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Author: Ann Curthoys
Publisher: ReadHowYouWant.com
ISBN: 1459604369
Category : History
Languages : en
Pages : 606
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Book Description
The relationship between history and fiction has always been a controversial one. Can we ever know that a historical narrative is giving us a true account of what actually happened? Provocative and fascinating, this book is an original and insightful examination of the ways in which history is - and might be - written. It traces History's double...
Author: Ann Curthoys
Publisher: ReadHowYouWant.com
ISBN: 1459604369
Category : History
Languages : en
Pages : 606
Get Book
Book Description
The relationship between history and fiction has always been a controversial one. Can we ever know that a historical narrative is giving us a true account of what actually happened? Provocative and fascinating, this book is an original and insightful examination of the ways in which history is - and might be - written. It traces History's double...
Author: K. Cooper
Publisher: Springer
ISBN: 1137283386
Category : Social Science
Languages : en
Pages : 241
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Book Description
From The Other Boleyn Girl to Fingersmith , this collection explores the popularity of female-centred historical novels in recent years. It asks how these representations are influenced by contemporary gender politics, and whether they can be seen as part of a wider feminist project to recover women's history.
Author: Brent Orlyn Peterson
Publisher: Wayne State University Press
ISBN: 9780814332009
Category : History
Languages : en
Pages : 376
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Book Description
A study of the content, development, and transmission of German identity during the nineteenth century as Germany's national narrative took shape in historical fiction and in both popular and academic history. The German-speaking inhabitants of central Europe did not automatically think of themselves as "Germans"--not before 1871 and not always after unification. In fact, they spoke mutually incomprehensible dialects, owed allegiance to different leaders, worshiped in different churches, and would not have recognized each other's customs. If asked about their identity, these prospective Germans might have answered Austrian, Bavarian, or Prussian, and they could as easily have used more local labels or resorted to occupational markers. For this disparate population to think of itself as "German," that word had to acquire content--people had to learn a whole set of stories they could tell themselves and to others in answer to the question of identity. History, Fiction, and Germany chronicles how German nationalism developed simultaneously with the historical novel and the field of history, both at universities and in middlebrow reading material. The book examines Germany's emerging national narrative as nineteenth-century writers adapted it to their own visions and to changing circumstances. These writers found and popularized the nation's heroes and heroines, demonized its villains and enemies, and projected the nation's hopes and dreams for the future. Author Brent O. Peterson argues that it was the production and consumption of national history--the writing and reading of the nation--that filled Germany with Germans. Although the task of national narration was never complete and never produced a single, universally accepted version of German national identity, tales from Germans' gradually shared history did more to create Germany than any statesman, general, or philosopher. History, Fiction, and Germany provides a valuable resource for scholars and students of German studies, as well as anyone interested in history and the articulation of national identity.
Author: Kate Mitchell
Publisher: Springer
ISBN: 1137291540
Category : Literary Criticism
Languages : en
Pages : 243
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Book Description
This collection examines the intersection of historical recollection, strategies of representation, and reading practices in historical fiction from the eighteenth century to today. In shifting focus to the agency of the reader and taking a long historical view, the collection brings a new perspective to the field of historical representation.
Author: James K. Hoffmeier
Publisher: Zondervan Academic
ISBN: 0310514959
Category : Religion
Languages : en
Pages : 174
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Book Description
The nature of the Genesis narrative has sparked much debate among Christians. This book introduces three predominant interpretive genres and their implications for biblical understanding. Each contributor identifies their position on the genre or genres of Genesis, chapters 1-11, addresses why their interpretation is respectful of and appropriate to the text, and contributes examples of its application to a variety of passages. The positions include: Theological History(Genesis can be taken seriously as both history and theology) – defended by James K. Hoffmeier. Proto-History (the early Genesis narratives consist of a variety of literary genres; which, nonetheless, do not obscure the book's theological teaching) – defended by Gordon J. Wenham. Ancient Historiography (an understanding of Genesis that seeks to reconcile the limitations of its human authors with the nature of it being the Word of God) defended by Kenton L. Sparks. General editor and Old Testament scholar Charles Halton explains the importance of genre and provides historical insight in the introduction and helpful summaries of each position in the conclusion. In the reader-friendly Counterpoints format, this book helps readers to reflect on the strengths and weaknesses of each view and draw informed conclusions in this much-debated topic.
Author: A. Stevens
Publisher: Springer
ISBN: 0230275303
Category : Fiction
Languages : en
Pages : 201
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Book Description
In the half century before Walter Scott's Waverley , dozens of popular novelists produced historical fictions for circulating libraries. This book examines eighty-five popular historical novels published between 1762 and 1813, looking at how the conventions of the genre developed through a process of imitation and experimentation.
Author: Ernest A. Baker
Publisher: Forgotten Books
ISBN: 9781331566328
Category : History
Languages : en
Pages : 586
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Book Description
Excerpt from A Guide to Historical Fiction Tales, has written an able defence of the reading of this kind of romance, to which I have little to add except by the way of emphasis. Historical fiction is not history, but it is often better than history. A fine historical painting, a pageant, or a play, may easily teach more and carry a deeper impression than whole Chapters of description and analysis. Esmond and Tom fones are indispensable adjuncts to Lecky. Scott and Dumas will always have a larger history class than any two regular historians you could name. Even a second-rate historical novel may have ample excuse for existence. But a good one - good, that is, merely as a story - though chronology may be at fault and facts inaccurately stated, will probably succeed in making a period live in the imagination when text-books merely give us dry bones. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: A. T. Fomenko
Publisher: Mithec
ISBN: 2913621066
Category : Chronology, Historical
Languages : en
Pages : 562
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Book Description
The author posits that all generally accepted chronology before the 16th century is in error by hundreds or thousands of years.
Author: Alexander Lyon Macfie
Publisher: Routledge
ISBN: 1317681746
Category : Fiction
Languages : en
Pages : 210
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Book Description
The Fiction of History sets out a number of themes in the relationship between history and fiction, emphasising the tensions and dilemmas created in this relationship and examining how various writers have dealt with these. In the first part, two chapters discuss the philosophy behind the connection between fiction and history, whether history is fiction, and the distinction between the past and history. Part two goes on to discuss the relationship between history and literature using case studies such as Virginia Woolf and Charles Dickens. Part three looks at television and film (as well as other media) through case studies such as the film Welcome to Sarajevo and Soviet and Australian films. Part four considers a particular theme that has prominence in both history and literature, postcolonial studies, focusing on the issues of fictions of nationhood and civilization and the historical novel in postcolonial contexts. Finally, the fifth section comprises two interviews with novelists Penelope Lively and Adam Thorpe and discusses the ways in which their works explore the nature of history itself.
Author: Kim Wilson
Publisher: Routledge
ISBN: 1136666265
Category : History
Languages : en
Pages : 229
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Book Description
This study is concerned with how readers are positioned to interpret the past in historical fiction for children and young adults. Looking at literature published within the last thirty to forty years, Wilson identifies and explores a prevalent trend for re-visioning and rewriting the past according to modern social and political ideological assumptions. Fiction within this genre, while concerned with the past at the level of content, is additionally concerned with present views of that historical past because of the future to which it is moving. Specific areas of discussion include the identification of a new sub-genre: Living history fiction, stories of Joan of Arc, historical fiction featuring agentic females, the very popular Scholastic Press historical journal series, fictions of war, and historical fiction featuring multicultural discourses. Wilson observes specific traits in historical fiction written for children — most notably how the notion of positive progress into the future is nuanced differently in this literature in which the concept of progress from the past is inextricably linked to the protagonist’s potential for agency and the realization of subjectivity. The genre consistently manifests a concern with identity construction that in turn informs and influences how a metanarrative of positive progress is played out. This book engages in a discussion of the functionality of the past within the genre and offers an interpretative frame for the sifting out of the present from the past in historical fiction for young readers.
