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Author: Andrew Hemingway
Publisher: BRILL
ISBN: 9004269010
Category : Art
Languages : en
Pages : 515
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Book Description
In this collection of classic and newly-published essays, Andrew Hemingway exposes the voices of competing class interest in British aesthetics and art theory in the Romantic period and provides fresh insights into landscape paintings by Constable, Turner and others.
Author: Andrew Hemingway
Publisher: BRILL
ISBN: 9004269010
Category : Art
Languages : en
Pages : 515
Get Book
Book Description
In this collection of classic and newly-published essays, Andrew Hemingway exposes the voices of competing class interest in British aesthetics and art theory in the Romantic period and provides fresh insights into landscape paintings by Constable, Turner and others.
Author: Ann Bermingham
Publisher: Univ of California Press
ISBN: 9780520066236
Category : Architecture
Languages : en
Pages : 288
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Book Description
In this interdisciplinary study, Ann Bermingham explores the complex, ambiguous, and often contradictory relationship between English landscape painting and the socio-economic changes that accompanied enclosure and the Industrial Revolution.
Author: Stephen Copley
Publisher: Cambridge University Press
ISBN: 0521441137
Category : Literary Criticism
Languages : en
Pages : 322
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Book Description
Essays on eighteenth- and nineteenth-century ways of looking at landscape, in theory and practice.
Author: Fred Orton
Publisher: BRILL
ISBN: 9004503331
Category : Social Science
Languages : en
Pages : 218
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Book Description
Aesthetic Thinking: Essays on Intention, Painting, Action, and Ideology anthologises some of Fred Orton’s important contributions to rethinking the social history of art and art practice. More than that, it offers a vivid demonstration of how theory can generate new interpretations and unsettle old ones.
Author: Elisabetta Di Stefano
Publisher: Springer Nature
ISBN: 3030778304
Category : Philosophy
Languages : en
Pages : 126
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Book Description
This book investigates how we are involved in politically informed structures and how they appear to us. Following different approaches in contemporary aesthetics and cultural philosophy, such as everyday aesthetics, atmosphere and aestheticization, the contributions explore how embedded powers in politics, education, democracy, and landscape are analyzed through aesthetics.
Author: Evgeny Dobrenko
Publisher: University of Washington Press
ISBN: 0295801174
Category : Art
Languages : en
Pages : 344
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Book Description
This wide-ranging cultural history explores the expression of Bolshevik Party ideology through the lens of landscape, or, more broadly, space. Portrayed in visual images and words, the landscape played a vital role in expressing and promoting ideology in the former Soviet Union during the Stalin years, especially in the 1930s. At the time, the iconoclasm of the immediate postrevolutionary years had given way to nation building and a conscious attempt to create a new Soviet �culture.� In painting, architecture, literature, cinema, and song, images of landscape were enlisted to help mold the masses into joyful, hardworking citizens of a state with a radiant, utopian future -- all under the fatherly guidance of Joseph Stalin. From backgrounds in history, art history, literary studies, and philosophy, the contributors show how Soviet space was sanctified, coded, and �sold� as an ideological product. They explore the ways in which producers of various art forms used space to express what Katerina Clark calls �a cartography of power� -- an organization of the entire country into �a hierarchy of spheres of relative sacredness,� with Moscow at the center. The theme of center versus periphery figures prominently in many of the essays, and the periphery is shown often to be paradoxically central. Examining representations of space in objects as diverse as postage stamps, a hikers� magazine, advertisements, and the Soviet musical, the authors show how cultural producers attempted to naturalize ideological space, to make it an unquestioned part of the worldview. Whether focusing on the new or the centuries-old, whether exploring a built cityscape, a film documentary, or the painting Stalin and Voroshilov in the Kremlin, the authors offer a consistently fascinating journey through the landscape of the Soviet ideological imagination. Not all features of Soviet space were entirely novel, and several of the essayists assert continuities with the prerevolutionary past. One example is the importance of the mother image in mass songs of the Stalin period; another is the "boundless longing" inspired in the Russian character by the burden of living amid vast empty spaces. But whether focusing on the new or the centuries-old, whether exploring a built cityscape, a film documentary, or the painting Stalin and Voroshilov in the Kremlin, the authors offer a consistently fascinating journey through the landscape of the Soviet ideological imagination.
Author: Martin Warnke
Publisher: Harvard University Press
ISBN: 9780674686168
Category : Art
Languages : en
Pages : 174
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Book Description
Whether considering the role of landscape in battle depictions; or investigating monumental figures from the Colossus of Rhodes to Mount Rushmore; or asking why gold backgrounds in paintings gave way to mountains topped with castles; Political Landscape reconfigures our idea of landscape, its significance, and its representations.
Author: Paul De Man
Publisher: U of Minnesota Press
ISBN: 9781452900674
Category : Literary Criticism
Languages : en
Pages : 212
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Book Description
A culmination of de Man's thoughts on philosophy, politics and history. The book presents an inquiry into the relation of rhetoric, epistemology and aesthetics, that offers radical notions of materiality. De Man reads Kant and Hegel with a combination of philosophical vigour and interpretive pressure. The texts collected here were written or delivered as lectures during the last years of Man's life, between 1977 and 1983. Many of them have never been available previously in any form; these include essays from Kant's materialism, his relation to Schiller, and the concept of irony.
Author: Joseph Monteyne
Publisher: University of Toronto Press
ISBN: 1487527764
Category : Literary Criticism
Languages : en
Pages : 316
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Book Description
In the late 1790s, British Prime Minister William Pitt created a crisis of representation when he pressured the British Parliament to relieve the Bank of England from its obligations to convert paper notes into coin. Paper quickly became associated with a form of limitless reproduction that threatened to dematerialize solid bodies and replace them with insubstantial shadows. Media Critique in the Age of Gillray centres on printed images and graphic satires which view paper as the foundation for the contemporary world. Through a focus on printed, visual imagery from practitioners such as James Gillray, William Blake, John Thomas Smith, and Henry Fuseli, the book addresses challenges posed by reproductive technologies to traditional concepts of subjective agency. Joseph Monteyne shows that the late eighteenth-century paper age’s baseless fabric set the stage for contemporary digital media’s weightless production. Engagingly written and abundantly illustrated, Media Critique in the Age of Gillray highlights the fact that graphic culture has been overlooked as an important sphere for the production of critical and self-reflective discourses around media transformations and the visual turn in British culture.
Author: Gary Tedman
Publisher: John Hunt Publishing
ISBN: 1780993021
Category : Philosophy
Languages : en
Pages : 285
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Book Description
A complete and original theory of aesthetics based on Marx and Althusser in the modernist Marxist anti-humanist tradition (Brecht, Althusser, Benjamin, Adorno). The main concepts that arise from this work are: the aesthetic level of practice, aesthetic state apparatuses, aesthetic interpellation, and pseudo dialectics, all of which are used to understand the role of aesthetic experience and its place in everyday life. - In the space long thought as necessary to fill spanning the gap between Marx and Freud, the author proposes that aesthetics can be located and defined in a concrete way. We are therefore looking at a domain involving and implicating feelings, affections, dispositions, sensibilities and sensuality, as well as their social role in art, tradition, ritual, and taboo. With the classic Marxist concepts of base and superstructure divided into levels, economic, ideological, and political, the aesthetic level of practice is the area that has traditionally been mostly either missing or mislocated and, especially perhaps, misrepresented for political reasons. The importance of this level is that it fuels and supports the media, or as Althusser described it the 'traffic' (or mediation) between base and superstructure, although for Althusser this was ideological traffic. Here, this is also defined as aesthetic. From this vantage point, we begin to be able to see aesthetic state apparatuses, analyse how they function, both in the past, historically (for example firstly in art history), and today, in the contemporary political context, to grasp the role that art and feelings, along with affective alienation, plays in our culture as a complete and, in fact, cyclical reciprocating system. ,
