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Author: Alex Niven
Publisher: Oxford University Press
ISBN: 0198754817
Category : Poets, English
Languages : en
Pages : 488
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Book Description
An edition of the letters of the poet Basil Bunting (1900-1985). This is a long-awaited first selected edition of the letters of Basil Bunting, one of the major modernist poets of the twentieth century. It includes a large portion of Bunting's correspondence (around 200 letters) to recipients including Ezra Pound, T. S. Eliot, Harriet Monroe, William Carlos Williams, Louis Zukofsky, Ted Hughes, George Oppen, Allen Ginsberg, Donald Davie, and Tom Pickard. Following Bunting from his first encounters with major literary figures in London and Paris in the 1920s to his death in Northumberland in 1985, this selection showcases a narrative that is crucial to the history of modernism and modern poetry in English. Highlights include a long and detailed dialogue with Ezra Pound in the 1930s on political, economic, and literary subjects, a rich, ruminative exchange with the American poet Louis Zukoksfy lasting over four decades, and various accounts of the excitements and controversies of the Anglo-American poetry scene of the 60s and 70s. Whether Bunting is writing from New York at the height of the Depression, Iran in the aftermath of World War II, or the north of England during preparation of his masterpiece Briggflatts (1966), his prose is unfailingly sharp, eloquent, entertaining, and caustic. This edition contains detailed annotations of Bunting's letters, a critical introduction, glossary of names, and an editorial commentary.
Author: Alex Niven
Publisher: Oxford University Press
ISBN: 0198754817
Category : Poets, English
Languages : en
Pages : 488
Get Book
Book Description
An edition of the letters of the poet Basil Bunting (1900-1985). This is a long-awaited first selected edition of the letters of Basil Bunting, one of the major modernist poets of the twentieth century. It includes a large portion of Bunting's correspondence (around 200 letters) to recipients including Ezra Pound, T. S. Eliot, Harriet Monroe, William Carlos Williams, Louis Zukofsky, Ted Hughes, George Oppen, Allen Ginsberg, Donald Davie, and Tom Pickard. Following Bunting from his first encounters with major literary figures in London and Paris in the 1920s to his death in Northumberland in 1985, this selection showcases a narrative that is crucial to the history of modernism and modern poetry in English. Highlights include a long and detailed dialogue with Ezra Pound in the 1930s on political, economic, and literary subjects, a rich, ruminative exchange with the American poet Louis Zukoksfy lasting over four decades, and various accounts of the excitements and controversies of the Anglo-American poetry scene of the 60s and 70s. Whether Bunting is writing from New York at the height of the Depression, Iran in the aftermath of World War II, or the north of England during preparation of his masterpiece Briggflatts (1966), his prose is unfailingly sharp, eloquent, entertaining, and caustic. This edition contains detailed annotations of Bunting's letters, a critical introduction, glossary of names, and an editorial commentary.
Author: Alex Niven
Publisher: Oxford University Press
ISBN: 0191070904
Category : Literary Criticism
Languages : en
Pages : 300
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Book Description
An edition of the letters of the poet Basil Bunting (1900-1985). This is a long-awaited first selected edition of the letters of Basil Bunting, one of the major modernist poets of the twentieth century. It includes a large portion of Bunting's correspondence (around 200 letters) to recipients including Ezra Pound, T. S. Eliot, Harriet Monroe, William Carlos Williams, Louis Zukofsky, Ted Hughes, George Oppen, Allen Ginsberg, Donald Davie, and Tom Pickard. Following Bunting from his first encounters with major literary figures in London and Paris in the 1920s to his death in Northumberland in 1985, this selection showcases a narrative that is crucial to the history of modernism and modern poetry in English. Highlights include a long and detailed dialogue with Ezra Pound in the 1930s on political, economic, and literary subjects, a rich, ruminative exchange with the American poet Louis Zukoksfy lasting over four decades, and various accounts of the excitements and controversies of the Anglo-American poetry scene of the 60s and 70s. Whether Bunting is writing from New York at the height of the Depression, Iran in the aftermath of World War II, or the north of England during preparation of his masterpiece Briggflatts (1966), his prose is unfailingly sharp, eloquent, entertaining, and caustic. This edition contains detailed annotations of Bunting's letters, a critical introduction, glossary of names, and an editorial commentary.
Author: Basil Bunting
Publisher: New Directions Publishing
ISBN: 9780811215633
Category : Poetry
Languages : en
Pages : 244
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Book Description
At last in print, the complete poems of the great Northumbrian poet--admired by Pound, Yeats, and Zukofsky--containing his masterwork Briggflatts.
Author: Julian Stannard
Publisher: Northcote House Pub Limited
ISBN: 074631048X
Category : Literary Criticism
Languages : en
Pages : 163
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Book Description
The act of poetry is never free from risk; this study shows how Bunting remained faithful to his calling, notwithstanding the twists and turns of his extraordinary life, and he left in his wake an extraordinary body of poetry.
Author: Victoria Forde
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 296
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Book Description
Basil Bunting did not 'believe in biography'. He used to assert that his great poem Briggflatts was his autobiography, and that nothing else was worth saying. He had scant respect for critics, and gave little away about his life - or misled his would-be biographers, whose accounts of him were often semi-mythical. But Bunting's real life does read like an adventure story. Born in Northumberland in 1900, he lived in Paris in the twenties, where Ezra Pound rescued him from jail and fixed him up with a job on the Transatlantic Review. In 1923 he followed Pound to Italy - giving up his job to Hemingway - where Yeats knew him as 'one of Pound's more savage disciples'. For the next thirty years he led a sometimes wild and always varied life, in Italy, England, Berlin, Tenerife, America and Persia, as a struggling, penniless writer, a music critic, sea captain, RAF officer, Times correspondent and Chief of Political Intelligence in Teheran. During these years he built up a reputation in America as the best English poet of his generation, at the same time as his poetry was neglected in Britain. It was not until the publication of Briggflatts in 1966 that his genius was finally recognised.He was in his seventies when he first met the American critic Sister Victoria Forde, who was working on a study of music and meaning in his poetry. They continued to meet and correspond, and his comments and answers to her letters now form an integral part of the book which grew out of her academic research. This is the first critical study of Bunting's poetry. It is a brilliantly researched book drawing upon the work and letters of Bunting and his contemporaries, as well as interviews and correspondence with his family, and includes over thirty previously unpublished photographs of and by Bunting taken throughout his life.
Author: Basil Bunting
Publisher:
ISBN:
Category :
Languages : en
Pages : 16
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Book Description
Author:
Publisher: BRILL
ISBN: 9004488316
Category : Literary Criticism
Languages : en
Pages : 320
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Book Description
This book explores Basil Bunting’s continued reputation and influence in modern British poetry, and also the impact of a peculiarly ‘Northern’ inflection of Modernism (which Bunting largely defined) within the varieties of poetry being written in Britain today. The editors asked a variety of English, Scottish, Welsh and American poets and academics to reflect upon the themes, implications, impact or example of Bunting’s work in the centenary year of his birth, looking back on the beginnings of Modernism at the start of the twentieth century into which he was born, or forward into the twenty-first century in which he continues to be read and learned from: a true poetic star to steer by. The resulting collection of fourteen new essays reveals the continued ability of Bunting’s poetry both to delight and to challenge. Topics covered include the nature of influence; Celtic and Northumbrian contexts for the modern English long poem; prosodic patterns in early Bunting; Bunting as a reader of his own work; narrative sources in his poetry; the problem of patronage; his ‘rueful masculinity’; women poets and Bunting; radical landscape poetry; his translations from the Persian Hafiz and the Roman Horace; economic and social tensions in his work; the poet as ‘makar’; and a previously unpublished selection of his letters from the 1960s to the 1980s, commenting upon his own and others’ poetry and on the political condition of Britain in those years. The collection will be of interest to teachers and readers of twentieth century English and American poetry, and to those exploring the processes of literary translation. Contributors include David Annwn, Richard Caddel, Roy Fisher, Victoria Forde, Harry Gilonis, Ian Gregson, Philip Hobsbaum, Parvin Loloi, James McGonigal, Richard Price, Glynn Pursglove, Harriet Tarlo, Gael Turnbull, and Jonathan Williams.
Author: Barbara E. Lesch
Publisher:
ISBN:
Category :
Languages : en
Pages : 488
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Book Description
Author: John Berryman
Publisher: Harvard University Press
ISBN: 0674976258
Category : Literary Collections
Languages : en
Pages : 737
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Book Description
A wide-ranging, first-of-its-kind selection of Berryman’s correspondence with friends, loved ones, writers, and editors, showcasing the turbulent, fascinating life and mind of one of America’s major poets. The Selected Letters of John Berryman assembles for the first time the poet’s voluminous correspondence. Beginning with a letter to his parents in 1925 and concluding with a letter sent a few weeks before his death in 1972, Berryman tells his story in his own words. Included are more than 600 letters to almost 200 people—editors, family members, students, colleagues, and friends. The exchanges reveal the scope of Berryman’s ambitions, as well as the challenges of practicing his art within the confines of the publishing industry and contemporary critical expectations. Correspondence with Ezra Pound, Robert Lowell, Delmore Schwartz, Adrienne Rich, Saul Bellow, and other writers demonstrates Berryman’s sustained involvement in the development of literary culture in the postwar United States. We also see Berryman responding in detail to the work of writers such as Carolyn Kizer and William Meredith and encouraging the next generation—Edward Hoagland, Valerie Trueblood, and others. The letters show Berryman to be an energetic and generous interlocutor, but they also make plain his struggles with personal and familial trauma, at every stage of his career. An introduction by editors Philip Coleman and Calista McRae explains the careful selection of letters and contextualizes the materials within Berryman’s career. Reinforcing the critical and creative interconnectedness of Berryman’s work and personal life, The Selected Letters confirms his place as one of the most original voices of his generation and opens new horizons for appreciating and interpreting his poems.
Author: T. S. Eliot
Publisher: Faber & Faber
ISBN: 0571316395
Category : Biography & Autobiography
Languages : en
Pages : 1121
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Book Description
Eliot is called upon to become the completely public man. He gives talks, lectures, readings and broadcasts, and even school prize-day addresses. As editor and publisher, his work is unrelenting, commissioning works ranging from Michael Roberts's The Modern Mind to Elizabeth Bowen's anthology The Faber Book of Modern Stories. Other letters reveal Eliot's delight in close friends such as John Hayward, Virginia Woolf and Polly Tandy, and his colleagues Geoffrey Faber and Frank Morley, as well as his growing troupe of godchildren - to whom he despatches many of the verses that will ultimately be gathered up in Old Possum's Book of Practical Cats (1939). The volume covers his separation from first wife Vivien, and tells the full story of the decision taken by her brother, following the best available medical advice, to commit her to an asylum - after she had been found wandering in the streets of London. All the while these numerous strands of correspondence are being played out, Eliot struggles to find the time to compose his second play, The Family Reunion (1939), which is finally completed in 1938.
