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Author: Karl Julius Holzknecht
Publisher:
ISBN:
Category : Authors and patrons
Languages : en
Pages : 274
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Book Description
Author: Karl Julius Holzknecht
Publisher:
ISBN:
Category : Authors and patrons
Languages : en
Pages : 274
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Book Description
Author: Karl Julius Holznecht
Publisher: Routledge
ISBN: 0429615019
Category : Biography & Autobiography
Languages : en
Pages : 233
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Book Description
Published in 1966: The present study attempts in its fashion to supply a connected account of this somewhat neglected phase of medieval literary life, and to look carefully in earlier ages for the origins of medieval patronage. As one may suppose a patron might be approached and the modes in which his favour might be extended were exhausted at a very early period, so that patronage of letters cannot be said to show much development or progress.
Author: Karl J. Holzknecht
Publisher:
ISBN: 9780374939335
Category : Authors and patrons
Languages : en
Pages : 258
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Book Description
Author: Karl Julius Holzknecht
Publisher: Psychology Press
ISBN: 9780714610627
Category : Biography & Autobiography
Languages : en
Pages : 276
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Book Description
First Published in 1967. Routledge is an imprint of Taylor & Francis, an informa company.
Author: William J. Buxton
Publisher: Rowman & Littlefield
ISBN: 1442243392
Category : History
Languages : en
Pages : 200
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Book Description
Exploring how social order changes as the means of communication change, this volume makes widely accessible, for the first time, three extant chapters from Harold Innis’s History of Communications—a legendary manuscript known of by many media historians, but seen by very few.
Author: June Hall McCash
Publisher: University of Georgia Press
ISBN: 9780820317021
Category : Literary Criticism
Languages : en
Pages : 428
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Book Description
The Cultural Patronage of Medieval Women is the first volume exclusively devoted to an examination of the significant role played by women as patrons in the evolution of medieval culture. The twelve essays in this volume look at women not simply as patrons of letters but also as patrons of the visual and decorative arts, of architecture, and of religious and educational foundations. Patronage as a means of empowerment for women is an issue that underlies many of the essays. Among the other topics discussed are the various forms patronage took, the obstacles to women's patronage, and the purposes behind patronage. Some women sought to further political and dynastic agendas; others were more concerned with religion and education; still others sought to provide positive role models for women. The amusement of their courts was also a consideration for female patrons. These essays also demonstrate that as patrons women were often innovators. They encouraged vernacular literature as well as the translation of historical works and of the Bible, frequently with commentary, into the vernacular. They led the way in sponsoring a variety of genres and encouraged some of the best-known and most influential writers of the Middle Ages. Moreover, they were at the forefront in fostering the new art of printing, which made books accessible to a larger number of people. Finally, the essays make clear that behind much patronage lay a concern for the betterment of women.
Author: Alison Chapman
Publisher: Routledge
ISBN: 1135132313
Category : Literary Criticism
Languages : en
Pages : 251
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Book Description
This book visits the fact that, in the pre-modern world, saints and lords served structurally similar roles, acting as patrons to those beneath them on the spiritual or social ladder with the word "patron" used to designate both types of elite sponsor. Chapman argues that this elision of patron saints and patron lords remained a distinctive feature of the early modern English imagination and that it is central to some of the key works of literature in the period. Writers like Jonson, Shakespeare, Spenser, Drayton, Donne and, Milton all use medieval patron saints in order to represent and to challenge early modern ideas of patronage -- not just patronage in the narrow sense of the immediate economic relations obtaining between client and sponsor, but also patronage as a society-wide system of obligation and reward that itself crystallized a whole culture’s assumptions about order and degree. The works studied in this book -- ranging from Shakespeare’s 2 Henry VI, written early in the 1590s, to Milton’s Masque Performed at Ludlow Castle, written in 1634 -- are patronage works, either aimed at a specific patron or showing a keen awareness of the larger patronage system. This volume challenges the idea that the early modern world had shrugged off its own medieval past, instead arguing that Protestant writers in the period were actively using the medieval Catholic ideal of the saint as a means to represent contemporary systems of hierarchy and dependence. Saints had been the ideal -- and idealized -- patrons of the medieval world and remained so for early modern English recusants. As a result, their legends and iconographies provided early modern Protestant authors with the perfect tool for thinking about the urgent and complex question of who owed allegiance to whom in a rapidly changing world.
Author: Edward Andrew
Publisher: University of Toronto Press
ISBN: 0802090648
Category : Philosophy
Languages : en
Pages : 297
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Book Description
Patrons of Enlightenment emphasizes the dependency of thinkers upon patrons and compares the patron-client relationships in the French, English, and Scottish republics of letters.
Author: Amy Noelle Vines
Publisher: Boydell & Brewer Ltd
ISBN: 1843842750
Category : Literary Collections
Languages : en
Pages : 186
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Book Description
A reading of how women's power is asserted and demonstrated in the popular medieval genre of romance.
Author: Albrecht Classen
Publisher: Walter de Gruyter
ISBN: 3110253984
Category : Literary Criticism
Languages : en
Pages : 813
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Book Description
Although it seems that erotic love generally was the prevailing topic in the medieval world and the Early Modern Age, parallel to this the Ciceronian ideal of friendship also dominated the public discourse, as this collection of essays demonstrates. Following an extensive introduction, the individual contributions explore the functions and the character of friendship from Late Antiquity (Augustine) to the 17th century. They show the spectrum of variety in which this topic appeared ‐ not only in literature, but also in politics and even in painting.
