Luigi Ghirri and the Photography of Place PDF Download
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Author: Marina Spunta
Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
ISBN: 9783034322263
Category : Landscape photography
Languages : en
Pages : 0
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Book Description
The Italian photographer Luigi Ghirri was one of the most significant visual artists of the late twentieth century. This volume introduces his photographic and critical work to a broader audience and positions Ghirri more firmly within global artistic debates, breaking new ground by approaching Ghirri's oeuvre from interdisciplinary perspectives.
Author: Marina Spunta
Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
ISBN: 9783034322263
Category : Landscape photography
Languages : en
Pages : 0
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Book Description
The Italian photographer Luigi Ghirri was one of the most significant visual artists of the late twentieth century. This volume introduces his photographic and critical work to a broader audience and positions Ghirri more firmly within global artistic debates, breaking new ground by approaching Ghirri's oeuvre from interdisciplinary perspectives.
Author:
Publisher: Rowman & Littlefield
ISBN: 1498566022
Category : Literary Criticism
Languages : en
Pages : 236
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Book Description
Italian writer and filmmaker Gianni Celati’s 1989 philosophical travelogue Towards the River’s Mouth explores perception, memory, place and space as it recounts a series of journeys across the Po River Valley in northern Italy. This edition, translated into English for the first time, features a selection of ten essays by various scholars.
Author: Massimo Mussini
Publisher:
ISBN:
Category :
Languages : en
Pages : 55
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Book Description
Author: James Lingwood
Publisher:
ISBN:
Category : Art, Italian
Languages : en
Pages : 368
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Book Description
Through the course of the 1970s and 1980s, Luigi Ghirri pursued his extraordinary project, open-ended and mercurial, marked by empathy for the changing everyday spaces of his time. Over the course of his short career, Ghirri would produce a vast body of photographs without parallel in the Europe of his time and numerous writings which would have an indelible impact on the history of photography.
Author: Luigi Ghirri
Publisher: Elemond-Division Periodici
ISBN:
Category : Architectural photography
Languages : en
Pages : 140
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Book Description
Author: François Halard
Publisher: Kehrer Verlag
ISBN: 9783868283976
Category : Photography, Artistic
Languages : en
Pages : 0
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Book Description
A visit in poetic images of the home and studio of the iconic Italian photographer Luigi Ghirri.
Author: Pasquale Verdicchio
Publisher: Fairleigh Dickinson
ISBN: 1611470196
Category : Social Science
Languages : en
Pages : 194
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Book Description
What do we 'see' when we think of Italy? How is our sense of that country, its people and culture formed, what conditions it? Looters, Photographers, and Thieves suggests that our visualization and relationship to a place like Italy is the result of a long and complex series of constructed images that have their origins in the ideology of nation building.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 156
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Book Description
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Author: Erina Duganne
Publisher: Routledge
ISBN: 1000181820
Category : Photography
Languages : en
Pages : 452
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Book Description
This innovative text recounts the history of photography through a series of thematically structured chapters. Designed and written for students studying photography and its history, each chapter approaches its subject by introducing a range of international, contemporary photographers and then contextualizing their work in historical terms. The book offers students an accessible route to gain an understanding of the key genres, theories and debates that are fundamental to the study of this rich and complex medium. Individual chapters cover major topics, including: · Description and Abstraction · Truth and Fiction · The Body · Landscape · War · Politics of Representation · Form · Appropriation · Museums · The Archive · The Cinematic · Fashion Photography Boxed focus studies throughout the text offer short interviews, curatorial statements and reflections by photographers, critics and leading scholars that link photography's history with its practice. Short chapter summaries, research questions and further reading lists help to reinforce learning and promote discussion. Whether coming to the subject from an applied photography or art history background, students will benefit from this book's engaging, example-led approach to the subject, gaining a sophisticated understanding of international photography in historical terms.
Author: Antonella Russo
Publisher: Routledge
ISBN: 1000213544
Category : History
Languages : en
Pages : 218
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Book Description
This book offers an analysis of the socio-historical conditions of the rise of postwar Italian photography, considers its practices, and outlines its destiny. Antonella Russo provides an incisive examination of Neorealist photography, delineates its periodization, traces its instances and its progressive popularization and subsequent co-optation that occurred with the advent of the industrialization of photographic magazines. This volume examines the ethno(photo)graphic missions of Ernesto De Martino in the deep South of Italy, the key role played by the Neorealist writer and painter Carlo Levi as "ambassador of international photography", and the journeys of David Seymour, Henry Cartier Bresson, and Paul Strand in Neorealist Italy. The text includes an account the formation and proliferation of Italian photographic associations and their role in institutionalizing and promoting Italian photography, their link to British and other European photographic societies, and the subsequent decline of Neorealism. It also considers the inception of non-objective photography that thrived soon after the war, in concurrence with the circulation of Neorealism, thus debunking the myth identifying all Italian postwar photography with the Neorealist image. This book will be particularly useful for scholars and students in the history and theory of photography, and Italian history.