studied West. With case studies covering alcohol, fashion, cinema, advertising and photography among other topics, this wide-ranging collection offers an unparalleled survey of material culture in Russia and the USSR and addresses core questions such as: what makes Russian and Soviet material culture distinctive; who produces it; what values it portrays; and how it relates to 'high culture' and consumer culture.
Author: Graham H. Roberts
Publisher: Routledge
ISBN: 100018174X
Category : Social Science
Languages : en
Pages : 240
Get Book
Book Description
Material Culture in Russia and the USSR comprises some of the most cutting-edge scholarship across anthropology, history and material and cultural studies relating to Russia and the Soviet Union, from Peter the Great to Putin.Material culture in Russia and the USSR holds a particularly important role, as the distinction between private and public spheres has at times developed in radically different ways than in many places in the more commonly studied West. With case studies covering alcohol, fashion, cinema, advertising and photography among other topics, this wide-ranging collection offers an unparalleled survey of material culture in Russia and the USSR and addresses core questions such as: what makes Russian and Soviet material culture distinctive; who produces it; what values it portrays; and how it relates to 'high culture' and consumer culture.
Author: Yulia Karpova
Publisher: Manchester University Press
ISBN: 1526139863
Category : Design
Languages : en
Pages : 248
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Book Description
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. The Russian avant-garde of the 1920s is broadly recognised to have been Russia’s first truly original contribution to world culture. In contrast, Soviet design of the post-war period is often dismissed as hack-work and plagiarism that resulted in a shabby world of commodities. This book offers a new perspective on the history of Soviet design by focusing on the notion of the comradely object as an agent of progressive social relations that state-sponsored Soviet design inherited from the avant-garde. It introduces a shared history of domestic objects, hand-made as well as machine made, mass-produced as well as unique, utilitarian as well as challenging the conventional notion of utility. This is a study of post-avant-garde Russian productivism at the intersection of intellectual history, social history and material culture studies, an account attentive to the complexities and contradictions of Soviet design.
Author: Margaret Mead
Publisher: Berghahn Books
ISBN: 9781571812308
Category : History
Languages : en
Pages : 358
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Book Description
This volume brings together two classic works on the culture of the Russian people which have been long out of print. Gorer's Great Russian Culture and Mead's Soviet Attitudes towards Authority: An Interdisciplinary Approach to Problems of Soviet Character were among the first attempts by anthropologists to analyze Russian society. They were influential both for several generations of anthropologists and in shaping American governmental attitudes toward the Soviet Union during the Cold War period. Additionally they offer fascinating insights into the early anthropological use of psychological data to analyze cultural patterns. Read as part of the history of the anthropology of complex contemporary societies, they are as fascinating for their more questionable conclusions as for their accurate characterizations of Russian life.
Author: James Von Geldern
Publisher: Indiana University Press
ISBN: 9780253209696
Category : Drama
Languages : en
Pages : 548
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Book Description
This anthology offers a rich array of documents, short fiction, poems, songs, plays, movie scripts, comic routines, and folklore to offer a close look at the mass culture that was consumed by millions in Soviet Russia between 1917 and 1953. Both state-sponsored cultural forms and the unofficial culture that flourished beneath the surface are represented. The focus is on the entertainment genres that both shaped and reflected the social, political, and personal values of the regime and the masses. The period covered encompasses the Russian Revolution and Civil War, the mixed economy and culture of the 1920s, the tightly controlled Stalinist 1930s, the looser atmosphere of the Great Patriotic War, and the postwar era ending with the death of Stalin. Much of the material appears here in English for the first time. A companion 45-minute audio tape (ISBN 0-253-32911-6) features contemporaneous performances of fifteen popular songs of the time, with such favorites as "Bublichki," "The Blue Kerchief," and "Katyusha." Russian texts of the songs are included in the book.
Author: Альберт Кашфуллович Байбурин
Publisher: Routledge
ISBN: 041569504X
Category : Social Science
Languages : en
Pages : 306
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Book Description
In Soviet times, anthropologists in the Soviet Union were closely involved in the state's work of nation building. They helped define official nationalities, and gathered material about traditional customs and suitably heroic folklore, whilst at the same time refraining from work on the reality of contemporary Soviet life. Since the end of the Soviet Union anthropology in Russia has been transformed. International research standards have been adopted, and the focus of research has shifted to include urban culture and difficult subjects, such as xenophobia. However, this transformation has been, and continues to be, controversial, with, for example, strongly contested debates about the relevance of Western anthropology and cultural theory to post-Soviet reality. This book presents an overview of how anthropology in Russia has changed since Soviet times, and showcases examples of important Russian anthropological work. As such, the book will be of great interest not just to Russian specialists, but also to anthropologists more widely, and to all those interested in the way academic study is related to prevailing political and social conditions.
Author: Graham H. Roberts
Publisher: Routledge
ISBN: 1000184927
Category : Social Science
Languages : en
Pages : 280
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Book Description
Material Culture in Russia and the USSR comprises some of the most cutting-edge scholarship across anthropology, history and material and cultural studies relating to Russia and the Soviet Union, from Peter the Great to Putin.Material culture in Russia and the USSR holds a particularly important role, as the distinction between private and public spheres has at times developed in radically different ways than in many places in the more commonly studied West. With case studies covering alcohol, fashion, cinema, advertising and photography among other topics, this wide-ranging collection offers an unparalleled survey of material culture in Russia and the USSR and addresses core questions such as: what makes Russian and Soviet material culture distinctive; who produces it; what values it portrays; and how it relates to 'high culture' and consumer culture.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
The major part of this book project was funded by the European Union's Horizon 2020 research and innovation programme under the Marie Sklodowska-Curie grant agreement No. 700913. This book is about two distinct but related professional cultures in late Soviet Russia that were concerned with material objects: industrial design and decorative art. The Russian avant-garde of the 1920s is broadly recognised to have been Russia's first truly original contribution to world culture. In contrast, Soviet design of the post-war period is often dismissed as hackwork and plagiarism that resulted in a shabby world of commodities. This book identifies the second historical attempt at creating a powerful alternative to capitalist commodities in the Cold War era. It offers a new perspective on the history of Soviet material culture by focusing on the notion of the 'comradely object' as an agent of progressive social relations that state-sponsored Soviet design inherited from the avant-garde. It introduces a shared history of domestic objects, handmade as well as machine-made, mass-produced as well as unique, utilitarian as well as challenging the conventional notion of utility. Situated at the intersection of intellectual history, social history and material culture studies, this book elucidates the complexities and contradictions of Soviet design that echoed international tendencies of the late twentieth century. The book is addressed to design historians, art historians, scholars of material culture, historians of Russia and the USSR, as well as museum and gallery curators, artists and designers, and the broader public interested in modern aesthetics, art and design, and/or the legacy of socialist regimes.
Author: Smorodinskaya
Publisher: Routledge
ISBN: 1136787852
Category : History
Languages : en
Pages : 780
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Book Description
This addition to the highly successful Contemporary Cultures series covers the period from period 1953, with the death of Stalin, to the present day. Both ‘Russian’ and ‘Culture’ are defined broadly. ‘Russian’ refers to the Soviet Union until 1991 and the Russian Federation after 1991. Given the diversity of the Federation in its ethnic composition and regional characteristics, questions of national, regional, and ethnic identity are given special attention. There is also coverage of Russian-speaking immigrant communities. ‘Culture’ embraces all aspects of culture and lifestyle, high and popular, artistic and material: art, fashion, literature, music, cooking, transport, politics and economics, film, crime – all, and much else, are covered, in order to give a full picture of the Russian way of life and experience throughout the extraordinary changes undergone since the middle of the twentieth century. The Encyclopedia of Contemporary Russian Culture is an unbeatable resource on recent and contemporary Russian culture and history for students, teachers and researchers across the disciplines. Apart from academic libraries, the book will also be a valuable acquisition for public libraries. Entries include cross-references and the larger ones carry short bibliographies. There is a full index.
Author: Roland Cvetkovski
Publisher: Central European University Press
ISBN: 6155225761
Category : Social Science
Languages : en
Pages : 415
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Book Description
Ethnographers helped to perceive, to understand and also to shape imperial as well as Soviet Russia?s cultural diversity. This volume focuses on the contexts in which ethnographic knowledge was created. Usually, ethnographic findings were superseded by imperial discourse: Defining regions, connecting them with ethnic origins and conceiving national entities necessarily implied the mapping of political and historical hierarchies. But beyond these spatial conceptualizations the essays particularly address the specific conditions in which ethnographic knowledge appeared and changed. On the one hand, they turn to the several fields into which ethnographic knowledge poured and materialized, i.e., history, historiography, anthropology or ideology. On the other, they equally consider the impact of the specific formats, i.e., pictures, maps, atlases, lectures, songs, museums, and exhibitions, on academic as well as non-academic manifestations.
Author: Francisco Martinez
Publisher: UCL Press
ISBN: 1787353540
Category : Social Science
Languages : en
Pages : 285
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Book Description
What happens to legacies that do not find any continuation? In Estonia, a new generation that does not remember the socialist era and is open to global influences has grown up. As a result, the impact of the Soviet memory in people’s conventional values is losing its effective power, opening new opportunities for repair and revaluation of the past. Francisco Martinez brings together a number of sites of interest to explore the vanquishing of the Soviet legacy in Estonia: the railway bazaar in Tallinn where concepts such as ‘market’ and ‘employment’ take on distinctly different meanings from their Western use; Linnahall, a grandiose venue, whose Soviet heritage now poses diffi cult questions of how to present the building’s history; Tallinn’s cityscape, where the social, spatial and temporal co-evolution of the city can be viewed and debated; Narva, a city that marks the border between the Russian Federation, NATO and the European Union, and represents a place of continual negotiation of belonging; and the new Estonian National Museum in Raadi, an area on the outskirts of Tartu, that has been turned into a memory field. The anthropological study of all these places shows that national identity and historical representations can be constructed in relation to waste and disrepair too, also demonstrating how we can understand generational change in a material sense. Praise for Remains of the Soviet Past in Estonia 'By adopting the tropes of ‘repair’ and ‘waste’, this book innovatively manages to link various material registers from architecture, intergenerational relations, affect and museums with ways of making the past present. Through a rigorous yet transdisciplinary method, Martínez brings together different scales and contexts that would often be segregated out. In this respect, the ethnography unfolds a deep and nuanced analysis, providing a useful comparative and insightful account of the processes of repair and waste making in all their material, social and ontological dimensions.' Victor Buchli, Professor of Material Culture at UCL 'This book comprises an endearingly transdisciplinary ethnography of postsocialist material culture and social change in Estonia. Martínez creatively draws on a number of critical and cultural theorists, together with additional research on memory and political studies scholarship and the classics of anthropology. Grappling concurrently with time and space, the book offers a delightfully thick description of the material effects generated by the accelerated post-Soviet transformation in Estonia, inquiring into the generational specificities in experiencing and relating to the postsocialist condition through the conceptual anchors of wasted legacies and repair. This book defies disciplinary boundaries and shows how an attention to material relations and affective infrastructures might reinvigorate political theory.' Maria Mälksoo, Senior Lecturer, Brussels School of International Studies at the University of Kent
