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Author: Heidi R.M. Pauwels
Publisher: Routledge
ISBN: 1134062559
Category : Literary Collections
Languages : en
Pages : 276
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Book Description
This book is about the popular cinema of North India ("Bollywood") and how it recasts literary classics. It addresses questions about the interface of film and literature, such as how Bollywood movies rework literary themes, offer different (broader or narrower) interpretations, shift plots, stories, and characters to accommodate the medium and the economics of the genre, sometimes even changing the way literature is read. This book addresses the socio-political implications of popular reinterpretations of "elite culture", exploring gender issues and the perceived "sexism" of the North Indian popular film and how that plays out when literature is reworked into film. Written by an international group of experts on Indian literature and film, the chapters in this book focus on these central questions, but also cover a wide range of literary works that have been adapted in film. Each part of the book discusses how a particular genre of literature has been "recast" into film. The individual chapters focus on comparisons and close studies of individual films or film songs inspired by "classics" of literature. The book will be of interest to those studying Indian film and literature and South Asian popular culture more generally.
Author: Heidi R.M. Pauwels
Publisher: Routledge
ISBN: 1134062559
Category : Literary Collections
Languages : en
Pages : 276
Get Book
Book Description
This book is about the popular cinema of North India ("Bollywood") and how it recasts literary classics. It addresses questions about the interface of film and literature, such as how Bollywood movies rework literary themes, offer different (broader or narrower) interpretations, shift plots, stories, and characters to accommodate the medium and the economics of the genre, sometimes even changing the way literature is read. This book addresses the socio-political implications of popular reinterpretations of "elite culture", exploring gender issues and the perceived "sexism" of the North Indian popular film and how that plays out when literature is reworked into film. Written by an international group of experts on Indian literature and film, the chapters in this book focus on these central questions, but also cover a wide range of literary works that have been adapted in film. Each part of the book discusses how a particular genre of literature has been "recast" into film. The individual chapters focus on comparisons and close studies of individual films or film songs inspired by "classics" of literature. The book will be of interest to those studying Indian film and literature and South Asian popular culture more generally.
Author: K. Gokulsing
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 161
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Book Description
Author: Florian Stadtler
Publisher: Routledge
ISBN: 1135964300
Category : Literary Criticism
Languages : en
Pages : 214
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Book Description
This book analyses the novels of Salman Rushdie and their stylistic conventions in the context of Indian popular cinema and its role in the elaboration of the author’s arguments about post-independence postcolonial India. Focusing on different genres of Indian popular cinema, such as the ‘Social’, ‘Mythological’ and ‘Historical’, Stadtler examines how Rushdie’s writing foregrounds the epic, the mythic, the tragic and the comic, linking them in storylines narrated in cinematic parameters. The book shows that Indian popular cinema’s syncretism becomes an aesthetic marker in Rushdie’s fiction that allows him to elaborate on the multiplicity of Indian identity, both on the subcontinent and abroad, and illustrates how Rushdie uses Indian popular cinema in his narratives to express an aesthetics of hybridity and a particular conceptualization of culture with which ‘India’ has become identified in a global context. Also highlighted are Rushdie’s uses of cinema to inflect his reading of India as a pluralist nation and of the hybrid space occupied by the Indian diaspora across the world. The book connects Rushdie’s storylines with modes of cinematic representation to explore questions about the role, place and space of the individual in relation to a fast-changing social, economic and political space in India and the wider world.
Author: Raminder Kaur
Publisher: SAGE
ISBN: 0761933204
Category : Language Arts & Disciplines
Languages : en
Pages : 180
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Book Description
Popular Indian Cinema is clearly a worldwide phenomenon. But what often gets overlooked in this celebration is this cinema’s intricate relationship with global dynamics since its very inception in the 1890s. With contributions from a range of international scholars, this volume analyses the transnational networks of India’s popular cinema in terms of its production, narratives and reception. The first section of the book,Topographies, concentrates on the globalised audio-visual economies within which the technologies and aesthetics of India’s commercial cinema developed. Essays here focus on the iconic roles of actors like Devika Rani and Fearless Nadia, film-makers such as D G Phalke and Baburao Painter, the film Sant Tukaram, and aspects of early cinematography. The second section, Trans-Actions, argues that the ‘national fantasy’ of Indian commercial cinema is an unstable construction. Essays here concentrate on the conversations between Indian action movies of the 1970s and other genres of action and martial arts films; the features of post-liberalisation Indian films designed to meet the needs of an ‘imagined’ global audience in the 1990s; and the changing metaphor of ‘the vamp’ as portrayed through desirous women in films with examples of the Anglo-Asian, the westernized Indian woman of ‘low character’, and the contemporary figure of the ‘heroine’. The final section, Travels, focuses on the overseas reception of Indian cinema with ethnographic case studies from Germany, Guyana, the USA, South Africa, Nigeria and Britain. The contributors highlight various issues concerning modernity, racial/ethnic identity, the gaze of the ‘mainstream Other’, gender, hybridity, moral universes, and the articulation of desire and disdain.
Author: Rini Bhattacharya Mehta
Publisher: Anthem Press
ISBN: 0857288970
Category : Performing Arts
Languages : en
Pages : 211
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Book Description
This book is a collection of incisive articles on the interactions between Indian Popular Cinema and the political and cultural ideologies of a new post-Global India.
Author: Ashish Rajadhyaksha
Publisher: Oxford University Press
ISBN: 0191034770
Category : Art
Languages : en
Pages : 144
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Book Description
One film out of every five made anywhere on earth comes from India. From its beginnings under colonial rule through to the heights of Bollywood , Indian Cinema has challenged social injustices such as caste, the oppression of Indian women, religious intolerance, rural poverty, and the pressures of life in the burgeoning cities. And yet, the Indian movie industry makes only about five percent of Hollywood's annual revenue. In this Very Short Introduction Ashish Rajadhyaksha delves into the political, social, and economic factors which, over time, have shaped Indian Cinema into a fascinating counterculture. Covering everything from silent cinema through to the digital era, Rajadhyaksha examines how the industry reflects the complexity and variety of Indian society through the dramatic changes of the 20th century, and into the beginnings of the 21st. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable
Author: Cornelius Crowley
Publisher: Cambridge Scholars Publishing
ISBN: 1443878545
Category : History
Languages : en
Pages : 290
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Book Description
This book investigates the millennial history of the Indian subcontinent. Through the various methods adopted, the objects and moments examined, it questions various linguistic, literary and artistic appropriations of the past, to address the conflicting comprehensions of the present and also the figuring/imagining of a possible future. The volume engages with this general cultural condition, in relation both to the subcontinent’s current “synchronic” reality and to certain aspects of the culture’s underlying diachronic determinations. It also reveals how the multiple heritages are negotiated through the subcontinent’s long-term sedimentational history. It scrutinizes both conservative interpretations of heritage and a possibly incremental enrichment, and the additional possibility of a mode of appropriation open to a dialectic of creative destruction, in which the patrimonial imperative is challenged, leaving room for processes of renewal and rejuvenation. The collection is organized around four major topics: Orientalism, addressed by way of the Tamil Epic Manimekalai, through the evocation of the Hastings Circle and views on a possible Hindu-Muslim unity sketched out by Sayyid Ahmed Khan; modernism in Indian and Burmese texts written in English; pictorial art, through a consideration of the work of British Asian and Indian film directors; and, finally, the current state of a body of critical thinking on gender.
Author: Charlton D. McIlwain
Publisher: Hampton Press (NJ)
ISBN:
Category : Social Science
Languages : en
Pages : 208
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Book Description
"Based on a foundation of cultural theory and scholarship, the author explores a variety of issues related to race, culture and death ritual practices by immersing himself in the rich narratives and sources of information gleaned from his in-depth interviews with funeral directors, corporate funeral home representatives, clergy and individuals who have recently lost a loved one. Additionally, he has observed numerous funeral and burial services and cemetery landscapes, and has examined federal and state public policies surrounding burial and disposal, as well as other forms of death-related discourse. Ultimately, the book describes how death rituals both manifest and reinforce different cultural identities, and suggests that perhaps, it is through the experience of death that we might find the most enduring possibilities for promoting greater cultural understanding by maintaining rather than eliminating such differences."--BOOK JACKET.
Author: Neepa Majumdar
Publisher: John Wiley & Sons
ISBN: 1119048192
Category : Performing Arts
Languages : en
Pages : 628
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Book Description
A new collection in the Wiley Blackwell Companions to National Cinemas series, featuring the cinemas of India In A Companion to Indian Cinema, film scholars Neepa Majumdar and Ranjani Mazumdar along with 25 established and emerging scholars, deliver new research on contemporary and historical questions on Indian cinema. The collection considers Indian cinema's widespread presence both within and outside the country, and pays particular attention to regional cinemas such as Bhojpuri, Bengali, Malayalam, Manipuri, and Marathi. The volume also reflects on the changing dimensions of technology, aesthetics, and the archival impulse of film. The editors have included scholarship that discusses a range of films and film experiences that include commercial cinema, art cinema, and non-fiction film. Even as scholarship on earlier decades of Indian cinema is challenged by the absence of documentation and films, the innovative archival and field work in this Companion extends from cinema in early twentieth century India to a historicized engagement with new technologies and contemporary cinematic practices. There is a focus on production cultures and circulation, material cultures, media aesthetics, censorship, stardom, non-fiction practices, new technologies, and the transnational networks relevant to Indian cinema. Suitable for undergraduate and graduate students of film and media studies, South Asian studies, and history, A Companion to Indian Cinema is also an important new resource for scholars with an interest in the context and theoretical framework for the study of India's moving image cultures.
Author: Manju Jain
Publisher: Primus Books
ISBN: 8190891847
Category : Film adaptations
Languages : en
Pages : 295
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Book Description
This collection of essays by subject specialists examines the politics of violence, communalism, and terrorism as negotiated in cinema; the representations of identitarian politics; and the complex ideological underpinnings of literary adaptations.
