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Author: Richard Waswo
Publisher: Princeton University Press
ISBN: 1400858542
Category : Foreign Language Study
Languages : en
Pages : 331
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Book Description
Exploring the status of the semantic unit in recent linguistic and literary theories--the sign itself--Richard Waswo relates present-day literary concerns to Renaissance thought about the connections between language and meaning. Originally published in 1987. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Richard Waswo
Publisher: Princeton University Press
ISBN: 1400858542
Category : Foreign Language Study
Languages : en
Pages : 331
Get Book
Book Description
Exploring the status of the semantic unit in recent linguistic and literary theories--the sign itself--Richard Waswo relates present-day literary concerns to Renaissance thought about the connections between language and meaning. Originally published in 1987. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Richard Stemp
Publisher: Sterling Publishing Company, Inc.
ISBN: 9781844833221
Category : Art
Languages : en
Pages : 276
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Book Description
Magnificently illustrated throughout, and with a six-color gold-foil cover, this remarkable book provides an all-encompassing survey of the literature, painting, sculpture, architecture, and decorative arts of the Renaissance.
Author: James Harmer
Publisher: Routledge
ISBN: 1317066499
Category : Literary Criticism
Languages : en
Pages : 198
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Book Description
Renaissance Literature and Linguistic Creativity interrogates notions of linguistic creativity as presented in English literary texts of the late sixteenth century. It considers the reflections of Renaissance English writers upon the problem of how linguistic meaning is created in their work. The book achieves this consideration by placing its Renaissance authors in the context of the dominant conceptualisation of the thought-language relationship in the Western tradition: namely, that of 'introspection'. In taking this route, author James Harmer undertakes to provide a comprehensive overview of the notion of 'introspection' from classical times to the Renaissance, and demonstrates how complex and even strange this notion is often seen to be by thinkers and writers. Harmer also shows how poetry and literary discourse in general stands at the centre of the conceptual consideration of what linguistic thinking is. He then argues, through a range of close readings of Renaissance texts, that writers of the Shakespearean period increase the fragility of the notion of 'introspection' in such a way as to make the prospect of any systematic theory of meaning seem extremely remote. Embracing and exploring the possibility that thinking about meaning can only occur in the context of extreme cognitive and psychological limitation, these texts emerge as proponents of a human mind which is remarkably free in its linguistic nature; an irresistible mode of life unto itself. The final argumentative stratum of the book explores the implications of this approach for understanding the relationship between literary criticism, philosophy, and other kinds of critical activity. Texts discussed at length include Edmund Spenser's The Faerie Queene and shorter poetry, George Chapman's Ovids Banquet of Sence, Shakespeare's Titus Andronicus and Hamlet, and John Donne's Elegies.
Author: Christopher S. Celenza
Publisher: Cambridge University Press
ISBN: 1107003628
Category : Philosophy
Languages : en
Pages : 455
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Book Description
This book offers a new view of Italian Renaissance intellectual life, linking philosophy and literature as expressed in both Latin and Italian.
Author: Glyn P. Norton
Publisher: Librairie Droz
ISBN: 9782600031127
Category : Humanism
Languages : en
Pages : 368
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Book Description
Author: Jonathan Hope
Publisher:
ISBN: 9781472555151
Category : Electronic books
Languages : en
Pages : 247
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Book Description
''Much drink may be said to be an equivocator with lechery: it makes him, and it mars him; it sets him on, and it takes him off; it persuades him, and disheartens him; makes him stand to, and not stand to: in conclusion, equivocates him in a sleep, and, giving him the lie, leaves him.'' Porter, Macbeth, II i. Why would Elizabethan audiences find Shakespeare''s Porter in Macbeth so funny? And what exactly is meant by the name the ''Weird'' Sisters? Jonathan Hope, in a comprehensive and fascinating study, looks at how the concept of words meant something entirely different to Elizabethan audi.
Author: Neil Rhodes
Publisher: MHRA
ISBN: 1907322051
Category : Literary Criticism
Languages : en
Pages : 560
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Book Description
This volume is the first attempt to establish a body of work representing English thinking about the practice of translation in the early modern period. The texts assembled cover the long sixteenth century from the age of Caxton to the reign of James 1 and are divided into three sections: 'Translating the Word of God', 'Literary Translation' and 'Translation in the Academy'. They are accompanied by a substantial introduction, explanatory and textual notes, and a glossary and bibliography. Neil Rhodes is Professor of English Literature and Cultural History at the University of St Andrews and Visiting Professor at the University of Granada. Gordon Kendal is an Honorary Research Fellow in the School of English, University of St Andrews. Louise Wilson is a Leverhulme Early Career Fellow in the School of English, University of St Andrews.
Author: Nancy S. Struever
Publisher: Princeton University Press
ISBN: 1400872294
Category : History
Languages : en
Pages : 223
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Book Description
At any time, basic assumptions about language have a direct effect on the writing of history. The structure of language is related to the structure of knowledge and thus to the definition of historical reality, while linguistic competence gives insights into the relation of ideas and action. Within the framework of these ideas, and drawing on recent work in linguistic theory, including that of the French structuralists. Professor Struever studies the major shift in attitudes toward language and history which the Renaissance represents. One of the essential innovations of Renaissance Humanism is the substitution of rhetoric for dialectic as the dominant language discipline; rhetoric gives the Humanists their cohesion as a lay intellectual elite, as well as the force and direction of their thought. The author accepts the current trend in classical studies, the rehabilitation of the Sophists which finds its source in Nietzsche and includes the work of Rostagni, Untersteiner, and Buccellato, to reinstate rhetoric as the historical vehicle of Sophistic insight. Originally published in 1970. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Susanne Krebs
Publisher: GRIN Verlag
ISBN: 3640437500
Category :
Languages : en
Pages : 37
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Book Description
Seminar paper from the year 2004 in the subject English Language and Literature Studies - Linguistics, grade: 2,3, University of Koblenz-Landau (Anglistik), course: The Story of English, language: English, abstract: The 15th century must be seen as the age of innovation in Europe. For the spread of Renaissance culture as we know it today, several factors were decisive: advances in the fields of arts (e.g. architecture, painting and literature), science (e.g. geography, astronomy and medicine), economy (e.g. flourishing international trade) and of course technology, as the example of the printing press shows. By definition "The printing press is a mechanical device for printing many copies of a text on rectangular sheets of paper." () This definition might give the impression we are dealing with a simple gadget and a rather unspectacular procedure, but until 1450, "the original method of printing was block printing, pressing sheets of paper into individually carved wooden blocks" (), which would not last very long because of the pressure exercised upon them during the process of printing. Knowing this, the invention of the printing press seems even more valuable, as the former method described here required a lot of energy, money and time and yielded a relatively ridiculous output. A less-costly method of producing printed material needed to be found and the former goldsmith Johannes Gutenberg (1398-1468) from Mainz in Germany is acknowledged as the pioneer in this field. He experimented with metal alloy and finally created movable types which could be used and reused for printing without the effect of wearing down like the wooden material. Immediately, the printing press had the effect of multiplying the output and cutting the costs of books, thus making information available to a much larger part of the population. So it can be said that the printing press initiated an "infor
Author: Christiane L. Joost-Gaugier
Publisher: John Wiley & Sons
ISBN: 1118306112
Category : Art
Languages : en
Pages : 288
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Book Description
Richly illustrated, and featuring detailed descriptions of works by pivotal figures in the Italian Renaissance, this enlightening volume traces the development of art and architecture throughout the Italian peninsula in the fifteenth and sixteenth centuries. A smart, elegant, and jargon-free analysis of the Italian Renaissance – what it was, what it means, and why we should study it Provides a sustained discussion of many great works of Renaissance art that will significantly enhance readers’ understanding of the period Focuses on Renaissance art and architecture as it developed throughout the Italian peninsula, from Venice to Sicily Situates the Italian Renaissance in the wider context of the history of art Includes detailed interpretation of works by a host of pivotal Renaissance artists, both well and lesser known
