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Author:
Publisher:
ISBN: 9784990169480
Category : Calligraphy, Japanese
Languages : en
Pages : 95
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Book Description
Author:
Publisher:
ISBN: 9784990169480
Category : Calligraphy, Japanese
Languages : en
Pages : 95
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Book Description
Author: Sarah Moate
Publisher:
ISBN: 9784907009083
Category :
Languages : en
Pages : 102
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Book Description
Yamaoka Tesshu (1836-1888) was a Japanese master of the sword, Zen and calligraphy. A full-color book on the Zen art of Tesshu features his calligraphic pieces, essays about the relationship between swordsmanship, Zen, and calligraphy. Works are translated and significance explained in detailed captions. Calligraphy by Tesshu's contemporaries Katsu Kaishu, Takahashi Deishu, and modern master Terayama Tanchu included.
Author: Meido Moore
Publisher: Shambhala Publications
ISBN: 083484141X
Category : Religion
Languages : en
Pages : 192
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Book Description
The first accessible beginner's guide to Rinzai Zen practice. The recognition of the true nature of oneself and the universe is the aim of Rinzai Zen—but that experience, known as kensho, is really just the beginning of a life of refining that discovery and putting it into practice in the world. Rinzai, with its famed discipline and its emphasis on koan practice, is one of two main forms of Zen practiced in the West, but it is less familiar than the more prominent Soto school. Meido Moore here remedies that situation by providing this compact and complete introduction to Zen philosophy and practice from the Rinzai perspective. It’s an excellent entrée to a venerable tradition that goes back through the renowned Hakuin Ekaku in eighteenth-century Japan to its origins in Tang dynasty China—and that offers a path to living with insight and compassion for people today.
Author: John Stevens
Publisher: Shambhala Publications
ISBN: 0834844605
Category : Religion
Languages : en
Pages : 281
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Book Description
Explore this stunning collection of spiritual calligraphy by Japan’s greatest martial arts masters—with commentary from Zen art authority and aikido master John Stevens. Beginning with the legendary samurai Miyamoto Musashi, nearly all of the great martial arts masters left a legacy of calligraphy and painting. Their artwork—Zenga and Zensho (“Zen pictures” and “Zen calligraphy”)—was not only an extension of their Zen practice but also reflected their deep spiritual commitment to the budo ethos, the perfection of self through martial arts training. This book presents a concise history of this tradition, with works from such samurai as Musashi, Takuan, Yagyu, Motusgai, Rengetsu, Tesshu Deishu, Kano, Morihei, and others. Aikido master John Stevens is an expert on Zen and budo art, and he provides a fascinating introduction to the tradition and biographical details on each of the warrior artists, and brief, illuminating commentary on each piece.
Author:
Publisher:
ISBN:
Category : Buddhism
Languages : en
Pages : 586
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Author: Tanchu Terayama
Publisher: Vertical Inc
ISBN: 1568365780
Category : Art
Languages : en
Pages : 0
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Book Description
With its bold strokes and mystic aura, Zen calligraphy has fascinated Westerners for decades, yet it remains an abstract, rarely practiced form of expression outside of Asia. Now, master calligrapher Tanchu Terayama explains the techniques behind this subtle art and offers step-by-step instructions for practicing it on a professional level. After introducing the basics, Terayama presents a unique meditative warm-up to establish the proper mental attitude needed to release one's creative energies. Next, the power of the brushed line is explained and demonstrated. What makes a good line or a bad one, an expressive effort or an unfocused one? Lessons on brushing symbolic Japanese characters follow, including those for "emptiness," "nothingness," and "flower." The painting section shows readers how to draw the spare yet elegant pictorial themes of this classic art: bamboo, plum blossoms, Mount Fuji, and the inspirational Zen priest Daruma. If the exercises are the heart of the book, the Appreciation section is the soul. This chapter introduces classic works from renowned priests and other historical figures, including Miyamoto Musashi (the celebrated swordsman and author of The Book of Five Rings), Morihei Ueshiba (the founder of aikido), Jigoro Kano (the father of judo), and Zen priest Hakuin. Each masterpiece is accompanied by penetrating commentary on the strengths and salient features of the work. Rarely has Zen calligraphy been demonstrated and discussed with such candor and insight. Illuminating yet another side of Zen, Zen Brushwork will be an invaluable source to those interested in meditation, Zen, Buddhism, the martial arts, and Oriental traditions in general. CONTENTS Introduction Part I Background What is Zen Calligraphy? The Evolution of Kanji The Fundamentals of Calligraphy The Four Treasures of Calligraphy Hitsuzendo Part II Preparation-Warming Up and Developing Ki The Zen Line Yoki-ho: A Method of Developing Ki and Warming-Up warm-up exercise 1: Yoki-ho: The Long Version warm-up exercise 2: The Short Form of Yoki-ho: A Five-Minute Exercise warm-up exercise 3: Kusho: Writing in the Air Part III Zen Calligraphy and Painting Basic Practice The Zen Line and Its Applications exercise 1: Mujibo (The Zen Line) exercise 2: Enso (The Zen Circle) exercise 3: Horizontal and Vertical Lines exercise 4: Fine Lines Tensho (Seal Script) exercise 5: So (Grass) and a Practice Line Kaisho (Standard Script) exercise 6: Sho (Calligraphy) and Practice Lines Further Practice Sosho (Grass Script) exercise 7: Mu (Nothing) exercise 8: Hana (Flower) exercise 9: Ku (Emptiness) exercise 10: Mu Ichi Motsu (Owning No-thing) exercise 11: Ichigyo Zanmai (Be in the Moment) Writing Western Script exercise 12: Writing Western Script: ABC exercise 13: Shodo (Calligraphy) Painting exercise 14: Orchid exercise 15: Bamboo exercise 16: Plum Blossoms (with inscription) exercise 17: Mount Fuji exercise 18: Daruma exercise 19: Wall-Gazing Daruma exercise 20: "One-Stroke" Daruma exercise 21: Ji-Wa-Choku (Compassion, Harmony, Honesty) Part IV Appreciation Works by Old Masters Works by Terayama Tanchu Glossary What is Zen Calligraphy? Calligraphy (sho) is a formative art based on writing. It includes not only writing that is beautiful, but phrases that are novel and interesting. According to the Japanese philosopher Nishida Kitaro (1870-1945; see figure 1), true creativity is not the product of a conscious effort but rather the "phenomenon of life itself." True creation must arise from mu-shin, or the state of "no-mind," a state beyond thought, emotions, and expectations. Work that is produced through conscious effort is ultimately devoid of life. Zen calligraphy in particular must spring from shonen sozoku, a Buddhist term equivalent to "true thought." Shonen is a state of full concentration that is devoid of thoughts and ideas, while sozoku here means "free-flowing continuity." Greatness in brushwork cannot be achieved through conscious effort; it is only achieved through the states of mu-shin and shonen sozuku, or "no-mind" and a continuous state free of the thoughts and ideas that distract the mind. Zen calligraphy differs from other calligraphic disciplines as it is focused on the realization of "no-mind." Furthermore, in contrast tosho, which uses Chinese characters as a basis, it is the expression of Zen through a brush, whether the result is a single stroke, a Zen circle, or an ink painting. While sho is restricted to brushed writing, Zen calligraphy extends to other forms of brushwork. Nearly all calligraphy today is born of conscious attention to an aesthetic concept, but we rarely find lines that are truly alive. In contrast, the calligraphy of Zen masters such as Daito Kokushi (1282-1337; founder of Daitokuji temple in Kyoto) or Ikkyu Sojun (1394-1481) resonates with the energy of "no-mind" achieved through complete concentration. In these works, the lines are filled with vitality and the shapes are fresh and original. Sen no Rikyu (1522-91), who established many of the basic precepts of the tea ceremony, held that nothing surpassed Zen calligraphy as a subject for display in the alcove of the tea room. He undoubtedly felt that only art works that reflect the eternal vitality of Zen writings could encourage the mind toward enlightenment. Rikyu recognized that calligraphy necessarily demands the highest level of spirituality. A line that manifests clarity cannot be drawn if the heart is clouded by worldly concerns; a stroke cannot be brushed with resolution if the heart is agitated; and calligraphy that reveals depth cannot be produced if cultivation and experience are shallow. To write kanji characters that resonate and demonstrate their deeper meaning, one's own mind must achieve unity with the meaning of the words-a requirement that calls for a higher level of spirituality. The calligrapher, therefore, must strive for the state of "no-mind" through meditation and contemplation.
Author: Shōzō Satō
Publisher:
ISBN:
Category : Calligraphy, Japanese
Languages : en
Pages : 176
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Author: Shozo Sato
Publisher: Tuttle Publishing
ISBN: 9784805312049
Category : Art
Languages : en
Pages : 176
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Book Description
In this beautiful and extraordinary zen calligraphy book, Shozo Sato, an internationally recognized master of traditional Zen arts, teaches the art of Japanese calligraphy through the power and wisdom of Zen poetry. Single-line Zen Buddhist koan aphorisms, or zengo, are one of the most common subjects for the traditional Japanese brush calligraphy known as shodo. Regarded as one of the key disciplines in fostering the focused, meditative state of mind so essential to Zen, shodo calligraphy is practiced regularly by all students of Zen Buddhism in Japan. After providing a brief history of Japanese calligraphy and its close relationship with the teachings of Zen Buddhism, Sato explains the necessary supplies and fundamental brushstroke skills that you'll need. He goes on to present thirty zengo, each featuring: An example by a skilled Zen monk or master calligrapher An explanation of the individual characters and the Zen koan as a whole Step-by-step instructions on how to paint the phrase in a number of styles (Kaisho, Gyosho, Sosho) A stunning volume on the intersection of Japanese aesthetics and Zen Buddhist thought, Shodo: The Quiet Art of Japanese Zen Calligraphy guides both beginning and advanced students to a deeper understanding of the unique brush painting art form of shodo calligraphy. Shodo calligraphy topics include: The Art of Kanji The Four Treasures of Shodo Ideogram Zengo Students of Shodo
Author: Jason M. Wirth
Publisher: Clear Light Publishing
ISBN:
Category : Art
Languages : en
Pages : 146
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Book Description
Fukushima Roshi is head abbot of Tofuku-ji Monastery, one of the great five mountain monasteries (gozan) of Kyoto, Japan, and one of the great centres of the Rinzai Zen tradition. Fukushima's calligraphy is not merely didactic, a gilded vessel to make Zen doctrines more palatable. They are technically masterful, reflecting Fukushima's training in the calligraphic arts from an early age as well as his apprenticeship with Okada Roshi and his kaisho or "block" script, and Shibayama Roshi and his exquisite gyosho script. But like the beneficent force of Shibayama's calligraphy, from which he learned much, Fukushima's calligraphy is a quiet storm, a serene volcano, a compassionate and gentle eruption of the vast energy or ki of the Zen mind. The gentle forms of Fukushima's calligraphy are rife with the erupting force of mushin. This book reproduces twenty pieces of Fukushima's calligraphy, as well as a rare piece done by both Shibayama Roshi and Suzuki Sensei. Set against Fukushima's calligraphy, one can see in it all three generations of bridge builders of one of the most important lineages of dharma transmission from Japan to the United States. To complete things is a magnificent portrait of Bodhidharma (Japanese: Daruma), attributed to the incomparable Zen ink painter Sesshu Toyo (1420-1506). This volume also contains essays on Fukushima in particular and Zen calligraphy in general by some of the leading scholars in the field.
Author: Helen Foresman Spencer Museum of Art
Publisher:
ISBN:
Category : Calligraphy, Zen
Languages : en
Pages : 88
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