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Author: Barbara Fuchs
Publisher: University of Pennsylvania Press
ISBN: 0812252616
Category : Literary Criticism
Languages : en
Pages : 184
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Book Description
European exploration and conquest expanded exponentially in the late fifteenth and sixteenth centuries, and as the horizons of imperial experience grew more distant, strategies designed to convey the act of witnessing came to be a key source of textual authority. From the relación to the captivity narrative, the Hispanic imperial project relied heavily on the first-person authority of genres whose authenticity undergirded the ideological armature of national consolidation, expansion, and conquest. At the same time, increasing pressures for religious conformity in Spain, as across Europe, required subjects to bare themselves before external authorities in intimate confessions of their faith. Emerging from this charged context, the unreliable voice of the pícaro poses a rhetorical challenge to the authority of the witness, destabilizing the possibility of trustworthy representation precisely because of his or her intimate involvement in the narrative. In Knowing Fictions, Barbara Fuchs seeks at once to rethink the category of the picaresque while firmly centering it once more in the early modern Hispanic world from which it emerged. Venturing beyond the traditional picaresque canon, Fuchs traces Mediterranean itineraries of diaspora, captivity, and imperial rivalry in a corpus of texts that employ picaresque conventions to contest narrative authority. By engaging the picaresque not just as a genre with more or less strictly defined boundaries, but as a set of literary strategies that interrogate the mechanisms of truth-telling itself, Fuchs shows how self-consciously fictional picaresque texts effectively encouraged readers to adopt a critical stance toward the truth claims implicit in the forms of authoritative discourse proliferating in Imperial Spain.
Author: Barbara Fuchs
Publisher: University of Pennsylvania Press
ISBN: 0812252616
Category : Literary Criticism
Languages : en
Pages : 184
Get Book
Book Description
European exploration and conquest expanded exponentially in the late fifteenth and sixteenth centuries, and as the horizons of imperial experience grew more distant, strategies designed to convey the act of witnessing came to be a key source of textual authority. From the relación to the captivity narrative, the Hispanic imperial project relied heavily on the first-person authority of genres whose authenticity undergirded the ideological armature of national consolidation, expansion, and conquest. At the same time, increasing pressures for religious conformity in Spain, as across Europe, required subjects to bare themselves before external authorities in intimate confessions of their faith. Emerging from this charged context, the unreliable voice of the pícaro poses a rhetorical challenge to the authority of the witness, destabilizing the possibility of trustworthy representation precisely because of his or her intimate involvement in the narrative. In Knowing Fictions, Barbara Fuchs seeks at once to rethink the category of the picaresque while firmly centering it once more in the early modern Hispanic world from which it emerged. Venturing beyond the traditional picaresque canon, Fuchs traces Mediterranean itineraries of diaspora, captivity, and imperial rivalry in a corpus of texts that employ picaresque conventions to contest narrative authority. By engaging the picaresque not just as a genre with more or less strictly defined boundaries, but as a set of literary strategies that interrogate the mechanisms of truth-telling itself, Fuchs shows how self-consciously fictional picaresque texts effectively encouraged readers to adopt a critical stance toward the truth claims implicit in the forms of authoritative discourse proliferating in Imperial Spain.
Author: Gregory Currie
Publisher: Oxford University Press
ISBN: 0192636782
Category : Philosophy
Languages : en
Pages : 257
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Book Description
Works of fiction are works of the imagination and for the imagination. Gregory Currie energetically defends the familiar idea that fictions are guides to the imagination, a view which has come under attack in recent years. Responding to a number of challenges to this standpoint, he argues that within the domain of the imagination there lies a number of distinct and not well-recognized capacities which make the connection between fiction and imagination work. Currie then considers the question of whether in guiding the imagination fictions may also guide our beliefs, our outlook, and our habits in directions of learning. It is widely held that fictions very often provide opportunities for the acquisition of knowledge and of skills. Without denying that this sometimes happens, this book explores the difficulties and dangers of too optimistic a picture of learning from fiction. It is easy to exaggerate the connection between fiction and learning, to ignore countervailing tendencies in fiction to create error and ignorance, and to suppose that claims about learning from fiction require no serious empirical support. Currie makes a case for modesty about learning from fiction — reasoning that a lot of what we take to be learning in this area is itself a kind of pretence, that we are too optimistic about the psychological and moral insights of authors, that the case for fiction as a Darwinian adaptation is weak, and that empathy is both hard to acquire and not always morally advantageous.
Author: Joel Schwartzberg
Publisher: Berrett-Koehler Publishers
ISBN: 1523094125
Category : Business & Economics
Languages : en
Pages : 129
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Book Description
Whether you want to improve your impact in speeches, staff meetings, pitches, emails, PowerPoint presentations, or any other communication setting, this book provides a novel approach that teaches you how to go from simply sharing a thought to making a difference. --
Author: Avrom Fleishman
Publisher: University of Texas Press
ISBN: 0292772785
Category : Literary Criticism
Languages : en
Pages : 236
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Book Description
In this highly individual study, Avrom Fleishman explores a wide range of literary references to human culture—the culture of ideas, facts, and images. Each critical essay in Fiction and the Ways of Knowing takes up for sustained analysis a major British novel of the nineteenth or the twentieth century. The novels are analyzed in the light of social, historical, philosophical, and other perspectives that can be grouped under the human sciences. The diversity of critical contexts in these thirteen essays is organized by Avrom Fleishman's governing belief in the interrelations of literature and other ways of interpreting the world. The underlying assumptions of this approach—as explained in his introductory essay—are that fiction is capable of encompassing even the most recondite facts and recalcitrant ideas; that fiction, though never a mirror of reality, is linked to realities and takes part in the real; and that a critical reading may be informed by scientific knowledge without reducing the literary work to a schematic formula. Fleishman investigates the matters of fact and belief that make up the designated meanings, the intellectual contexts, and the speculative parallels in three types of novel. Some of the novels discussed make it clear that their authors are informed on matters beyond the nonspecialist's range; these essays help bridge this information gap. Other fictional works are only to be grasped in an awareness of the cultural lore tacitly distributed in their own time; a modern reader must make the effort to fathom their anachronisms. And other novels can be found to open passageways that their authors can only have glimpsed intuitively; these must be pursued with great caution but equal diligence. The novels discussed include Little Dorrit, The Way We Live Now, Daniel Deronda, he Return of the Native, and The Magus. Also examined are Wuthering Heights, Vanity Fair, Northanger Abbey, To the Lighthouse, Under Western Eyes, Ulysses, and A Passage to India.
Author: Michael LeMahieu
Publisher: Oxford University Press
ISBN: 0199890404
Category : History
Languages : en
Pages : 255
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Book Description
Fictions of Fact and Value looks at logical positivism's major influence on the development of postwar American fiction, charting a literary and philosophical genealogy that has been absent from criticism on the American novel since 1945.
Author: K. Reynolds
Publisher: Springer
ISBN: 0230206204
Category : Literary Criticism
Languages : en
Pages : 215
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Book Description
This book reappraises the place of children's literature, showing it to be a creative space where writers and illustrators try out new ideas about books, society, and narratives in an age of instant communication and multi-media. It looks at the stories about the world and young people; the interaction with changing childhoods and new technologies.
Author: Sharon Cameron
Publisher: Scholastic Inc.
ISBN: 0545945259
Category : Young Adult Fiction
Languages : en
Pages : 394
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Book Description
Sharon Cameron returns to the rich world of #1 New York Times bestseller The Forgetting with a companion novel as thrilling and intricately crafted as the first. Samara is one of the Knowing, and the Knowing do not forget. Hidden deep in the comfort and splendor of her underground city, a refuge from the menace of a coming Earth, Samara learns what she should have never known and creates a memory so terrible she cannot live with it. So she flees, to Canaan, the lost city of her ancestors, to Forget.Beckett has flown through the stars to find a dream: Canaan, the most infamous social experiment of Earth's antiquity. Beckett finds Samara in the ruins of the lost city, and uncovers so much more than he ever bargained for -- a challenge to all he's ever believed in or sworn to. When planets collide and memories clash, can Samara and Beckett save two worlds, and remember love in a place that has forgotten it?At once thought-provoking and utterly thrilling, this extraordinary companion novel to Sharon Cameron's #1 NEW YORK TIMES bestselling THE FORGETTING explores the truth and loss that lie within memory, and the bonds that hold us together.
Author: Olivier Paquet
Publisher: Future Fiction
ISBN: 9788832077254
Category :
Languages : en
Pages : 306
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Book Description
The anthology "Knowing the Neighbours" features a selection of Near-Future stories written by some of the best European Science Fiction authors from 15 countries and in translation from 11 languages. Europe has always been the forge of fantastic literature from True Story by Lucian and The Divine Comedy by Dante Alighieri, passing from Micromega by Voltaire and Somnium by Johannes Kepler, up to the novels of Jules Verne and the short stories by Primo Levi. Moreover, Europe has also been the founder of fundamental literary and artistic vanguards (like Futurism, Dadaism, and Surrealism) that deeply influenced our consciousness and thinking. That's why Europe has still a lot to offer to the future of humanity if only its stories would be translated more and more. As European readers and writers know so much more about American and English Science Fiction than their own national ones, it's about time to get to know our neighbours through the stories of our fellow European writers. Ranging from disaster tourism to the use of AIs to improve the quality of wine, from planned obsolescence in common objects to aesthetic benchmarks to value everything, from animatronics as new friends to climate change and community resilience, their stories will take you on a tour along the many shapes of European futures. TABLE OF CONTENTS 1 - Roseweed by Vasso Christou (Greece) 2 - Amber Queen by Olivier Paquet (France) 3 - Fragmentation by Tom Crosshill (Latvia) 4 - Planned Obsolescence by Nina Horvath (Austria) 5 - The Keresztury TVirs by Ivan Popov (Bulgaria) 6 - The Golden Nose by Neil Williamson (UK) 7 - Goal invariance under radical self-modification by Julie Novakova (Czech Republic) 8 - Beautymark by Linda De Santi (Italy) 9 - Petware by Uwe Post (Germany) 10 - The Naming Tree by J.S. Meresmaa (Finland) 11 - Any House in the Storm by Tais Teng (Netherlands) 12 - Lying Weather by Krystyna Chodorowska (Poland) 13 - Reaping Day by Anna Jakobsson Lund (Sweden) 14 - The Rescue by Margrét Helgadóttir (Norway) 15 - Team Memory by Carme Torras (Spain)
Author: Katie Gutierrez
Publisher: HarperCollins
ISBN: 0063118483
Category : Fiction
Languages : en
Pages : 419
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Book Description
NATIONAL BESTSELLER • A GOOD MORNING AMERICA BOOK CLUB PICK "Fantastic . . . A sweeping novel, unflinching and evocative in its engrossing study of love, motherhood, sex, Mexico, journalism and more." — WASHINGTON POST "Masterful . . . Elegance, darkness, even fear are deftly intertwined . . . A wonderful read." — LUIS ALBERTO URREA, Pulitzer Prize finalist and bestselling author of The House of Broken Angels Recommended by Los Angeles Times • Washington Post • Parade • Good Housekeeping • NBC News • Today.com • Goodreads • Audible • The Millions • Popsugar • Tribeza • CrimeReads • Library Reads • She Reads • and more! An evocative drama about a woman caught leading a double life after one husband murders the other, and the true-crime writer who becomes obsessed with telling her story—this masterful work of literary suspense marks the debut of an extraordinary new writer The dance becomes an affair, which becomes a marriage, which becomes a murder... In 1985, Lore Rivera marries Andres Russo in Mexico City, even though she is already married to Fabian Rivera in Laredo, Texas, and they share twin sons. Through her career as an international banker, Lore splits her time between two countries and two families—until the truth is revealed and one husband is arrested for murdering the other. In 2017, while trawling the internet for the latest, most sensational news reports, struggling true-crime writer Cassie Bowman encounters an article detailing that tragic final act. Cassie is immediately enticed by what is not explored: Why would a woman—a mother—risk everything for a secret double marriage? Cassie sees an opportunity—she’ll track Lore down and capture the full picture, the choices, the deceptions that led to disaster. But the more time she spends with Lore, the more Cassie questions the facts surrounding the murder itself. Soon, her determination to uncover the truth could threaten to derail Lore’s now quiet life—and expose the many secrets both women are hiding. Told through alternating timelines, More Than You’ll Ever Know is both a gripping mystery and a wrenching family drama. Presenting a window into the hearts of two very different women, it explores the many conflicting demands of marriage and motherhood, and the impossibility of ever truly knowing someone—especially those we love. "A seductive, urgent tale about desire, family, the pursuit of truth, and the art of storytelling, More Than You’ll Ever Know will astonish readers with its vastness, romance, tragedy, and abundant heart. I didn’t want this book to ever end." — JESSAMINE CHAN, New York Times bestselling author of The School for Good Mothers "A gripping and thoughtful exploration of motherhood and marriage, the complexity of female desire, and the consequence of our obsession with true crime . . . One of the best suspenseful dramas I’ve read in years. An exceptional, stunning debut—I absolutely loved it." — ASHLEY AUDRAIN, New York Times bestselling author of The Push
Author: Pingyuan Chen
Publisher: Springer Nature
ISBN: 9811662029
Category : Literary Criticism
Languages : en
Pages : 370
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Book Description
This book examines the Chinese fictions (xiaoshuo) published between 1898 and 1927 – three pivotal decades, during which China underwent significant social changes. It applies Narratology and Sociology of the Novel methods to analyze both the texts themselves and the social-cultural factors that triggered the transformation of the narrative mode in Chinese fiction. Based on empirical data, the author argues that this transformation was not only inspired by translated Western fiction, but was also the result of a creative transformation in tradition Chinese literature.
