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Author: Kimberly Freeman
Publisher: Routledge
ISBN: 1135885389
Category : Literary Criticism
Languages : en
Pages : 174
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Book Description
A popular subject in sociology and cultural studies, divorce has until recently been overlooked by literary critics. Spanning nearly a century during which the divorce rate skyrocketed, Love American Style traces the treatment of divorce in the American novel. This book draws upon popular, sociological, political and architectural history to illustrate how divorce reflects conflicting ideologies and notions of American identity. Focusing primarily on work by William Dean Howells, Edith Wharton, Mary McCarthy and John Updike, Kimberly Freeman delineates a system of tropes particular to divorce in American novels, such as the association of divorce with the West and modernity, the dismantling of the home, and the disruption of the boundary between the public and the private. These tropes suggest a literary tradition of love, marriage and divorce that is central to twentieth century American fiction. Offering an explanation for both the treatment of divorce in the American novel as well as its predominance in American culture, this book should appeal to scholars of American literature and popular culture, or anyone interested in how divorce has become so 'American'.
Author: Kimberly Freeman
Publisher: Routledge
ISBN: 1135885389
Category : Literary Criticism
Languages : en
Pages : 174
Get Book
Book Description
A popular subject in sociology and cultural studies, divorce has until recently been overlooked by literary critics. Spanning nearly a century during which the divorce rate skyrocketed, Love American Style traces the treatment of divorce in the American novel. This book draws upon popular, sociological, political and architectural history to illustrate how divorce reflects conflicting ideologies and notions of American identity. Focusing primarily on work by William Dean Howells, Edith Wharton, Mary McCarthy and John Updike, Kimberly Freeman delineates a system of tropes particular to divorce in American novels, such as the association of divorce with the West and modernity, the dismantling of the home, and the disruption of the boundary between the public and the private. These tropes suggest a literary tradition of love, marriage and divorce that is central to twentieth century American fiction. Offering an explanation for both the treatment of divorce in the American novel as well as its predominance in American culture, this book should appeal to scholars of American literature and popular culture, or anyone interested in how divorce has become so 'American'.
Author: Elana Levine
Publisher: Duke University Press
ISBN: 9780822339199
Category : Health & Fitness
Languages : en
Pages : 342
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Book Description
DIVA cultural history of sexual content in television shows and TV advertising during the 1970s./div
Author: Jonathan Freedman
Publisher: Oxford University Press
ISBN: 0195353315
Category : Performing Arts
Languages : en
Pages : 201
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Book Description
Alfred Hitchcock's American films are not only among the most admired works in world cinema, they also offer some of our most acute responses to the changing shape of American society in the 1940s, 50s, and 60s. The authors of this anthology show how famous films such as Strangers on a Train, Vertigo, North by Northwest, and Rear Window, along with more obscure ones such as Rope, The Wrong Man, and Family Plot, register the ideologies and insurgencies, the normative assumptions and the cultural alternatives, that shaped these tumultuous decades. They argue that, just as these films occupy a visual landscape defined by the grand monuments of American civic life--Mt. Rushmore, the Statue of Liberty, the United Nations--they are also marked by their preoccupation with the social mores and private practices of mid-century America. Not only are big-city and suburban life the explicit subjects of films like Rear Window and Shadow of a Doubt, so are the forms of experience that emerge within these social spaces, whether the urban voyeurism examined by the former or the intertwining of banality and violence depicted in the latter. Indeed, just about every form of American life that was achieving social power at this time--the national security state; the science and art of psychoanalysis; the privileging of the free-wheeling, improvisatory self; the postwar codification and fissuring of gender roles; road-culture and its ancillary creation, the motel--is given detailed, critical, and mordant examination in Hitchcocks films. The Hitchcock who emerges is not merely the inspired technician and psychological excavator that critics of the past two generations have justly hailed; he is also a cultural critic of remarkable insight and undeniable prescience.
Author: Nathan Turner
Publisher: Abrams
ISBN: 1613124775
Category : Design
Languages : en
Pages : 363
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Book Description
With a style that is accessible and chic, Nathan Turner's aesthetic is Nate Berkus meets Colin Cowie and Domino Magazine. Turner's unique approach to design for living incorporates his accessible, California chic aesthetic. He will show readers how to design their home to create a space that is relaxed and stylish, but still functional and affordable. Turner's practical tips and tricks for affordable home makeovers and remodeling will also be included along with many never before seen projects, including his own Malibu retreat or his families Ranch in Northern California. The book will also incorporate another one of Turner's passions; entertaining. Turner will show readers how to create a space that's inviting for others and allows them to easily entertain in their home. His ideas, tabletop design, easy party themes and menus, teach readers to how to be chic hosts, ready to open up their home for visitors at any time. Informed by his eclectic background and varied passions for decor, travel, entertaining and food, Nathan Turner's American Style will appeal to readers looking to incorporate Turner's stylish and relaxed aesthetic into their home and life. Praise for Nathan Turner's American Style: “The interior designer and entertaining expert Nathan Turner believes in designing and entertaining ‘with low effort and high style.’ Such is the ethos he imparts in his new book, Nathan Turner’s American Style: Classic Design and Effortless Entertaining.”—The Wall Street Journal
Author: Jan E. Stets
Publisher: Springer Science & Business Media
ISBN: 9780387739915
Category : Social Science
Languages : en
Pages : 678
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Book Description
Since the 1970s, the study of emotions moved to the forefront of sociological analysis. This book brings the reader up to date on the theory and research that have proliferated in the analysis of human emotions. The first section of the book addresses the classification, the neurological underpinnings, and the effect of gender on emotions. The second reviews sociological theories of emotion. Section three covers theory and research on specific emotions: love, envy, empathy, anger, grief, etc. The final section shows how the study of emotions adds new insight into other subfields of sociology: the workplace, health, and more.
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Category :
Languages : en
Pages : 64
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Book Description
The weekly source of African American political and entertainment news.
Author: Tom Lisanti
Publisher: McFarland
ISBN: 0786493429
Category : Performing Arts
Languages : en
Pages : 360
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Book Description
During the 1960s, a bushel of B–movies were produced and aimed at the predominantly teenage drive-in movie audience. At first teens couldn’t get enough of the bikini-clad beauties dancing on the beach or being wooed by Elvis Presley, but by 1966 young audiences became more interested in the mini-skirted, go-go boot wearing, independent-minded gals of spy spoofs, hot rod movies and biker flicks. Profiled herein are fifty sexy, young actresses that teenage girls envied and teenage boys desired including Quinn O’Hara, Melody Patterson, Hilarie Thompson, Donna Loren, Pat Priest, Meredith MacRae, Arlene Martel, Cynthia Pepper, and Beverly Washburn. Some like Sue Ane Langdon, Juliet Prowse, Marlyn Mason, and Carole Wells, appeared in major studio productions while others, such as Regina Carrol, Susan Hart, Angelique Pettyjohn and Suzie Kaye were relegated to drive-in movies only. Each biography contains a complete filmography. Some also include the actresses’ candid comments and anecdotes about their films, the people they worked with, and their feelings about acting. A list of web sites that provide further information is also included.
Author: Alan Rafkin
Publisher: Syracuse University Press
ISBN: 9780815605423
Category : Biography & Autobiography
Languages : en
Pages : 202
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Book Description
For director Alan Rafkin, television is probably the silliest and most volatile business in the world. Yet whether he was catching a pie in the face or working with an array of eccentric and talented stars, Rafkin was addicted to television from day one. In this autobiography, Rafkin recounts his behind-the-scenes experience working in over 80 different television series. Some of the most beloved sitcoms of all time, such as The Andy Griffith Show, The Dick Van Dyke Show, M*A*S*H, Murphy Brown, and Coach adorn his directorial resume and illuminate Rafkin's ability to change with the times and persevere in the young world of show business. He recounts how directing strung-out actors and dodging their blows made life on the set a world unto itself. Rafkin further describes how having a good sense of humor helped him survive three divorces and three open-heart surgeries.
Author: Jon Burlingame
Publisher: Oxford University Press
ISBN: 0190618302
Category :
Languages : en
Pages : 481
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Book Description
With hundreds of interviews conducted over a 35-year span, this book is the most comprehensive history of television scoring to date. Music composed for television had, until recently, never been taken seriously by scholars or critics. Catchy TV themes, often for popular weekly series, were fondly remembered but not considered much more culturally significant than commercial jingles. Yet noted composers like John Williams, Henry Mancini, Jerry Goldsmith and Lalo Schifrin learned and/or honed their craft in television before going on to major success in feature films. Oscar-winning film composers like Bernard Herrmann, Franz Waxman and Maurice Jarre wrote hours of music for television projects, and such high-profile jazz figures as Duke Ellington, Dave Brubeck and Quincy Jones also contributed music to TV series. Concert-hall luminaries from Aaron Copland to Leonard Bernstein, and theater writers from Jerome Moross to Richard Rodgers, penned memorable scores for TV. Music for Prime Time is the first serious, journalistic history of music for American television. It is the product of 35 years of research and more than 450 interviews with composers, orchestrators, producers, editors and musicians active in the field. Based on, but vastly expanded and revised from, an earlier book by the same author, this wide-ranging narrative not only tells the backstory of every great TV theme but also examines the many neglected and frequently underrated orchestral and jazz compositions for television dating back to the late 1940s. Covering every series genre (crime, comedy, drama, westerns, action-adventure, fantasy and sci-fi), it also looks at music for animated series, news and documentary programming, TV-movies and miniseries, and how music for television has evolved in the era of cable and streaming options. It is the most comprehensive history of television scoring ever published.
Author: Michael S. Kimmel
Publisher: Oxford University Press, USA
ISBN: 0195125878
Category : Psychology
Languages : en
Pages : 334
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Book Description
They say that we come from different planets (men from Mars, women from Venus), that we have different brain chemistries and hormones, and that we listen, speak, and even define our morals differently. How is it then that men and women live together, take the same classes in school, eat the same food, read the same books, and receive grades according to the same criteria? In The Gendered Society, Michael S. Kimmel examines our basic beliefs about gender, arguing that men and women are more alike than we have ever imagined. Kimmel begins his discussion by observing that all cultures share the notion that men and women are different, and that the logical extension of this assumption is that gender differences cause the obvious inequalities between the sexes. In fact, he asserts that the reverse is true--gender inequality causes the differences between men and women. Gender is not simply a quality inherent in each individual--it is deeply embedded in society's fundamental institutions: the family, school, and the workplace. The issues surrounding gender are complex, and in order to clarify them, the author has included a review of the existing literature in related disciplines such as biology, anthropology, psychology and sociology. Finally, with an eye towards the future, Kimmel offers readers a glimpse at gender relations in the next millennium. Well-written, well-reasoned and authoritative, The Gendered Society provides a thorough overview of the current thinking about gender while persuasively arguing that it is time to reevaluate what we thought we knew about men and women.
