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Author: Walter Nash
Publisher: Routledge
ISBN: 1000365557
Category : Language Arts & Disciplines
Languages : en
Pages : 246
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Book Description
First published in 1990, Language in Popular Fiction was written to provide a comprehensive and illuminating look at the way language is used in thrillers and romantic fiction. The book examines the use of language across three interrelated levels: a level of verbal organisation, a level of narrative structure, and a level at which stylistic options and devices are related to notions of gender. It introduces ‘the protocol of pulchritude’ and makes use of detailed stylistic and linguistic analysis to investigate a wide range of ‘popfiction’ and ‘magfiction’. In doing so, it provokes serious reflection on popular fiction and its claims on the reader.
Author: Walter Nash
Publisher: Routledge
ISBN: 1000365557
Category : Language Arts & Disciplines
Languages : en
Pages : 246
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Book Description
First published in 1990, Language in Popular Fiction was written to provide a comprehensive and illuminating look at the way language is used in thrillers and romantic fiction. The book examines the use of language across three interrelated levels: a level of verbal organisation, a level of narrative structure, and a level at which stylistic options and devices are related to notions of gender. It introduces ‘the protocol of pulchritude’ and makes use of detailed stylistic and linguistic analysis to investigate a wide range of ‘popfiction’ and ‘magfiction’. In doing so, it provokes serious reflection on popular fiction and its claims on the reader.
Author: Christine Ferguson
Publisher: Routledge
ISBN: 1351923323
Category : Literary Criticism
Languages : en
Pages : 166
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Book Description
Christine Ferguson's timely study is the first comprehensive examination of the importance of language in forming a crucial nexus among popular fiction, biology, and philology at the Victorian fin-de-siècle. Focusing on a variety of literary and non-literary texts, the book maps out the dialogue between the Victorian life and social sciences most involved in the study of language and the literary genre frequently indicted for causing linguistic corruption and debasement - popular fiction. Ferguson demonstrates how Darwinian biological, philological, and anthropological accounts of 'primitive' and animal language were co-opted into wider cultural debates about the apparent brutality of popular fiction, and shows how popular novelists such as Marie Corelli, Grant Allen, H.G. Wells, H. Rider Haggard, and Bram Stoker used their fantastic narratives to radically reformulate the relationships among language, thought, and progress that underwrote much of the contemporary prejudice against mass literary taste. In its alignment of scientific, cultural, and popular discourses of human language, Language, Science, and Popular Fiction in the Victorian Fin-de-Siècle stands as a corrective to assessments of best-selling fiction's intellectual, ideological, and aesthetic simplicity.
Author: Dean Ray Koontz
Publisher: Writers Digest Books
ISBN: 9780911654219
Category : Language Arts & Disciplines
Languages : en
Pages : 232
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Book Description
Aspiring novelists are given advice on writing polishing, and marketing mysteries, suspense tales, Westerns, science fiction, and romances
Author: Brian Shawver
Publisher: UPNE
ISBN: 1611683300
Category : Language Arts & Disciplines
Languages : en
Pages : 257
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Book Description
In the world of prose, writing fiction has its own sets of rules, norms, and worries. In addition to developing plot and characters, a fiction writer must also make decisions about such things as what tense best suits a narrative, how to punctuate and attribute dialogue, and whether to phonetically construct speech dialects. Informal and engaging in tone, The Language of Fiction guides professional writers and students alike through the fiction-writing process. While many books that deal with fiction writing explore content-based issues such as characterization, setting, and plot, this unique new stylebook by author and writing instructor Brian Shawver focuses exclusively on language and how it is used in fiction. Beginning with stylistic decisions relating to tenses, dialogue, and thought, Shawver moves on to fundamentals of language, such as the proper use of the past-perfect tense and objective and subjective pronouns, questions of proper diction, and modifying participial phrases. He then explores the many nuances of punctuation as used in fiction. He provides a final section on common errors in fiction writing and how to avoid them. The Language of Fiction is a vital addition to every writer's reference bookshelf and an essential tool in any fiction classroom or workshop.
Author: Bernice M. Murphy
Publisher: Edinburgh University Press
ISBN: 1474414869
Category : Literary Criticism
Languages : en
Pages : 208
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Book Description
This groundbreaking collection provides students with a timely and accessible overview of current trends within contemporary popular fiction.
Author: Emar Maier
Publisher: Oxford University Press
ISBN: 0192585355
Category : Philosophy
Languages : en
Pages : 400
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Book Description
This volume brings together new research on fiction from the fields of philosophy and linguistics. Fiction has long been a topic of interest in philosophy, but recent years have also seen a surge in work on fictional discourse at the intersection between linguistics and philosophy of language. In particular, there has been a growing interest in examining long-standing issues concerning fiction from a perspective that is informed both by philosophy and linguistic theory. Following a detailed introduction by the editors, The Language of Fiction contains 14 chapters by leading scholars in linguistics and philosophy, organized into three parts. Part I, 'Truth, Reference, and Imagination', offers new, interdisciplinary perspectives on some of the central themes from the philosophy of fiction: What is fictional truth? How do fictional names refer? What kind of speech act is involved in telling a fictional story? What is the relation between fiction and imagination? Part II, 'Storytelling', deals with themes originating from the study of narrative: How do we infer a coherent story from a sequence of event descriptions? And how do we interpret the words of impersonal or unreliable narrators? Part III, 'Perspective Shift', focuses on an alleged key characteristic of fictional narratives, namely how we get access to the fictional characters' inner lives, through a variety of literary techniques for representing what they say, think, or see. The volume will be of interest to scholars from graduate level upwards in the fields of discourse analysis, semantics and pragmatics, philosophy of language, psychology, cognitive science, and literary studies.
Author: Ignasi Ribó
Publisher: Open Book Publishers
ISBN: 1783748125
Category : Education
Languages : en
Pages : 122
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Book Description
This concise and highly accessible textbook outlines the principles and techniques of storytelling. It is intended as a high-school and college-level introduction to the central concepts of narrative theory – concepts that will aid students in developing their competence not only in analysing and interpreting short stories and novels, but also in writing them. This textbook prioritises clarity over intricacy of theory, equipping its readers with the necessary tools to embark on further study of literature, literary theory and creative writing. Building on a ‘semiotic model of narrative,’ it is structured around the key elements of narratological theory, with chapters on plot, setting, characterisation, and narration, as well as on language and theme – elements which are underrepresented in existing textbooks on narrative theory. The chapter on language constitutes essential reading for those students unfamiliar with rhetoric, while the chapter on theme draws together significant perspectives from contemporary critical theory (including feminism and postcolonialism). This textbook is engaging and easily navigable, with key concepts highlighted and clearly explained, both in the text and in a full glossary located at the end of the book. Throughout the textbook the reader is aided by diagrams, images, quotes from prominent theorists, and instructive examples from classical and popular short stories and novels (such as Jane Austen’s Pride and Prejudice, Franz Kafka’s ‘The Metamorphosis,’ J. K. Rowling’s Harry Potter, or Dostoyevsky’s The Brothers Karamazov, amongst many others). Prose Fiction: An Introduction to the Semiotics of Narrative can either be incorporated as the main textbook into a wider syllabus on narrative theory and creative writing, or it can be used as a supplementary reference book for readers interested in narrative fiction. The textbook is a must-read for beginning students of narratology, especially those with no or limited prior experience in this area. It is of especial relevance to English and Humanities major students in Asia, for whom it was conceived and written.
Author: Ken Gelder
Publisher: Psychology Press
ISBN: 9780415356473
Category : American fiction
Languages : en
Pages : 196
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Book Description
In this important book, Ken Gelder offers a lively and comprehensive account of popular fiction as a distinctive literary and cultural field, tied directly to the logics and practices of entertainment and industry.
Author: Myra Edwards Barnes
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
Author: Susan Mandala
Publisher: A&C Black
ISBN: 1847063012
Category : Language Arts & Disciplines
Languages : en
Pages : 187
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Book Description
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