La fille du tambour-major PDF Download
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Author: Jacques Offenbach
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 84
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Book Description
Author: Jacques Offenbach
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 84
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Book Description
Author: Jacques Offenbach
Publisher:
ISBN:
Category : Librettos
Languages : en
Pages : 86
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 12
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Book Description
Commencing 15 April, 1905, at the New Theatre Royal, "Offenbach's great military spectacular comic opera, La fille du Tambour Major".
Author: Jacques Offenbach
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 35
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Book Description
Author: Jacques Offenbach
Publisher: Benson Press
ISBN: 9781447476870
Category : Music
Languages : en
Pages : 96
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Book Description
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
Author: Alexander Flores
Publisher:
ISBN:
Category :
Languages : en
Pages : 30
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Book Description
Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 712
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Book Description
Author: Alexander Flores
Publisher:
ISBN:
Category :
Languages : en
Pages : 30
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Book Description
Author: François Verschaeve
Publisher: Lulu.com
ISBN: 0973845414
Category : Music
Languages : en
Pages : 550
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Book Description
Author: Michael Allis
Publisher: Cambridge Scholars Publishing
ISBN: 1443846902
Category : Music
Languages : en
Pages : 250
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Book Description
Marking the fiftieth anniversary of the death of Aldous Huxley (1894–1963), Temporaries and Eternals focuses on the music column that Huxley wrote for The Weekly Westminster Gazette in 1922–23. Readers of Huxley’s novels, essays and travel writing will be aware of the wealth of musical detail in these works, and this book suggests that such references can only be fully understood in the context of the opinions voiced in Huxley’s music criticism. Not only does Huxley’s column offer a fascinating snapshot of musical life in 1920s Britain, but several of the themes that Huxley explores continue to have contemporary relevance. These include music and technology, the composer-performer relationship, the nature of the child prodigy, musical tradition and innovation, the suitability of opera libretti, and how to write about music effectively. However, Huxley’s central theme, reflected in the title of this book, is the problematic question of how to judge the significance and potential longevity of specific composers and their works, from Palestrina to Schoenberg. After an extended introduction placing Huxley’s music criticism in the context of his other writings, the book reproduces all 64 of Huxley’s weekly articles, with footnote commentary to help the reader appreciate his wide-ranging textual references.
