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Author: Stefan Drechsler
Publisher:
ISBN: 9782503589022
Category : Illumination of books and manuscripts, Icelandic
Languages : en
Pages : 275
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Book Description
This book examines a cultural revolution that took place in the Scandinavian artistic landscape during the medieval period. Within just one generation (c. 1340?1400), the Augustinian monastery of Helgafell became the most important centre of illuminated manuscript production in western Iceland. By conducting interdisciplinary research that combines methodologies and sources from the fields of Art History, Old Norse-Icelandic manuscript studies, codicology, and Scandinavian history, this book explores both the illuminated manuscripts produced at Helgafell and the cultural and historical setting of the manuscript production.00Equally, the book explores the broader European contexts of manuscript production at Helgafell, comparing the similar domestic artistic monuments and relevant historical evidence of Norwich and surrounding East Anglia in England, northern France, and the region between Bergen and Trondheim in western Norway. The book proposes that most of these workshops are related to ecclesiastical networks, as well as secular trade in the North Sea, which became an important economic factor to western Icelandic society in the fourteenth century. The book thereby contributes to a new and multidisciplinary area of research that studies not only one but several European cultures in relation to similar domestic artistic monuments and relevant historical evidence. It offers a detailed account of this cultural site in relation to its scribal and artistic connections with other ecclesiastical and secular scriptoria in the broader North Atlantic region.
Author: Stefan Drechsler
Publisher:
ISBN: 9782503589022
Category : Illumination of books and manuscripts, Icelandic
Languages : en
Pages : 275
Get Book
Book Description
This book examines a cultural revolution that took place in the Scandinavian artistic landscape during the medieval period. Within just one generation (c. 1340?1400), the Augustinian monastery of Helgafell became the most important centre of illuminated manuscript production in western Iceland. By conducting interdisciplinary research that combines methodologies and sources from the fields of Art History, Old Norse-Icelandic manuscript studies, codicology, and Scandinavian history, this book explores both the illuminated manuscripts produced at Helgafell and the cultural and historical setting of the manuscript production.00Equally, the book explores the broader European contexts of manuscript production at Helgafell, comparing the similar domestic artistic monuments and relevant historical evidence of Norwich and surrounding East Anglia in England, northern France, and the region between Bergen and Trondheim in western Norway. The book proposes that most of these workshops are related to ecclesiastical networks, as well as secular trade in the North Sea, which became an important economic factor to western Icelandic society in the fourteenth century. The book thereby contributes to a new and multidisciplinary area of research that studies not only one but several European cultures in relation to similar domestic artistic monuments and relevant historical evidence. It offers a detailed account of this cultural site in relation to its scribal and artistic connections with other ecclesiastical and secular scriptoria in the broader North Atlantic region.
Author: Eltjo Buringh
Publisher: BRILL
ISBN: 9004175199
Category : Literary Criticism
Languages : en
Pages : 601
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Book Description
Drawing on statistical techniques and samples this book offers an estimate of medieval production rates of manuscripts in the Latin West. Such information is a helpful production indicator for a period of which we have so little other quantitative data.
Author: Michael Johnston
Publisher: Cambridge University Press
ISBN: 1107066190
Category : History
Languages : en
Pages : 319
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Book Description
This book situates the medieval manuscript within its cultural contexts, with chapters by experts in bibliographical and theoretical approaches to manuscript study.
Author: Robin Myers
Publisher: Winchester : St. Paul's Bibliographies ; Delaware : Oak Knoll Press
ISBN:
Category : Art
Languages : en
Pages : 214
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Book Description
In this collection of seven book history essays, leading scholars discuss ways in which the book as a physical artifact developed over the last ten centuries. A classic work of research and scholarship from such scholars as Michael Tyman, Nicolas Barker, Margaret Smith, Nicholas Pickwoad, et. al.
Author: Raymond Clemens
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 328
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Book Description
"This book provides an orientation to the field of medieval manuscript studies. It will be of help to students in history, art history, literature, and religious studies who are encountering medieval manuscripts for the first time, while also appealing to advanced scholars and general readers interested in the history of the book before the age of print. Every chapter in this guidebook features numerous color plates that exemplify each aspect described in the text and are drawn primarily from the collections of the Newberry Library in Chicago and the Parker Library of Corpus Christi College, Cambridge."--Book jacket.
Author: Frank T. Coulson
Publisher: Oxford Handbooks
ISBN: 0195336941
Category : Foreign Language Study
Languages : en
Pages : 1075
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Book Description
Latin books are among the most numerous surviving artifacts of the Late Antique, Mediaeval, and Renaissance periods in European history; written in a variety of formats and scripts, they preserve the literary, philosophical, scientific, and religious heritage of the West. The Oxford Handbook of Latin Palaeography surveys these books, with special emphasis on the variety of scripts in which they were written. Palaeography, in the strictest sense, examines how the changing styles of script and the fluctuating shapes of individual letters allow the date and the place of production of books to be determined. More broadly conceived, palaeography examines the totality of early book production, ownership, dissemination, and use. The Oxford Handbook of Latin Palaeography includes essays on major types of script (Uncial, Insular, Beneventan, Visigothic, Gothic, etc.), describing what defines these distinct script types, and outlining when and where they were used. It expands on previous handbooks of the subject by incorporating select essays on less well-studied periods and regions, in particular late mediaeval Eastern Europe. The Oxford Handbook of Latin Palaeography is also distinguished from prior handbooks by its extensive focus on codicology and on the cultural settings and contexts of mediaeval books. Essays treat of various important features, formats, styles, and genres of mediaeval books, and of representative mediaeval libraries as intellectual centers. Additional studies explore questions of orality and the written word, the book trade, glossing and glossaries, and manuscript cataloguing. The extensive plates and figures in the volume will provide readers wtih clear illustrations of the major points, and the succinct bibliographies in each essay will direct them to more detailed works in the field.
Author: Thomas Kren
Publisher: Getty Publications
ISBN: 0892367040
Category : Art
Languages : en
Pages : 593
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Book Description
This comprehensive and richly illustrated catalogue focuses on the finest illustrated manuscripts produced in Europe during the great epoch in Flemish illumination. During this aesthetically fertile period – beginning in 1467 with the reign of the Burgundian duke Charles the Bold and ending in 1561 with the death of the artist Simon Bening – the art of book painting was raised to a new level of sophistication. Sharing inspiration with the celebrated panel painters of the time, illuminators achieved astonishing innovations in the handling of color, light, texture, and space, creating a naturalistic style that would dominate tastes throughout Europe for nearly a century. Centering on the notable artists of the period – Simon Marmion, the Vienna Master of Mary of Burgundy, Gerard David, Gerard Horenbout, Bening, and others – the catalogue examines both devotional and secular manuscript illumination within a broad context: the place of illuminators within the visual arts, including artistic exchange between book painters and panel painters; the role of court patronage and the emergence of personal libraries; and the international appeal of the new Flemish illumination style. Contributors to the catalogue include Maryan W. Ainsworth, curator of European paintings at the Metropolitan Museum of Art; independent scholar Catherine Reynolds; and Elizabeth Morrison, assistant curator of manuscripts at the Getty Museum. Illuminating the Renaissance is published in conjunction with an exhibition organized by the Getty Museum, the Royal Academy of Arts, London, and the British Library to be held at the Getty Museum from June 17 to September 7, 2003, and at the Royal Academy of Arts from November 25, 2003 to February 22, 2004.
Author: Hanno Wijsman
Publisher: Brepols Publishers
ISBN:
Category : Altered books
Languages : en
Pages : 744
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Book Description
This interdisciplinary study presents a two-part survey of the production and ownership of luxury manuscripts in the late-medieval Netherlands. Part I analyses a corpus of 3,700 illustrated manuscripts produced between 1400 and 1550 in the Low Countries. The result is a cornucopia of information about many aspects of manuscript production: chronological, geographical and gender distribution, the genres of texts, the languages used, the dimensions of books, the number of illustrations, and the relationship between the making of hand-written and printed books. Part II examines the libraries of the pre-eminent owners of illustrated manuscripts in the Netherlands: the ducal family and the noble elite. The great bibliophile Philip the Good set an example of book collecting that was emulated by the nobles of the court, creating a typical 'Burgundian' fashion in book ownership by which a small elite demonstrated a well defined group identity. Luxury Bound charts this new vogue in books and reading, an important aspect of cultural change in the late-medieval Low Countries.
Author: Wendy Scase
Publisher: Brepols Publishers
ISBN: 9782503530468
Category : Christian literature, English
Languages : en
Pages : 0
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Book Description
This volume addresses important questions in late medieval book production and the history of the medieval book through original and substantial studies of one of the most remarkable surviving examples. The Vernon Manuscript, carefully copied and lavishly decorated around 1390-1400 for pious users, is famous as the largest and arguably the most important Middle English anthology. Its sheer size and conservation concerns mean that up to now it has been little studied as a book. The essays in this volume exploit for the first time the mass of new data generated by the Vernon Manuscript Project. Specialists in art history, bibliography, codicology, historical linguistics, and palaeography have been commissioned to interrogate this material from their various disciplinary perspectives. The result is a ground-breaking interdisciplinary volume which sheds new light on an iconic medieval book and on a transitional period of innovation and experimentation in vernacular book production.
Author: Elaine Julia Wright
Publisher: University of Washington Press
ISBN: 9780295991917
Category : Art
Languages : en
Pages : 399
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Book Description
Revision of the author's doctoral thesis, submitted to the Oriental Institute of Oxford University in 1997.
