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Author: Joshua Berrett
Publisher: Yale University Press
ISBN: 0300127472
Category : Biography & Autobiography
Languages : en
Pages : 256
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Book Description
In Louis Armstrong and Paul Whiteman the jazz scholar Joshua Berrett offers a provocative revision of the history of early jazz by focusing on two of its most notable practitioners—Whiteman, legendary in his day, and Armstrong, a legend ever since. Paul Whiteman’s fame was unmatched throughout the twenties. Bix Beiderbecke, Bing Crosby, and Jimmy and Tommy Dorsey honed their craft on his bandstand. Celebrated as the “King of Jazz” in 1930 in a Universal Studios feature film, Whiteman’s imperium has declined considerably since. The legend of Louis Armstrong, in contrast, grows ever more lustrous: for decades it has been Armstrong, not Whiteman, who has worn the king’s crown. This dual biography explores these diverging legacies in the context of race, commerce, and the history of early jazz. Early jazz, Berrett argues, was not a story of black innovators and white usurpers. In this book, a much richer, more complicated story emerges—a story of cross-influences, sidemen, sundry movers and shakers who were all part of a collective experience that transcended the category of race. In the world of early jazz, Berrett contends, kingdoms had no borders.
Author: Joshua Berrett
Publisher: Yale University Press
ISBN: 0300127472
Category : Biography & Autobiography
Languages : en
Pages : 256
Get Book
Book Description
In Louis Armstrong and Paul Whiteman the jazz scholar Joshua Berrett offers a provocative revision of the history of early jazz by focusing on two of its most notable practitioners—Whiteman, legendary in his day, and Armstrong, a legend ever since. Paul Whiteman’s fame was unmatched throughout the twenties. Bix Beiderbecke, Bing Crosby, and Jimmy and Tommy Dorsey honed their craft on his bandstand. Celebrated as the “King of Jazz” in 1930 in a Universal Studios feature film, Whiteman’s imperium has declined considerably since. The legend of Louis Armstrong, in contrast, grows ever more lustrous: for decades it has been Armstrong, not Whiteman, who has worn the king’s crown. This dual biography explores these diverging legacies in the context of race, commerce, and the history of early jazz. Early jazz, Berrett argues, was not a story of black innovators and white usurpers. In this book, a much richer, more complicated story emerges—a story of cross-influences, sidemen, sundry movers and shakers who were all part of a collective experience that transcended the category of race. In the world of early jazz, Berrett contends, kingdoms had no borders.
Author: Joshua Berrett
Publisher: Schirmer Trade Books
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 372
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Book Description
Drawing on the rich resources of the Louis Armstrong Archives, jazz historian Joshua Berrett has compiled a wonderful tribute to the multitalented trumpeter, vocalist, and "Ambassador of Jazz". 20 photos.
Author: Paul Whiteman
Publisher:
ISBN:
Category : Jazz
Languages : en
Pages : 332
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Book Description
Author: Jay Goetting
Publisher: Minnesota Historical Society Press
ISBN: 0873518322
Category : History
Languages : en
Pages : 264
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Book Description
From the early days through Prohibition and the swing era, then to bebop and beyond, this is the story of jazz music, musicians, and venues in Minneapolis and St. Paul.
Author: Terry Teachout
Publisher: Houghton Mifflin Harcourt
ISBN: 9780151010899
Category : Biography & Autobiography
Languages : en
Pages : 496
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Book Description
Certain to be the definitive word on Louis Armstrong, "Pops" paints a gripping portrait of the man, his world, and his music. Drawing on a cache of new sources, the author has crafted a sweeping new narrative biography of this towering figure.
Author: Vic Hobson
Publisher: Univ. Press of Mississippi
ISBN: 1496819810
Category : Music
Languages : en
Pages : 251
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Book Description
Throughout his life, Louis Armstrong tried to explain how singing with a barbershop quartet on the streets of New Orleans was foundational to his musicianship. Until now, there has been no in-depth inquiry into what he meant when he said, “I figure singing and playing is the same,” or, “Singing was more into my blood than the trumpet.” Creating the Jazz Solo: Louis Armstrong and Barbershop Harmony shows that Armstrong understood exactly the relationship between what he sang and what he played, and that he meant these comments to be taken literally: he was singing through his horn. To describe the relationship between what Armstrong sang and played, author Vic Hobson discusses elements of music theory with a style accessible even to readers with little or no musical background. Jazz is a music that is often performed by people with limited formal musical education. Armstrong did not analyze what he played in theoretical terms. Instead, he thought about it in terms of the voices in a barbershop quartet. Understanding how Armstrong, and other pioneer jazz musicians of his generation, learned to play jazz and how he used his background of singing in a quartet to develop the jazz solo has fundamental implications for the teaching of jazz history and performance today. This assertive book provides an approachable foundation for current musicians to unlock the magic and understand jazz the Louis Armstrong way.
Author: Arnold Shaw
Publisher: Oxford University Press, USA
ISBN: 0195060822
Category : Music
Languages : en
Pages : 361
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Book Description
F. Scott Fitzgerald named it, Louis Armstrong launched it, Paul Whiteman and Fletcher Henderson orchestrated it, and now Arnold Shaw chronicles this fabulous era in The Jazz Age. Spicing his account with lively anecdotes and inside stories, he describes the astonishing outpouring of significant musical innovations that emerged during the "Roaring Twenties"--including blues, jazz, band music, torch ballads, operettas and musicals--and sets them against the background of the Prohibition world of the Flapper.
Author: Don Rayno
Publisher: Scarecrow Press
ISBN: 0810883228
Category : Biography & Autobiography
Languages : en
Pages : 895
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Book Description
In this second volume of Rayno’s magisterial treatment of the life and music of this remarkable maestro, Whiteman’s career during the second half of his life is explored in the fullest detail, as Whiteman conquers the worlds of theater and vaudeville, the concert hall, radio, motion pictures, and television, winning accolades in all of them. Through hundreds of interviews, extensive documentation, and exhaustive research of over nearly three decades, a portrait emerges of one of American music’s most important musical figures during the last century. Rayno paints a stunning portrait of Whiteman’s considerable accomplishments and far-reaching influence.
Author: Frederick Turner
Publisher: Catapult
ISBN: 1582433097
Category : Biography & Autobiography
Languages : en
Pages : 405
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Book Description
By 1929, the brief, brilliant career of Bix Beiderbecke––self–taught cornetist, pianist, and composer––had already become legend. From the summer of '26 at Hudson Lake, Indiana, when his genius blazed forth with a strange, doomed incandescence, Bix's career tragically reflected the chaotic impulses of a country suddenly awash in wealth, power, and a profound cynicism. Shy, elusive, inarticulate, Bix was beloved by both the raccoon–coated campus crowd and the men who nightly played alongside him. He is still celebrated in a yearly festival in his hometown of Davenport, Iowa.And that is where the novel begins, Davenport and the Bix Fest. Then it travels back in time to focus on the highlights of a meteoric career: a Capone–controlled nightclub in 1926; the grueling cross–country tours with Paul Whiteman's Symphonic Jazz orchestra; the disastrous Whiteman trip to California to make the first all–color talkie musical; the stock market crash of 1929 that finds Bix in an asylum, victim of the era's signature product, bootleg gin; and finally, Bix's dying efforts to combine his piano compositions into a suite that would be the pinnacle of his life's work and his evocation of his time and place.Colored by some of the age's most popular characters––Maurice Ravel, Bing Crosby, Louis Armstrong, Duke Ellington, and Clara Bow–– 1929 brilliantly illuminates a period in history, personified in the gifted, compelling, and melancholy figure of Bix Beiderbecke.
Author: Scott Allen Nollen
Publisher: McFarland
ISBN: 9780786418572
Category : Biography & Autobiography
Languages : en
Pages : 244
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Book Description
Louis Armstrong was not only a virtuoso musician, singer, composer and actor, but also a dedicated writer who typed hundreds of letters and reminiscences, carrying a typewriter with him on his constant travels around the globe. The man never stopped creating, and constantly communicated with friends and acquaintances. His unique verbal, musical and visual content and style permeated everything he touched. Included in this extensive career biography are the major events of his life, his artistic innovations and cultural achievements, a detailed survey of his recordings and live performances, and in-depth discussions of his screen performances--not only his Hollywood feature film appearances, but his performances in short films, European concert films, and dozens of television shows broadcast from Hollywood, New York and Europe.
