Literary Impressionism and Modernist Aesthetics PDF Download
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Author: Jesse Matz
Publisher: Cambridge University Press
ISBN: 0521803527
Category : Literary Criticism
Languages : en
Pages : 292
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Book Description
This 2001 study addresses the problems of perception and representation that occupied modernist writers such as James, Conrad and Woolf.
Author: Jesse Matz
Publisher: Cambridge University Press
ISBN: 0521803527
Category : Literary Criticism
Languages : en
Pages : 292
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Book Description
This 2001 study addresses the problems of perception and representation that occupied modernist writers such as James, Conrad and Woolf.
Author: Jane Goldman
Publisher: Cambridge University Press
ISBN: 9780521590969
Category : Literary Criticism
Languages : en
Pages : 6
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Book Description
Jane Goldman offers a revisionary, feminist reading of Woolf's work. Focusing on Woolf's engagement with the artistic theories of her time, Goldman analyzes Woolf's fascination with the Post-Impressionist exhibition of 1920 and the solar eclipse of 1927 by linking her response to a much wider literary and cultural context. Illustrated with color pictures, this book will appeal not only to scholars working on Woolf, but also to students of modernism, art history, and women's studies.
Author: Jesse Matz
Publisher: Columbia University Press
ISBN: 0231543050
Category : Literary Criticism
Languages : en
Pages : 357
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Book Description
Impressionism captured the world's imagination in the late nineteenth century and remains with us today. Portraying the dynamic effects of modernity, impressionist artists revolutionized the arts and the wider culture. Impressionism transformed the very pattern of reality, introducing new ways to look at and think about the world and our experience of it. Its legacy has been felt in many major contributions to popular and high culture, from cubism and early cinema to the works of Zadie Smith and W. G. Sebald, from advertisements for Pepsi to the observations of Oliver Sacks and Malcolm Gladwell. Yet impressionism's persistence has also been a problem, a matter of inauthenticity, superficiality, and complicity in what is merely "impressionistic" about culture today. Jesse Matz considers these two legacies—the positive and the negative—to explain impressionism's true contemporary significance. As Lasting Impressions moves through contemporary literature, painting, and popular culture, Matz explains how the perceptual role, cultural effects, and social implications of impressionism continue to generate meaning and foster new forms of creativity, understanding, and public engagement.
Author: Rebecca Bowler
Publisher: Bloomsbury Publishing
ISBN: 1474269079
Category : Literary Criticism
Languages : en
Pages : 272
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Book Description
With its new innovations in the visual arts, cinema and photography as well as the sciences of memory and perception, the early twentieth century saw a crisis in the relationship between what was seen and what was known. Literary Impressionism charts that modernist crisis of vision and the way that literary impressionists such as Dorothy Richardson, Ford Madox Ford, H.D., and May Sinclair used new concepts of memory in order to bridge the gap between perception and representation. Exploring the fiction of these four major writers as well as their journalism, manifesto writings, letters and diaries from the archives, Rebecca Bowler charts the progression of modernism's literary aesthetics and the changing role of memory within it.
Author: David Bradshaw
Publisher: John Wiley & Sons
ISBN: 1405188227
Category : Literary Criticism
Languages : en
Pages : 626
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Book Description
The Companion combines a broad grounding in the essential texts and contexts of the modernist movement with the unique insights of scholars whose careers have been devoted to the study of modernism. An essential resource for students and teachers of modernist literature and culture Broad in scope and comprehensive in coverage Includes more than 60 contributions from some of the most distinguished modernist scholars on both sides of the Atlantic Brings together entries on elements of modernist culture, contemporary intellectual and aesthetic movements, and all the genres of modernist writing and art Features 25 essays on the signal texts of modernist literature, from James Joyce’s Ulysses to Zora Neal Hurston’s Their Eyes Were Watching God Pays close attention to both British and American modernism
Author: Julia van Gunsteren
Publisher: Rodopi
ISBN: 9789051831993
Category : Art
Languages : en
Pages : 284
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Book Description
Author: Joyce Medina
Publisher: SUNY Press
ISBN: 9780791422311
Category : Art
Languages : en
Pages : 272
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Book Description
This book explores how traditional relations among the arts have changed in our time, focusing on the radical transformation of Paul Cezanne.
Author: Marlies Kronegger
Publisher: Rowman & Littlefield
ISBN: 9780808403654
Category : Literary Criticism
Languages : en
Pages : 166
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Book Description
A scholarly introduction to Impressionism in literature, with attention to Impressionism in painting.
Author: Adam Parkes
Publisher: Oxford University Press
ISBN: 0195383818
Category : Drama
Languages : en
Pages : 303
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Book Description
A Sense of Shock examines the various, complex relations between impressionist texts and contexts in modern British and Irish works by Bowen, Conrad, Ford, James, Wilde, Woolf, and others, to argue that literary impressionism was an emphatically historical phenomenon.
Author: Marcio Hemerique Pereira
Publisher: GRIN Verlag
ISBN: 365634860X
Category : Literary Criticism
Languages : en
Pages : 11
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Book Description
Essay from the year 2011 in the subject English - Literature, Works, grade: A, Birkbeck, University of London (Humanities), course: Modernist Literature and Modern Art, language: English, abstract: Only few contemporary authors have been praised as highly and condemned as completely as W. Somerset Maugham. The present essay discusses Maugham’s novel ‘The Moon and Sixpence.’ My concerns lay on key questions that I try to explore. First and foremost, what do we learn about the presentation of the early twentieth century artist from Maugham? Are, in fact, artistic techniques used in the literary portrait (depictions) of the artist? What do we learn about modern art from the text? Why is Maugham writing about an artist? How can literature depict artist and artistic processes? Now I propose to attempt at least to suggest the reasons for, if not to reconcile, opinions as widely different as the ones presented further in the essay and, at the same time, to offer a less impetuous and more carefully substantiated criticism of Maugham’s fictional work, ‘The Moon and Sixpence.’
