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Author: Guy de Maupassant
Publisher: Read Books Ltd
ISBN: 1473360048
Category : Fiction
Languages : en
Pages : 28
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Book Description
This early work by Guy de Maupassant was originally published in the 1880's. Guy de Maupassant was born in 1850 at the Château de Miromesnil, near Dieppe, France. He came from a prosperous family, but when Maupassant was eleven, his mother risked social disgrace by trying to secure a legal separation from her husband. After the split, Maupassant lived with his mother till he was thirteen, and inherited her love of classical literature. In 1880, Maupassant published his first - and, according to many, his best - short story, entitled 'Boule de Suif' ('Ball of Fat'). It was an instant success. He went on to be extremely prolific during the 1880s, working methodically to produce up to four volumes of short fiction every year. Many of the earliest books, particularly those dating back to the 1900's and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions.
Author: Guy de Maupassant
Publisher: Read Books Ltd
ISBN: 1473360048
Category : Fiction
Languages : en
Pages : 28
Get Book
Book Description
This early work by Guy de Maupassant was originally published in the 1880's. Guy de Maupassant was born in 1850 at the Château de Miromesnil, near Dieppe, France. He came from a prosperous family, but when Maupassant was eleven, his mother risked social disgrace by trying to secure a legal separation from her husband. After the split, Maupassant lived with his mother till he was thirteen, and inherited her love of classical literature. In 1880, Maupassant published his first - and, according to many, his best - short story, entitled 'Boule de Suif' ('Ball of Fat'). It was an instant success. He went on to be extremely prolific during the 1880s, working methodically to produce up to four volumes of short fiction every year. Many of the earliest books, particularly those dating back to the 1900's and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions.
Author: Guy de Maupassant
Publisher:
ISBN:
Category :
Languages : en
Pages : 430
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Book Description
Author: Guy de Maupassant
Publisher:
ISBN:
Category :
Languages : en
Pages : 666
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Book Description
Author: Guy de Maupassant
Publisher:
ISBN: 9781539434528
Category :
Languages : en
Pages : 54
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Book Description
Mademoiselle Pearl, Magnetism
Author: Guy de Maupassant
Publisher: Wordsworth Editions
ISBN: 9781853261893
Category : Fiction
Languages : en
Pages : 264
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Book Description
Guy de Maupassant was a master of the short story. This collection displays his lively diversity, with tales that vary in theme and tone, ranging from tragedy and satire to comedy and farce.
Author: Guy de Mauspassant
Publisher: Read Books Ltd
ISBN: 1473360463
Category : Fiction
Languages : en
Pages : 175
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Book Description
These early works by Guy de Maupassant were originally published in the 1880's. As a collection of short stories, this represents Maupassant's tales set in Paris, and includes 'The Patron', 'The Wardrobe', 'Waiter, a Bock', 'The Dowry', 'Moiron', 'Mademoiselle Pearl', and many other titles. Guy de Maupassant was born in 1850 at the Château de Miromesnil, near Dieppe, France. He came from a prosperous family, but when Maupassant was eleven, his mother risked social disgrace by trying to secure a legal separation from her husband. After the split, Maupassant lived with his mother till he was thirteen, and inherited her love of classical literature. In 1880, Maupassant published his first – and, according to many, his best – short story, entitled 'Boule de Suif' ('Ball of Fat'). It was an instant success. He went on to be extremely prolific during the 1880s, working methodically to produce up to four volumes of short fiction every year. Many of the earliest books, particularly those dating back to the 1900's and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions.
Author: Guy de Maupassant
Publisher: W. W. Norton & Company
ISBN: 0393523101
Category : Fiction
Languages : en
Pages : 298
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Book Description
The Norton Critical Edition includes:- Thirty of Maupassant's best short stories centering on war, the supernatural, and French life, translated by Sandra Smith.- An introduction and explanatory footnotes by Robert Lethbridge.- Essays, letters, and newspaper articles on the subjects that influenced Maupassant's writing, including politics, war, love,despair, and the supernatural.- Sixteen critical assessments from Maupassant's time to our own, including those by Joseph Conrad, David Coward, MaryDonaldson-Evans, Rachel Killick, Roger L. Williams, Ruth A. Hottell, and Katherine C. Kurk.- A Chronology and a Selected Bibliography.
Author: Guy de Maupassant
Publisher: W. W. Norton & Company
ISBN: 0393623505
Category : Fiction
Languages : en
Pages : 298
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Book Description
“Smith successfully captures Maupassant’s depiction of nineteenth-century French culture using terminology that allows these wonderful texts to reach a fresh generation of readers. A solid translation of some wonderful short stories.” —Library Journal The Norton Critical Edition includes: - Thirty of Maupassant’s best short stories centering on war, the supernatural, and French life, translated by Sandra Smith. - An introduction and explanatory footnotes by Robert Lethbridge. - Essays, letters, and newspaper articles on the subjects that influenced Maupassant’s writing, including politics, war, love, despair, and the supernatural. - Sixteen critical assessments from Maupassant’s time to our own, including those by Joseph Conrad, David Coward, Mary Donaldson-Evans, Rachel Killick, Roger L. Williams, Ruth A. Hottell, and Katherine C. Kurk. - A Chronology and a Selected Bibliography.
Author: Guy de Maupassant
Publisher: Prabhat Prakashan
ISBN:
Category : Literary Collections
Languages : en
Pages : 1147
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Book Description
INDEX VOLUME I. GUY DE MAUPASSANT BOULE DE SUIF TWO FRIENDS THE LANCER'S WIFE THE PRISONERS TWO LITTLE SOLDIERS FATHER MILON A COUP D'ETAT LIEUTENANT LARE'S MARRIAGE THE HORRIBLE MADAME PARISSE MADEMOISELLE FIFI A DUEL ORIGINAL SHORT STORIES, Vol. 2. VOLUME II. THE COLONEL'S IDEAS MOTHER SAUVAGE EPIPHANY THE MUSTACHE MADAME BAPTISTE THE QUESTION OF LATIN A MEETING THE BLIND MAN INDISCRETION A FAMILY AFFAIR BESIDE SCHOPENHAUER'S CORPSE ORIGINAL SHORT STORIES, Vol. 3. VOLUME III. MISS HARRIET LITTLE LOUISE ROQUE THE DONKEY MOIRON THE DISPENSER OF HOLY WATER A PARRICIDE BERTHA THE PATRON THE DOOR A SALE THE IMPOLITE SEX A WEDDING GIFT THE RELIC "To the Abbe Louis d'Ennemare, at Soissons. ORIGINAL SHORT STORIES, Vol. 4. VOLUME IV. THE MORIBUND THE GAMEKEEPER THE STORY OF A FARM GIRL PART I PART II PART III PART IV PART V THE WRECK It was yesterday, the 31st of December. THEODULE SABOT'S CONFESSION THE WRONG HOUSE THE DIAMOND NECKLACE THE MARQUIS DE FUMEROL THE TRIP OF LE HORLA FAREWELL! THE WOLF THE INN ORIGINAL SHORT STORIES, Vol. 5. VOLUME V. MONSIEUR PARENT QUEEN HORTENSE TIMBUCTOO TOMBSTONES MADEMOISELLE PEARL THE THIEF CLAIR DE LUNE WAITER, A "BOCK" AFTER "My darlings," said the comtesse, "you might go to bed." FORGIVENESS IN THE SPRING A QUEER NIGHT IN PARIS ORIGINAL SHORT STORIES, Vol. 6. VOLUME VI. THAT COSTLY RIDE USELESS BEAUTY I THE FATHER I MY UNCLE SOSTHENES THE BARONESS MOTHER AND SON THE HAND A TRESS OF HAIR ON THE RIVER THE CRIPPLE A STROLL ALEXANDRE THE LOG JULIE ROMAIN THE RONDOLI SISTERS I ORIGINAL SHORT STORIES, Vol. 7. VOLUME VII. THE FALSE GEMS FASCINATION YVETTE SAMORIS "The Comtesse Samoris." A VENDETTA MY TWENTY-FIVE DAYS "THE TERROR" LEGEND OF MONT ST. MICHEL A NEW YEAR'S GIFT FRIEND PATIENCE What became of Leremy?" ABANDONED THE MAISON TELLIER PART II PART III DENIS MY WIFE THE UNKNOWN THE APPARITION ORIGINAL SHORT STORIES, Vol. 8. VOLUME VIII. CLOCHETTE THE KISS THE LEGION OF HONOR THE TEST FOUND ON A DROWNED MAN THE ORPHAN THE BEGGAR He had seen better days, despite his present misery and infirmities. THE RABBIT HIS AVENGER MY UNCLE JULES THE MODEL A VAGABOND THE FISHING HOLE THE SPASM IN THE WOOD MARTINE ALL OVER THE PARROT I THE PIECE OF STRING ORIGINAL SHORT STORIES, Vol. 9. VOLUME IX. TOINE MADAME HUSSON'S "ROSIER" THE ADOPTED SON COWARD OLD MONGILET MOONLIGHT THE FIRST SNOWFALL SUNDAYS OF A BOURGEOIS A RECOLLECTION OUR LETTERS THE LOVE OF LONG AGO FRIEND JOSEPH THE EFFEMINATES OLD AMABLE ORIGINAL SHORT STORIES, Vol. 10. VOLUME X. THE CHRISTENING "Well doctor, a little brandy?" THE FARMER'S WIFE Said the Baron Rene du Treilles to me: THE DEVIL THE SNIPE THE WILL WALTER SCHNAFFS' ADVENTURE AT SEA The following paragraphs recently appeared in the papers: MINUET THE SON THAT PIG OF A MORIN SAINT ANTHONY LASTING LOVE PIERROT A NORMANDY JOKE FATHER MATTHEW ORIGINAL SHORT STORIES, Vol. 11. VOLUME XI. THE UMBRELLA BELHOMME'S BEAST DISCOVERY THE ACCURSED BREAD THE DOWRY THE DIARY OF A MADMAN THE MASK THE PENGUINS' ROCK This is the season for penguins. A FAMILY SUICIDES To Georges Legrand. AN ARTIFICE DREAMS SIMON'S PAPA ORIGINAL SHORT STORIES, Vol. 12. VOLUME XII. THE CHILD A COUNTRY EXCURSION ROSE ROSALIE PRUDENT REGRET A SISTER'S CONFESSION COCO DEAD WOMAN'S SECRET A HUMBLE DRAMA MADEMOISELLE COCOTTE THE CORSICAN BANDIT THE GRAVE ORIGINAL SHORT STORIES, Vol. 13. VOLUME XIII. OLD JUDAS THE LITTLE CASK BOITELLE A WIDOW THE ENGLISHMAN OF ETRETAT MAGNETISM A FATHER'S CONFESSION A MOTHER OF MONSTERS AN UNCOMFORTABLE BED A PORTRAIT THE DRUNKARD THE WARDROBE THE MOUNTAIN POOL A CREMATION MISTI MADAME HERMET THE MAGIC COUCH
Author: GUY DE MAUPASSANT
Publisher: 谷月社
ISBN:
Category : Fiction
Languages : en
Pages : 1306
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Book Description
In the month of April, 1880, an article appeared in the "Le Gaulois" announcing the publication of the Soirees de Medan. It was signed by a name as yet unknown: Guy de Maupassant. After a juvenile diatribe against romanticism and a passionate attack on languorous literature, the writer extolled the study of real life, and announced the publication of the new work. It was picturesque and charming. In the quiet of evening, on an island, in the Seine, beneath poplars instead of the Neapolitan cypresses dear to the friends of Boccaccio, amid the continuous murmur of the valley, and no longer to the sound of the Pyrennean streams that murmured a faint accompaniment to the tales of Marguerite's cavaliers, the master and his disciples took turns in narrating some striking or pathetic episode of the war. And the issue, in collaboration, of these tales in one volume, in which the master jostled elbows with his pupils, took on the appearance of a manifesto, the tone of a challenge, or the utterance of a creed. In fact, however, the beginnings had been much more simple, and they had confined themselves, beneath the trees of Medan, to deciding on a general title for the work. Zola had contributed the manuscript of the "Attaque du Moulin," and it was at Maupassant's house that the five young men gave in their contributions. Each one read his story, Maupassant being the last. When he had finished Boule de Suif, with a spontaneous impulse, with an emotion they never forgot, filled with enthusiasm at this revelation, they all rose and, without superfluous words, acclaimed him as a master. He undertook to write the article for the Gaulois and, in cooperation with his friends, he worded it in the terms with which we are familiar, amplifying and embellishing it, yielding to an inborn taste for mystification which his youth rendered excusable. The essential point, he said, is to "unmoor" criticism. It was unmoored. The following day Wolff wrote a polemical dissertation in the Figaro and carried away his colleagues. The volume was a brilliant success, thanks to Boule de Suif. Despite the novelty, the honesty of effort, on the part of all, no mention was made of the other stories. Relegated to the second rank, they passed without notice. From his first battle, Maupassant was master of the field in literature. At once the entire press took him up and said what was appropriate regarding the budding celebrity. Biographers and reporters sought information concerning his life. As it was very simple and perfectly straightforward, they resorted to invention. And thus it is that at the present day Maupassant appears to us like one of those ancient heroes whose origin and death are veiled in mystery. I will not dwell on Guy de Maupassant's younger days. His relatives, his old friends, he himself, here and there in his works, have furnished us in their letters enough valuable revelations and touching remembrances of the years preceding his literary debut. His worthy biographer, H. Edouard Maynial, after collecting intelligently all the writings, condensing and comparing them, has been able to give us some definite information regarding that early period. I will simply recall that he was born on the 5th of August, 1850, near Dieppe, in the castle of Miromesnil which he describes in Une Vie. . . . Maupassant, like Flaubert, was a Norman, through his mother, and through his place of birth he belonged to that strange and adventurous race, whose heroic and long voyages on tramp trading ships he liked to recall. And just as the author of "Education sentimentale" seems to have inherited in the paternal line the shrewd realism of Champagne, so de Maupassant appears to have inherited from his Lorraine ancestors their indestructible discipline and cold lucidity. His childhood was passed at Etretat, his beautiful childhood; it was there that his instincts were awakened in the unfoldment of his prehistoric soul. Years went by in an ecstasy of physical happiness. The delight of running at full speed through fields of gorse, the charm of voyages of discovery in hollows and ravines, games beneath the dark hedges, a passion for going to sea with the fishermen and, on nights when there was no moon, for dreaming on their boats of imaginary voyages. Mme. de Maupassant, who had guided her son's early reading, and had gazed with him at the sublime spectacle of nature, put, off as long as possible the hour of separation. One day, however, she had to take the child to the little seminary at Yvetot. Later, he became a student at the college at Rouen, and became a literary correspondent of Louis Bouilhet. It was at the latter's house on those Sundays in winter when the Norman rain drowned the sound of the bells and dashed against the window panes that the school boy learned to write poetry. Vacation took the rhetorician back to the north of Normandy. Now it was shooting at Saint Julien l'Hospitalier, across fields, bogs, and through the woods. From that time on he sealed his pact with the earth, and those "deep and delicate roots" which attached him to his native soil began to grow. It was of Normandy, broad, fresh and virile, that he would presently demand his inspiration, fervent and eager as a boy's love; it was in her that he would take refuge when, weary of life, he would implore a truce, or when he simply wished to work and revive his energies in old-time joys. It was at this time that was born in him that voluptuous love of the sea, which in later days could alone withdraw him from the world, calm him, console him. In 1870 he lived in the country, then he came to Paris to live; for, the family fortunes having dwindled, he had to look for a position. For several years he was a clerk in the Ministry of Marine, where he turned over musty papers, in the uninteresting company of the clerks of the admiralty. Then he went into the department of Public Instruction, where bureaucratic servility is less intolerable. The daily duties are certainly scarcely more onerous and he had as chiefs, or colleagues, Xavier Charmes and Leon Dierx, Henry Roujon and Rene Billotte, but his office looked out on a beautiful melancholy garden with immense plane trees around which black circles of crows gathered in winter....
