Marriage Relationships in Tudor Political Drama PDF Download
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Author: Michael A. Winkelman
Publisher: Routledge
ISBN: 0429559542
Category : Literary Criticism
Languages : en
Pages : 442
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Book Description
Originally published in 2005. While several recent studies have investigated the political dimensions of sixteenth-century English drama, until now there has not been a monograph that tells the story of how and why royal marital selection was examined. By linking court interludes, neoclassical university tragedies, and popular plays by late Elizabethan dramatists Christopher Marlowe, John Lyly, Thomas Kyd, and William Shakespeare to the inflammatory topic of Tudor marriage, Michael Winkelman demonstrates their cultural centrality. This new work interrogates the symbolic, allusive, and mimetic aspects of marital relationships in such plays. Winkelman argues that they were crucial battlegrounds for a series of consequential debates about the future of the monarchy, especially during the reigns of the oft-married King Henry VIII and his unmarried daughter, the Virgin Queen Elizabeth I. Marriage, as a critically important political metaphor as well as a pressing realpolitik quandary, was the subject of major debate in the drama and government of Tudor England. Royal conduct in the domestic sphere had a tremendous impact on the entire English social order, and in an age before widespread freedom of speech, court drama was often the only venue where the voicing of criticism was tolerated. The fascinating soap-opera story of Tudor marriage thus provides the author with a reference point for an interdisciplinary study of sixteenth-century theatre and politics. Drawing on evidence from playbooks and historical chronicles as well as contemporary work in gender studies, audience-response theory, and anthropology, this book explores how during a time of anxiety-inducing change, playwrights discussed controversies and propounded remedies; theatre played a pivotal role in shaping society.
Author: Michael A. Winkelman
Publisher: Routledge
ISBN: 0429559542
Category : Literary Criticism
Languages : en
Pages : 442
Get Book
Book Description
Originally published in 2005. While several recent studies have investigated the political dimensions of sixteenth-century English drama, until now there has not been a monograph that tells the story of how and why royal marital selection was examined. By linking court interludes, neoclassical university tragedies, and popular plays by late Elizabethan dramatists Christopher Marlowe, John Lyly, Thomas Kyd, and William Shakespeare to the inflammatory topic of Tudor marriage, Michael Winkelman demonstrates their cultural centrality. This new work interrogates the symbolic, allusive, and mimetic aspects of marital relationships in such plays. Winkelman argues that they were crucial battlegrounds for a series of consequential debates about the future of the monarchy, especially during the reigns of the oft-married King Henry VIII and his unmarried daughter, the Virgin Queen Elizabeth I. Marriage, as a critically important political metaphor as well as a pressing realpolitik quandary, was the subject of major debate in the drama and government of Tudor England. Royal conduct in the domestic sphere had a tremendous impact on the entire English social order, and in an age before widespread freedom of speech, court drama was often the only venue where the voicing of criticism was tolerated. The fascinating soap-opera story of Tudor marriage thus provides the author with a reference point for an interdisciplinary study of sixteenth-century theatre and politics. Drawing on evidence from playbooks and historical chronicles as well as contemporary work in gender studies, audience-response theory, and anthropology, this book explores how during a time of anxiety-inducing change, playwrights discussed controversies and propounded remedies; theatre played a pivotal role in shaping society.
Author: Allyna E. Ward
Publisher: Rowman & Littlefield
ISBN: 1611476011
Category : Drama
Languages : en
Pages : 207
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Book Description
The role of women as writers, literary and dramatic characters, and real queens in early modern Europe was central to the development of Tudor ideas about gender and women's place in society. Women and Tudor Tragedy investigates the link between gender and genre, identifying the relation between cultural history and mid-Tudor drama. This book establishes a way for reading women in early modern history, drama, and poetry by fusing discussions of gender in literature with historical analysis of tyranny and martyrdom in mid-Tudor culture. It considers the disparities between the representation of women in historical, political, and religious treatises by examining the complex portrayal of women, female speeches, and the rhetoric of good counsel. The author provides a discussion of the role of women in early English tragedies and in a variety of texts by women. Throughout the book, Allyna E. Ward asks in what ways these different ways of writing the Tudor women can help scholars better understand the place of women in English culture at the end of the sixteenth century. Furthermore, Ward traces the feminization of the rhetoric of counsel that takes place with the last Tudor monarchs as a way of accommodating female rule.
Author: Greg Walker
Publisher: Oxford University Press
ISBN: 0199681120
Category : Drama
Languages : en
Pages : 733
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Book Description
The first comprehensive anthology of English drama in the long Tudor century, The Oxford Anthology of Tudor Drama contains sixteen of the most important plays from the long Tudor century (1485-1603) newly edited in accessible modern spelling.
Author: D. M. Loades
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 208
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Book Description
A fresh interpretation of the life and reign of Henry VIII which concentrates on the relationship between him and his queens, and the impact of each marriage on his domestic policies.
Author: Thomas Kyd
Publisher: A&C Black
ISBN: 1408114216
Category : Drama
Languages : en
Pages : 177
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Book Description
The first fully-fledged example of a revenge tragedy, the genrethat became so influential in later Elizabethan and Jacobean drama, TheSpanish Tragedy (1589) occupies a very special place in the history ofEnglish Renaissance drama. Hieronimo, Knight-Marshal of Spain duringits war with Portugal, fails to obtain justice when his son is murderedfor courting Bel-Imperia, the Duke of Castile's daughter, and decidesto take justice into his own hands… This new student edition has been freshly revised by ProfessorAndrew Gurr to incorporate the latest stage history and criticalinterpretations of the play. It also appends the scenes that were addedin 1602, discusses Elizabethan attitudes to revenge, the Senecanfeatures of the play and the significance of the Anglo-Spanish conflictin the 1580s.
Author: Massimiliano Morini
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754652403
Category : Literary Criticism
Languages : en
Pages : 176
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Book Description
Filling a gap in the study of early modern literature, Massimiliano Morini here exhaustively examines the aims, strategies, practice and theoretical ideas of the sixteenth-century translator. Morini analyzes early modern English translations of works by French and Italian essayists and poets, including Montaigne, Castiglione, Ariosto and Tasso, and of works by classical writers such as Virgil and Petrarch. In the process, he demonstrates how connected translation is with other cultural and literary issues: women as writers, literary relations between Italy and England, the nature of the author, and changes in the English language. Since English Tudor writers, unlike their Italian contemporaries, did not write theoretical treatises, the author works empirically to extrapolate the theory that informs the practice of Tudor translation - he deduces several cogent theoretical principles from the metaphors and figures of speech used by translators to describe translation
Author: Arata Ide
Publisher: Boydell & Brewer
ISBN: 1843846934
Category : Biography & Autobiography
Languages : en
Pages : 447
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Book Description
This study punctures the stereotyped portrayals of Marlowe, first created by his rival Robert Greene, and, yet, which still colour our view. In doing so, Ide reveals the social and cultural discourses out of which such myths emerged.We know next to nothing about the life of the playwright Christopher Marlowe (b.1564 - d. 1593). Few documents survive other than his birth record in the parish register, a handful of legal cases in court records, Privy Council mandates and reports to the Council, the coroner's examination of his death, and a few hearsay accounts of his atheism. With such a limited collection of biographical documents available, it is impossible to retrieve from history a complete sense of Marlowe. However, this does not mean that biography cannot play a significant role in Marlowe studies. By observing the details of the specific places and communities to which Marlowe belonged, this book highlights the collective experiences and concerns of the social groups and communities with which we know he was personally and financially involved. Specifically, Localizing Christopher Marlowe reveals the political and cultural dynamics in the community of Corpus Christi College, Cambridge, into which Marlowe was deeply integrated and through which he became affiliated with the circle of Sir Francis Walsingham, mapping these influences in both his life and works.e was personally and financially involved. Specifically, Localizing Christopher Marlowe reveals the political and cultural dynamics in the community of Corpus Christi College, Cambridge, into which Marlowe was deeply integrated and through which he became affiliated with the circle of Sir Francis Walsingham, mapping these influences in both his life and works.e was personally and financially involved. Specifically, Localizing Christopher Marlowe reveals the political and cultural dynamics in the community of Corpus Christi College, Cambridge, into which Marlowe was deeply integrated and through which he became affiliated with the circle of Sir Francis Walsingham, mapping these influences in both his life and works.e was personally and financially involved. Specifically, Localizing Christopher Marlowe reveals the political and cultural dynamics in the community of Corpus Christi College, Cambridge, into which Marlowe was deeply integrated and through which he became affiliated with the circle of Sir Francis Walsingham, mapping these influences in both his life and works.
Author: Anna Riehl Bertolet
Publisher: Springer
ISBN: 3319640488
Category : History
Languages : en
Pages : 397
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Book Description
The essays in this book traverse two centuries of queens and their afterlives—historical, mythological, and literary. They speak of the significant and subtle ways that queens leave their mark on the culture they inhabit, focusing on gender, marriage, national identity, diplomacy, and representations of queens in literature. Elizabeth I looms large in this volume, but the interrogation of queenship extends from Elizabeth's historical counterparts, such as Anne Boleyn and Catherine de Medici, to her fictional echoes in the pages of John Lyly, Edmund Spenser, William Shakespeare, Mary Wroth, John Milton, and Margaret Cavendish. Celebrating and building on the renowned scholarship of Carole Levin, Queens Matter in Early Modern Studies exemplifies a range of innovative approaches to examining women and power in the early modern period.
Author: Alexander Samson
Publisher: Manchester University Press
ISBN: 1526142252
Category : History
Languages : en
Pages : 449
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Book Description
The co-monarchy of Mary I and Philip II put England at the heart of early modern Europe. This positive reassessment of their joint reign counters a series of parochial, misogynist and anti-Catholic assumptions, correcting the many myths that have grown up around the marriage and explaining the reasons for its persistent marginalisation in the historiography of sixteenth-century England. Using new archival discoveries and original sources, the book argues for Mary as a great Catholic queen, while fleshing out Philip’s important contributions as king of England. It demonstrates the many positive achievements of this dynastic union in everything from culture, music and art to cartography, commerce and exploration. An important corrective for anyone interested in the history of Tudor England and Habsburg Spain.
Author: Chanita Goodblatt
Publisher: Routledge
ISBN: 1317111060
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
English Biblical drama of the sixteenth century resounds with a variety of Jewish and Christian voices. Whether embodied as characters or manifested as exegetical and performative strategies, these voices participate in the central Reformation project of biblical translation. Such translations and dramatic texts are certainly enriched by studying them within the wider context of medieval and early modern biblical scholarship, which is implemented in biblical translations, commentaries and sermons. This approach is one significant contribution of the present project, as it studies the reciprocal illumination of Bible and Drama. Chanita Goodblatt explores the way in which the interpretive cruxes in the biblical text generate the dramatic text and performance, as well as how the drama’s enactment underlines the ethical and theological issues as the heart of the biblical text. By looking at English Reformation biblical drama through a double-edged prism of exegetical and performative perspectives, Goodblatt adds a new dimension to the existing discussion of the historical resonance of these plays. Jewish and Christian Voices in English Reformation Biblical Drama integrates Jewish and Christian exegetical traditions with the study of Reformation biblical drama. In doing so, this book recovers the interpretive and performative powers of both biblical and dramatic texts.
