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Author: Claire J. Farago
Publisher: Taylor & Francis
ISBN: 9780815329367
Category : Art
Languages : en
Pages : 488
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Book Description
Also available as the fourth book in a 5 volume set (ISBN#0815329334)
Author: Claire J. Farago
Publisher: Taylor & Francis
ISBN: 9780815329367
Category : Art
Languages : en
Pages : 488
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Book Description
Also available as the fourth book in a 5 volume set (ISBN#0815329334)
Author: Leonardo (da Vinci)
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 378
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Book Description
Author: Leonardo da Vinci
Publisher: Library of Alexandria
ISBN: 1465514147
Category : Fiction
Languages : en
Pages : 1118
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Book Description
A singular fatality has ruled the destiny of nearly all the most famous of Leonardo da Vinci's works. Two of the three most important were never completed, obstacles having arisen during his life-time, which obliged him to leave them unfinished; namely the Sforza Monument and the Wall-painting of the Battle of Anghiari, while the third—the picture of the Last Supper at Milan—has suffered irremediable injury from decay and the repeated restorations to which it was recklessly subjected during the XVIIth and XVIIIth centuries. Nevertheless, no other picture of the Renaissance has become so wellknown and popular through copies of every description. Vasari says, and rightly, in his Life of Leonardo, "that he laboured much more by his word than in fact or by deed", and the biographer evidently had in his mind the numerous works in Manuscript which have been preserved to this day. To us, now, it seems almost inexplicable that these valuable and interesting original texts should have remained so long unpublished, and indeed forgotten. It is certain that during the XVIth and XVIIth centuries their exceptional value was highly appreciated. This is proved not merely by the prices which they commanded, but also by the exceptional interest which has been attached to the change of ownership of merely a few pages of Manuscript. That, notwithstanding this eagerness to possess the Manuscripts, their contents remained a mystery, can only be accounted for by the many and great difficulties attending the task of deciphering them. The handwriting is so peculiar that it requires considerable practice to read even a few detached phrases, much more to solve with any certainty the numerous difficulties of alternative readings, and to master the sense as a connected whole. Vasari observes with reference to Leonardos writing: "he wrote backwards, in rude characters, and with the left hand, so that any one who is not practised in reading them, cannot understand them". The aid of a mirror in reading reversed handwriting appears to me available only for a first experimental reading. Speaking from my own experience, the persistent use of it is too fatiguing and inconvenient to be practically advisable, considering the enormous mass of Manuscripts to be deciphered. And as, after all, Leonardo's handwriting runs backwards just as all Oriental character runs backwards—that is to say from right to left—the difficulty of reading direct from the writing is not insuperable. This obvious peculiarity in the writing is not, however, by any means the only obstacle in the way of mastering the text. Leonardo made use of an orthography peculiar to himself; he had a fashion of amalgamating several short words into one long one, or, again, he would quite arbitrarily divide a long word into two separate halves; added to this there is no punctuation whatever to regulate the division and construction of the sentences, nor are there any accents—and the reader may imagine that such difficulties were almost sufficient to make the task seem a desperate one to a beginner. It is therefore not surprising that the good intentions of some of Leonardo s most reverent admirers should have failed.
Author: Leonardo
Publisher: Yale University Press
ISBN: 9780300090956
Category : Art
Languages : en
Pages : 340
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Book Description
This is a selection of Leonardo da Vinci's writings on painting. Martin Kemp and Margaret Walker have edited material not only from his so-called Treatise on Painting but also from his surviving manuscripts and from other primary sources.
Author: Leonardo da Vinci
Publisher: Courier Corporation
ISBN: 048613752X
Category : Art
Languages : en
Pages : 288
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Book Description
Systematic grouped passages of Leonardo's writings concerning painting, focusing on problems of interpretation. More than an anthology, it offers a reconstruction of the underlying meaning of Leonardo's words. Introductions, notes, bibliography, reference materials. Over 125 black-and-white illustrations.
Author: Martin Clayton
Publisher: Royal Collection Trust
ISBN: 9781909741034
Category : Anatomy, Artistic
Languages : en
Pages : 0
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Book Description
"First published in hardback 2012 by Royal Collection Trust".-Title page verso.
Author: da Vinci Leonardo
Publisher: DigiCat
ISBN:
Category : Art
Languages : en
Pages : 197
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Book Description
DigiCat presents to you this carefully created volume of "Leonardo da Vinci: Thoughts on Art & Life". This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Content: Introduction I Thoughts on Life II Thoughts on Art III Thoughts on Science Bibliographical Note Leonardo da Vinci was an Italian Renaissance polymath whose areas of interest included invention, painting, sculpting, architecture, science, music, mathematics, engineering, literature, anatomy, geology, astronomy, botany, writing, history, and cartography.
Author: Leonardo da Vinci
Publisher: Black Dog & Leventhal
ISBN: 1603763376
Category : Art
Languages : en
Pages : 630
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Book Description
Leonardo's Notebooks is a biography of the genius in his own words, connecting moments of his life to artistic accomplishments through his writings, drawings, and intimate thoughts. Leonardo da Vinci -- artist, inventor, and prototypical Renaissance man -- is a perennial source of fascination. His astonishing intellect and boundless curiosity about both the natural and man-made world influenced his numerous works of art, theories, and sentiments -- all of which were kept in his voluminous notebooks. This book is a collection of da Vinci's intricately detailed artistic and intellectual pursuits, and highlights the classic pieces of art he produced in connection with his writings. Leonardo's Notebooks provides a fascinating look into da Vinci's most private world, and sorts his wide range of interests into subjects such as human figures, light and shade, perspective and visual perception, anatomy, botany and landscape, geography, the physical sciences and astronomy, architecture, inventions and so much more. Exploring this image-filled book is as close to reading da Vinci's diaries as we can get. Organized and curated by art historian H. Anna Suh, she provides fascinating commentary and insight into the material, making Leonardo's Notebooks an exquisite single-volume compendium celebrating his enduring brilliance.
Author: Martin Clayton
Publisher: Getty Publications
ISBN: 9781606060209
Category : Anatomu, Artistic
Languages : en
Pages : 164
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Book Description
Leonardo da Vinci was not only one of the leading artists of the Renaissance, he was also one of the greatest anatomists ever to have lived. He combined, to a unique degree, manual skill in dissection, analytical skill in understanding the structures he uncovered, and artistic skill in recording his results. His extraordinary campaign of dissection, conducted during the winter of 1510-11 and concentrating on the muscles and bones of the human skeleton, was recorded on the pages of a manuscript now in the Print Room of the Royal Library at Windsor Castle. These are arguably the finest anatomical drawings ever made and are extensively annotated in Leonardo's distinctive "mirror-writing", with explanations of the drawings, notes on related anatomical matters, memoranda and so on. This publication reproduces the entire manuscript, and for the first time translates all of Leonardo's copious notes on the page so that the unfolding of his thoughts may readily be followed.
Author: Walter Isaacson
Publisher: Simon and Schuster
ISBN: 1501139177
Category : Biography & Autobiography
Languages : en
Pages : 624
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Book Description
The #1 New York Times bestseller from Walter Isaacson brings Leonardo da Vinci to life in this exciting new biography that is “a study in creativity: how to define it, how to achieve it…Most important, it is a powerful story of an exhilarating mind and life” (The New Yorker). Based on thousands of pages from Leonardo da Vinci’s astonishing notebooks and new discoveries about his life and work, Walter Isaacson “deftly reveals an intimate Leonardo” (San Francisco Chronicle) in a narrative that connects his art to his science. He shows how Leonardo’s genius was based on skills we can improve in ourselves, such as passionate curiosity, careful observation, and an imagination so playful that it flirted with fantasy. He produced the two most famous paintings in history, The Last Supper and the Mona Lisa. With a passion that sometimes became obsessive, he pursued innovative studies of anatomy, fossils, birds, the heart, flying machines, botany, geology, and weaponry. He explored the math of optics, showed how light rays strike the cornea, and produced illusions of changing perspectives in The Last Supper. His ability to stand at the crossroads of the humanities and the sciences, made iconic by his drawing of Vitruvian Man, made him history’s most creative genius. In the “luminous” (Daily Beast) Leonardo da Vinci, Isaacson describes how Leonardo’s delight at combining diverse passions remains the ultimate recipe for creativity. So, too, does his ease at being a bit of a misfit: illegitimate, gay, vegetarian, left-handed, easily distracted, and at times heretical. His life should remind us of the importance to be imaginative and, like talented rebels in any era, to think different. Here, da Vinci “comes to life in all his remarkable brilliance and oddity in Walter Isaacson’s ambitious new biography…a vigorous, insightful portrait” (The Washington Post).
