Author: Hans Lorenz
Publisher:
ISBN:
Category : Dynamics, Rigid
Languages : de
Pages : 410
Book Description
Lehrbuch der technischen Physik: Bd. Technische Mechanik starrer Gebilde. 2., vollständig neubearb. Aufl. der Techn. Mechanik starrer Systeme. 2 T
Author: Hans Lorenz
Publisher:
ISBN:
Category : Dynamics, Rigid
Languages : de
Pages : 410
Book Description
Publisher:
ISBN:
Category : Dynamics, Rigid
Languages : de
Pages : 410
Book Description
Catalogue of Title-entries of Books and Other Articles Entered in the Office of the Librarian of Congress, at Washington, Under the Copyright Law ... Wherein the Copyright Has Been Completed by the Deposit of Two Copies in the Office
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 1752
Book Description
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 1752
Book Description
Lehrbuch der technischen Physik: Bd. Technische Mechanik starrer Systeme
Author: Hans Lorenz
Publisher:
ISBN:
Category : Physics
Languages : de
Pages : 668
Book Description
Publisher:
ISBN:
Category : Physics
Languages : de
Pages : 668
Book Description
Lehrbuch der technischen Physik
Lehrbuch der technischen Physik
Lehrbuch der technischen Physik
Author: Hans Lorenz
Publisher:
ISBN:
Category :
Languages : de
Pages : 625
Book Description
Publisher:
ISBN:
Category :
Languages : de
Pages : 625
Book Description
Lehrbuch der technischen Physik
Author: Hans Lorenz
Publisher:
ISBN:
Category :
Languages : de
Pages : 625
Book Description
Publisher:
ISBN:
Category :
Languages : de
Pages : 625
Book Description
Mechanik
Author: Torsten Fliesbach
Publisher:
ISBN:
Category : Mathematical physics
Languages : en
Pages : 359
Book Description
Publisher:
ISBN:
Category : Mathematical physics
Languages : en
Pages : 359
Book Description
The Soundscape of Modernity
Author: Emily Thompson
Publisher: MIT Press
ISBN: 9780262701068
Category : Architecture
Languages : en
Pages : 518
Book Description
A vibrant history of acoustical technology and aural culture in early-twentieth-century America. In this history of aural culture in early-twentieth-century America, Emily Thompson charts dramatic transformations in what people heard and how they listened. What they heard was a new kind of sound that was the product of modern technology. They listened as newly critical consumers of aural commodities. By examining the technologies that produced this sound, as well as the culture that enthusiastically consumed it, Thompson recovers a lost dimension of the Machine Age and deepens our understanding of the experience of change that characterized the era. Reverberation equations, sound meters, microphones, and acoustical tiles were deployed in places as varied as Boston's Symphony Hall, New York's office skyscrapers, and the soundstages of Hollywood. The control provided by these technologies, however, was applied in ways that denied the particularity of place, and the diverse spaces of modern America began to sound alike as a universal new sound predominated. Although this sound—clear, direct, efficient, and nonreverberant—had little to say about the physical spaces in which it was produced, it speaks volumes about the culture that created it. By listening to it, Thompson constructs a compelling new account of the experience of modernity in America.
Publisher: MIT Press
ISBN: 9780262701068
Category : Architecture
Languages : en
Pages : 518
Book Description
A vibrant history of acoustical technology and aural culture in early-twentieth-century America. In this history of aural culture in early-twentieth-century America, Emily Thompson charts dramatic transformations in what people heard and how they listened. What they heard was a new kind of sound that was the product of modern technology. They listened as newly critical consumers of aural commodities. By examining the technologies that produced this sound, as well as the culture that enthusiastically consumed it, Thompson recovers a lost dimension of the Machine Age and deepens our understanding of the experience of change that characterized the era. Reverberation equations, sound meters, microphones, and acoustical tiles were deployed in places as varied as Boston's Symphony Hall, New York's office skyscrapers, and the soundstages of Hollywood. The control provided by these technologies, however, was applied in ways that denied the particularity of place, and the diverse spaces of modern America began to sound alike as a universal new sound predominated. Although this sound—clear, direct, efficient, and nonreverberant—had little to say about the physical spaces in which it was produced, it speaks volumes about the culture that created it. By listening to it, Thompson constructs a compelling new account of the experience of modernity in America.
Verbi-voco-visual Explorations
Author: Marshall McLuhan
Publisher:
ISBN:
Category : Communication
Languages : en
Pages : 168
Book Description
Publisher:
ISBN:
Category : Communication
Languages : en
Pages : 168
Book Description