Author: A.B. Spellman
Publisher: University of Michigan Press
ISBN: 0472022644
Category : Music
Languages : en
Pages : 282
Book Description
Four Jazz Lives
Author: A.B. Spellman
Publisher: University of Michigan Press
ISBN: 0472022644
Category : Music
Languages : en
Pages : 282
Book Description
Publisher: University of Michigan Press
ISBN: 0472022644
Category : Music
Languages : en
Pages : 282
Book Description
Four Lives in the Bebop Business
Author: A. B. Spellman
Publisher: Hal Leonard Corporation
ISBN: 9780879100421
Category : Biography & Autobiography
Languages : en
Pages : 260
Book Description
Score
Publisher: Hal Leonard Corporation
ISBN: 9780879100421
Category : Biography & Autobiography
Languages : en
Pages : 260
Book Description
Score
Jazz Lives
Author: Gene Lees
Publisher:
ISBN:
Category : Jazz musicians
Languages : en
Pages : 216
Book Description
Publisher:
ISBN:
Category : Jazz musicians
Languages : en
Pages : 216
Book Description
A Life in Jazz
Author: Danny Barker
Publisher: Springer
ISBN: 1349099368
Category : Music
Languages : en
Pages : 247
Book Description
As a musician who grew up in New Orleans, and later worked in New York with the major swing orchestras of Lucky Millinder and Cab Calloway, Barker is uniquely placed to give an authoritative but personal view of jazz history. In this book he discusses his life in music, from the children's 'spasm' bands of the seventh ward of New Orleans, through the experience of brass bands and jazz funerals involving his grandfather, Isidore Barbarin, to his early days on the road with the blues singer Little Brother Montgomery. Later he goes on to discuss New York, and the jazz scene he found there in 1930. His work with Jelly Roll Morton, as well as the lesser-known bands of Fess Williams and Albert Nicholas, is covered before a full account of his years with Millinder, Benny Carter and Calloway, including a description of Dizzy Gillespie's impact on jazz, is given. The final chapters discuss Barker's career from the late 1940s. Starting with the New York dixieland scene at Ryan's and Condon's he talks of his work with Wilbur de Paris, James P. Johnson and This is Jazz, before discussing his return to New Orleans and New Orleans Jazz Museum. A collection of Barker's photographs,
Publisher: Springer
ISBN: 1349099368
Category : Music
Languages : en
Pages : 247
Book Description
As a musician who grew up in New Orleans, and later worked in New York with the major swing orchestras of Lucky Millinder and Cab Calloway, Barker is uniquely placed to give an authoritative but personal view of jazz history. In this book he discusses his life in music, from the children's 'spasm' bands of the seventh ward of New Orleans, through the experience of brass bands and jazz funerals involving his grandfather, Isidore Barbarin, to his early days on the road with the blues singer Little Brother Montgomery. Later he goes on to discuss New York, and the jazz scene he found there in 1930. His work with Jelly Roll Morton, as well as the lesser-known bands of Fess Williams and Albert Nicholas, is covered before a full account of his years with Millinder, Benny Carter and Calloway, including a description of Dizzy Gillespie's impact on jazz, is given. The final chapters discuss Barker's career from the late 1940s. Starting with the New York dixieland scene at Ryan's and Condon's he talks of his work with Wilbur de Paris, James P. Johnson and This is Jazz, before discussing his return to New Orleans and New Orleans Jazz Museum. A collection of Barker's photographs,
Ugly Beauty: Jazz in the 21st Century
Author: Philip Freeman
Publisher: John Hunt Publishing
ISBN: 1789046335
Category : Music
Languages : en
Pages : 281
Book Description
What does jazz mean 20 years into the 21st century? Has streaming culture rendered music literally meaningless, thanks to the removal of all context beyond the playlist? Are there any traditions left to explore? Has the destruction of the apprenticeship model (young musicians learning from their elders) changed the music irrevocably? Are any sounds off limits? How far out can you go and still call it jazz? Or should the term be retired? These questions, and many more, are answered in Ugly Beauty, as Phil Freeman digs through his own experiences and conversations with present-day players. Jazz has never seemed as vital as it does right now, and has a genuine role to play in 21st-century culture, particularly in the US and the UK.
Publisher: John Hunt Publishing
ISBN: 1789046335
Category : Music
Languages : en
Pages : 281
Book Description
What does jazz mean 20 years into the 21st century? Has streaming culture rendered music literally meaningless, thanks to the removal of all context beyond the playlist? Are there any traditions left to explore? Has the destruction of the apprenticeship model (young musicians learning from their elders) changed the music irrevocably? Are any sounds off limits? How far out can you go and still call it jazz? Or should the term be retired? These questions, and many more, are answered in Ugly Beauty, as Phil Freeman digs through his own experiences and conversations with present-day players. Jazz has never seemed as vital as it does right now, and has a genuine role to play in 21st-century culture, particularly in the US and the UK.
Off the Books
Author: Peter Leitch
Publisher: Vehicule Press
ISBN: 9781550653489
Category : Biography & Autobiography
Languages : en
Pages : 0
Book Description
"Many jazz lives are marginal, as jazz guitarist Peter Leitch attests in his honest memoir. [This is] the story of a life lived in search of excellence in music and art, but also a life lived battling depression, alienation, and narcotics addiction. [This book] refers to life outside of conventional 9 to 5 society and Leitch vividly relates what it was like trying to make a living playing in jazz clubs, nightclubs, and studios. He tells of growing up in an English-speaking family in Montreal's working class and predominantly French-speaking East End refinery district, discovering jazz on CBC radio and learning to play it outside of the academy. His first gigs were in Montreal druing the 1960s, moving to Toronto in the late 1970s, and then to New York in 1982, which comprises the largest section of the book, chronicling the inner workings of the jazz "business"."--Page 4 of cover.
Publisher: Vehicule Press
ISBN: 9781550653489
Category : Biography & Autobiography
Languages : en
Pages : 0
Book Description
"Many jazz lives are marginal, as jazz guitarist Peter Leitch attests in his honest memoir. [This is] the story of a life lived in search of excellence in music and art, but also a life lived battling depression, alienation, and narcotics addiction. [This book] refers to life outside of conventional 9 to 5 society and Leitch vividly relates what it was like trying to make a living playing in jazz clubs, nightclubs, and studios. He tells of growing up in an English-speaking family in Montreal's working class and predominantly French-speaking East End refinery district, discovering jazz on CBC radio and learning to play it outside of the academy. His first gigs were in Montreal druing the 1960s, moving to Toronto in the late 1970s, and then to New York in 1982, which comprises the largest section of the book, chronicling the inner workings of the jazz "business"."--Page 4 of cover.
Living the Jazz Life
Author: W. Royal Stokes
Publisher: Oxford University Press, USA
ISBN: 0195152492
Category : Biography & Autobiography
Languages : en
Pages : 306
Book Description
In some forty interviews with saxophonists, pianists, singers, composers, and string, brass, and rhythm players, Stokes illuminates the lives of the artists and the sheer pleasure of the sounds they create. Stokes paints a vivid portrait of jazz musicians ... that range across the globe. Introductions to vaudeville stars, blues musicians, and women instrumentalists. Covers a broad spectrum, including conversations with legendary veterans, like Jackie McLean and Louie Bellson, to such rising stars as Diana Krall, Cyrus Chestnut, Ingrid Jensen, and violinist Regina Carter.-Derived from book cover.
Publisher: Oxford University Press, USA
ISBN: 0195152492
Category : Biography & Autobiography
Languages : en
Pages : 306
Book Description
In some forty interviews with saxophonists, pianists, singers, composers, and string, brass, and rhythm players, Stokes illuminates the lives of the artists and the sheer pleasure of the sounds they create. Stokes paints a vivid portrait of jazz musicians ... that range across the globe. Introductions to vaudeville stars, blues musicians, and women instrumentalists. Covers a broad spectrum, including conversations with legendary veterans, like Jackie McLean and Louie Bellson, to such rising stars as Diana Krall, Cyrus Chestnut, Ingrid Jensen, and violinist Regina Carter.-Derived from book cover.
Growing Up with Jazz
Author: W. Royal Stokes
Publisher: Oxford University Press on Demand
ISBN: 0195159276
Category : Biography & Autobiography
Languages : en
Pages : 273
Book Description
In this collection of interviews, twenty-four instrumentalists and singers talk about the early influences that started them on the road to jazz and where that road has taken them.
Publisher: Oxford University Press on Demand
ISBN: 0195159276
Category : Biography & Autobiography
Languages : en
Pages : 273
Book Description
In this collection of interviews, twenty-four instrumentalists and singers talk about the early influences that started them on the road to jazz and where that road has taken them.
American Wasteland
Author: BradyGames (Firm)
Publisher: BradyGames
ISBN: 9780744006285
Category : Games & Activities
Languages : en
Pages : 132
Book Description
No Marketing Blurb
Publisher: BradyGames
ISBN: 9780744006285
Category : Games & Activities
Languages : en
Pages : 132
Book Description
No Marketing Blurb
Jazz and Justice
Author: Gerald Horne
Publisher: Monthly Review Press
ISBN: 1583677860
Category : Music
Languages : en
Pages : 456
Book Description
A galvanizing history of how jazz and jazz musicians flourished despite rampant cultural exploitation The music we call “jazz” arose in late nineteenth century North America—most likely in New Orleans—based on the musical traditions of Africans, newly freed from slavery. Grounded in the music known as the “blues,” which expressed the pain, sufferings, and hopes of Black folk then pulverized by Jim Crow, this new music entered the world via the instruments that had been abandoned by departing military bands after the Civil War. Jazz and Justice examines the economic, social, and political forces that shaped this music into a phenomenal US—and Black American—contribution to global arts and culture. Horne assembles a galvanic story depicting what may have been the era’s most virulent economic—and racist—exploitation, as jazz musicians battled organized crime, the Ku Klux Klan, and other variously malignant forces dominating the nightclub scene where jazz became known. Horne pays particular attention to women artists, such as pianist Mary Lou Williams and trombonist Melba Liston, and limns the contributions of musicians with Native American roots. This is the story of a beautiful lotus, growing from the filth of the crassest form of human immiseration.
Publisher: Monthly Review Press
ISBN: 1583677860
Category : Music
Languages : en
Pages : 456
Book Description
A galvanizing history of how jazz and jazz musicians flourished despite rampant cultural exploitation The music we call “jazz” arose in late nineteenth century North America—most likely in New Orleans—based on the musical traditions of Africans, newly freed from slavery. Grounded in the music known as the “blues,” which expressed the pain, sufferings, and hopes of Black folk then pulverized by Jim Crow, this new music entered the world via the instruments that had been abandoned by departing military bands after the Civil War. Jazz and Justice examines the economic, social, and political forces that shaped this music into a phenomenal US—and Black American—contribution to global arts and culture. Horne assembles a galvanic story depicting what may have been the era’s most virulent economic—and racist—exploitation, as jazz musicians battled organized crime, the Ku Klux Klan, and other variously malignant forces dominating the nightclub scene where jazz became known. Horne pays particular attention to women artists, such as pianist Mary Lou Williams and trombonist Melba Liston, and limns the contributions of musicians with Native American roots. This is the story of a beautiful lotus, growing from the filth of the crassest form of human immiseration.